Saturday, July 25, 2009

Life After Sambo

Great to see Life After Sambo on the cover of Metropolis this month.

We had a chance to visit some of the $20,000 houses last year while at Yancey Chapel.
 
The works are simply fantastic.
 
Plan your road trip: Rural Studio
 
Be inspired to make a difference.
 
*Photo of downtown Newbern by Timothy Hursley
Thursday, July 23, 2009

Fashion Manufacturing or On Tiny Plots Rewritten

I loved that this article found its way to USA TODAY:
 
 
What if the story was rewritten like this:
 
In tiny factories, a new generation of manufacturers emerges
 
The wave of young manufacturers in tiny factories is too new and too small to have turned up significantly in manufacturing statistics, but people in the manufacturing world acknowledge there's something afoot.
 
For these new manufacturers, going back to the factory isn't a rejection of conventional society, but an embrace of making products for market as an honorable, important career choice — one that's been waning in the last decades.
 
It's about creating something real — the stuff that touches peoples life — and at the same time healing the Earth. Says one small manufacturer, "The America that I want to live in will support people who are willing to work their asses off, who want to do good things for their community. We're patriots of place. Here I am, I'm doing my part."
 
Three factors have made these small, organic factories possible: a rising consumer demand for organic and local merchandise, a huge increase in product markets nationwide, and the growing popularity of community-supported programs.
 
Read the story again & replace the word farm with factory, food with product:
 
 
A standing ovation to our farmers - young and old - who are choosing to make a difference...
 
*Photo Elizabeth DeRamus
Monday, July 20, 2009

Alabama in the Bronx

From Father Andrew @ Goods of Conscience:

 “Do you notice the corn growing next to the garage?  We have chickens up here too.  I am loving the indigo flag waving Alabama in our midst.”

 Read more about Father Andrew & Alabama Denim
 
**Photo courtesy of Father Andrew

 

Labels:
Design
Friday, July 17, 2009

Femininity, Salvaged

This beautiful story from The New York Times today:  Femininity, Salvaged

Lillian Bassman: Women

Anais Nin - The Delta of Venus

 

Thursday, July 16, 2009

2009 CFDA/Vogue Fashion Fund Finalist

We are honored to announce that Alabama Chanin has been selected as a finalist for the 2009 CFDA/Vogue Fashion Fund. Thank you to our office staff, our talented artisans, family, friends, readers, journalists, editors, stylists, our stores & a host of supporters around the globe.  

 
Dance with us today…
xxx from all of us @ Alabama Chanin
 

*Photo Russ Harrington

Thursday, July 9, 2009

Open for Business

Bureau of Friends
 

A few Sunday’s ago, at the Chez Panisse Edible School Yard kitchen in Berkeley, about twenty of us gathered to learn how to make beautiful things from the Alabama Stitch Book . Natalie Chanin regaled us with tales, as we practiced the depression-era sewing techniques used by artisans who make her exquisite designs for Alabama Chanin. Natalie’s stories, were about life–hers and the others before her–and, she related these stories to sewing, fabric, thread and physics.

To hear Natalie Chanin weave a tale is like eating a meal. In stark contrast, my trying to tell one of her stories is more like reading a recipe. But, dare to tell it, I will. Here goes:

During hot summer evenings in the South, Natalie’s friends and family would gather around the family home to eat, drink, tell stories on the porch and be together. On one of these evenings, Natalie’s grandfather set the children to the task of collecting sticks from around the yard.

After the children had secured their bounty, he asked them to each take and hold a stick–just one–with both hands. Then he asked them to, “break it.” As they easily snapped their twig in two, he added, “That stick is you. You, on your own.” While lightening bugs flashed and the night rolled in, the children listened intently, “Now, take as many sticks as you can hold in your hand, maybe five, and hold them together. And now break those,” he asked of the children. The tensile strength of the individual sticks held together as one made the task impossible. “This,” he said “is your family.”

This is the sentiment that brings Natalie and I together with others in the Bureau of Friends. Formalized over breakfast and a pinky swear in a Manhattan bistro, The Bureau of Friends, is now open for business and ready to help others do the good work. We are stronger together.

By Maria Moyer, bureau chief

www.bureauoffriends.com

 **Photo by Maria Moyer

Thursday, July 9, 2009

Natural Goes National

Natural Wine Bar

Amy sent over a great link this morning: Natural Goes National

All of the websites offer fantastic wine lists, stories and reviews. 
 
