Wednesday, January 27, 2010

Weekend

 
True to my post on Monday (below), I am taking off early this week for a little family road trip...

 Have a great weekend.
 
Happy trails - until Monday again.

 

Wednesday, January 27, 2010

Project #7


This corset - one of my all-time favorites - was part of our Songbirds Collection for Fall/Winter2009. 

The pattern is available in Alabama Stitch Book and it is made using our 100% Organic Indigo Fabric and the Angie’s Fall stencil from Alabama Studio Style. 

 
To make your own:
 
Corset pattern fromAlabama Stitch Book
Pearl Silver Airbrush Paint
1 spool Coats & Clark Buttonhole Thread in Slate #26
1 package Red Bugle Beads
 
Fabric Detail:
 
 
 

 

Labels:
Projects
Tuesday, January 26, 2010

Play Dough & Southern Living

 

Thanks go out to everyone @ Southern Living for the lovely piece in their February issue. We have gotten lots of emails and calls about the article. There have also been several requests for the play dough recipe that Maggie and I were making that afternoon when Southern Living visited…

One of the simplest things to make in your own kitchen:
 
Play Dough
 
1 cup flour
1 cup warm water
2 teaspoons cream of tartar
1 teaspoon oil
1/4 cup salt
Food coloring
 
Mix all ingredients, adding food coloring last. Stir over medium heat until smooth. Remove from pan and knead on a floured board until cool and soft. Keep in an airtight container. Play often.
 
*Thanks to Robbie Caponetto for the lovely pictures and note that Maggie is still wearing her apron – in fact, it might be her favorite plaything.

 

Monday, January 25, 2010

Monday Morning

Something to think about on Monday morning - from the new issue of GOOD Magazine entitled “Slow:”
 
 
Take your time:
 
The GOOD (and ReadyMade) Guide to Slowing Down originally appeared in GOOD Issue 18: The Slow Issue. Use the table of contents below to navigate through the guide. You can read more from The Slow Issue here.
 
We are taught that we’ll be judged by what we achieve, but what does it mean to actually achieve?

The word comes from the Old French achever, “to finish,” and before that, from a Latin phrase meaning “to come to a head.” Surely, though, as the cliché goes, life’s pleasure lies in the journey, not in the destination. And who looks forward to being finished, in the word’s most final sense? Because our days, hours, and minutes are numbered, we’ve put together a guide to help you slow your roll.

Consider something drastic: Go on that vacation to Europe or, even better, move there. If the Europeans understand one thing, it’s how to take a vacation. If that’s not for you, take a sabbatical to hike the Pacific Crest Trail or study tango in Buenos Aires. If you can swing it, set up a four-day workweek. Yes, working fewer days could mean earning less, but you’ll find it’s still a terrific deal if you honestly calculate the value of the time you’d spend enjoying your own projects—or just doing nothing. After all, to achieve nothing is an achievement in itself.

Besides life-changing decisions, there are countless little changes you can make to slow down your life. To help us help you, we got the folks at ReadyMade to pitch in, because they know better than any of us that making stuff is all about slowing down. Whether cooking, completing a home makeover, or building a backyard swimming pool, creating anything takes time. So what better way to slow down during the winter months than by taking on a project or two?

Slow Your Roll:


1.
Eliminate Something

2.
Step Away from the Smartphone

3.
Build an Indoor Stoop

4.
Multitasking Too Much of Ourselves

5.
Take Time to Still Your Mind

6.
Interview: The Handmade Toaster

7.
Build a Backyard Dumpster Pool

8.
Make Out-of-the-Ordinary Pancakes

9.
Watched Pots: Meals for the Back Burner

10.
How to Cultivate Conscious Laziness

11.
Interview: The Handmade Radio

12.
Spruce Up Your Home (At Least Once a Year)

13.
Interview: The Handmade Tree Chair

14.
Slowpokes Hall of Fame

15.
Watch Your Garden Grow

16.
Make Yourself a Place to Escape

17.
Read a Book

Our Good Guide to Slowing Down was a unique collaboration with our friends at ReadyMade magazine. Check out their good work at
ReadyMade.com
 
 
Our Reading List @ Alabama Chanin
 
Make it a good Monday…

 

Thursday, January 21, 2010

Under Water

These days I am feeling underwater… breath-taking.
 

 

 

Thursday, January 21, 2010

A Short Animated History


This is fantastic… via Style.com

I am jealous and want my own film... stay tuned for ladies rocking & sewing.

 

Labels:
Design
Tuesday, January 19, 2010

Marfa, Austin & El Cosmico

Looking forward to organizing a Marfa (and Austin) One Day Workshop with the infamously cool Liz Lambert:
 
 
Will work on those dates this week…
 
Plan your road trip to El Cosmico
 
(*Disclaimer – some of you will remember that Butch has been working on the site as well, so, it also has a special place in my heart.)
 
Be blown away by Refueled
 
And in the meantime, join us in Portland or for one of our upcoming dates.
 

 

Monday, January 18, 2010

Angie’s Fall & Faded Leaves

 
Faded Leaves Fabric
– new to our online store – is made by Wet-Paint Stenciling - one of the new techniques included in our (soon to arrive) Alabama Studio Style. The fabric was first included in our Fall/Winter 2008 Revolution Collection.  At the time, I was looking for new ways to color fabric that did not require dyeing. Faded Leaves was the result and here are a few of the ways that we incorporated it into the collection.

Here is a sample of the fabric before sewing:
 
 
Instructions for Faded Leaves can be found in the techniques section of Alabama Studio Style. However, here are a few fabrics that can be made with Faded Leaves and incorporated into your projects.
 
Quilted & Beaded Angie’s Fall on Faded Leaves Ground:
 
 
Supplies:
 
 
Using instructions for Reverse Appliqué from page 64 of Alabama Stitch Book without cutting the reverse appliqué and then add bugle beads to decorate center of flowers. Beads & Beading Tools on Page 30 of Alabama Stitch Book and Beading instructions on page 68. 
 
Appliquéd Angie’s Fall:
 
 Supplies:
 
 
Using instructions for Appliqué from page 62 of Alabama Stitch Book apply your Faded Leaves appliqué to black ground
 
Make this fabric into a Corset or A-line Skirt- patterns included in Alabama Stitch Book.
 
Or get started on the DIY Tank Dress pattern & instructions from Alabama Studio Style.
 
General Supplies List:
 
 
 
 
 
 
Garment Patterns from Alabama Stitch Book and Alabama Studio Style.
 
*Additional colorways and garments coming soon or sign up for one of our Weekend Workshops to view the full collection in our studio @ The Factory.

 

Sunday, January 17, 2010

Ira Glass on Storytelling #3


Thanks to Sara for sending this along...

Don't miss #1- #4:

& thanks to Ira Glass - yet again - for This American Life
 

Wednesday, January 13, 2010