**Photo from the Terroir Natural Wine Bar & Merchant in San Francisco


 

Wednesday, July 8, 2009

A Little Girl's Response to Love

Agnes Martin:  The Nineties and Beyond

My favorite: "A Little Girl's Response to Love"

Page 97

"Agnes Martin" Essay by Lynne Cooke

Agnes Martin (Dia Foundation)

Friday, July 3, 2009

Happy Birthday

 Live. Love. Laugh. Dream. Create. Celebrate. Happy holiday...

 

**Make your own pillow, tablecloth or quilt from our 100% Certified Organic, American-Grown Cotton Jersey in Burgundy, Natural and Navy with stenciled stars in white airbrush paint and sewn with cream and navy thread.
Labels:
Projects
Thursday, July 2, 2009

Facets Stencil


Many will recognize this geometric stencil from our archive of work as well as from our Spring/Summer 2009 Ceremony Collection.  People often associate this star pattern with Islamic Art (and the pattern is sometimes called the Islamic Star); however, patterns of this nature were already becoming visible in early Mesopotamian Art and Architecture.

This genre of geometric pattern is ancient and has been used over the millennia for multiple purposes: from tiling and textiles to religious meditation, ritual, pottery, art and architecture.

Here are good resources for intricate graphics patterns to further research:
 
 
 
 
 
 
And the Facets Stencil is now available from our online store.


 

Wednesday, July 1, 2009

The Battle for Wine and Love

Last summer I ran into friend Amy Collins at our local Farmer’s Market and she casually invited me to come by The Wine Seller – a wine shop where she helped out a friend on Saturday afternoons. I believe that I murmured a sort-of-okay but later that afternoon did actually visit the store. It is not that I avoided wines; I just rarely found wines that I really enjoyed. Living in Austria, I fell in love with visiting the wine growers of the Wachau to sample their young wines. What I didn’t know at the time was that what I fell in love with had a name: terroir.
 
That afternoon at The Wine Seller, Amy gave me an impromptu wine lesson that led me to discover what I do like in a wine. My tastes included words like mineral, light, effervescence, high-acidity, subtle fruit, clean and lean.
 
A few weeks ago, Amy recommended The Battle for Wine and Love – calling it the The Omnivore's Dilemma for the world of wine. The book is an eye opener and becomes like a wine dictionary for the wine novice like me.
 
I don’t really enjoy all the personal information that Alice Feiring shares in the book but her tales of wine and wine making are fantastic. In the first chapters, she describes a 1969 Nuits St. George as tasting like “peonies pressed between the pages of a treasured novel.” She grabbed my attention. I want to taste that wine.
 
After reading the book, I know that the same craft that I speak about so often in my professional life is the same craft that I love in a good wine. It is about authenticity - about loving and appreciating the essence of place and time.
 
Alice writes on page 49:
 
“It’s hard to believe that the industry wouldn’t fight transparency with every bit of muscle it has. I just don’t see Big Wine allowing labels on wine reading something like this: This wine was de-alcoholized by reverse osmosis and smoothed out with micro-oxygenation. Ingredients: Water, alcohol, grapes, chestnut tannin, oak extract, oak dust, genetically modified yeast, urea, enzymes, grape juice, tartaric acid, betonies and Velcorin.
 
On a naturally made wine, the ingredient list would read simply: Grapes and minimal sulfur (100parts per million or lower).
 
Sound familiar?
 
Her descriptions of the wines she does not like explain my own frustration with wine today. She uses words like “flabby, over-ripe, scented, perfumed, explosive bouquet, cherry drops, fat, oaky, thick, dense” to describe the oneness that has overcome the wine industry. In reading her words, it was like a light went off in my palate. 
 
Amy brought a beautiful bottle of 2008 Getariako Txakolina made by Txomin Etxaniz to dinner this week. I now know to say that the bottle is filled with terroir – a sense of place that reveals the soil, the air, the sea, and the smell of the Basque region of Spain. 
 
I am hooked on tasting trace elements of the soil - for life - and am looking forward to learning more and more.
 
The photo above is another dinner party gift - thanks to Ann Taylor. It is a Robert Sinskey 2008 Vin Gris of Pinot Noir – Grown, Produced and Bottled by Robert Sinskey Vineyards, Napa, California – organic, biodynamic, full of character and delicious. The website also offers seasonal menus. 
 
 

**Update: Earlier today, I misspelled the word terroir as terrior. Forgive me my sloppy typing and dyslexia. As Ina was so kind to point out: http://en.wikipedia.org/wiki/Terroir

 

 

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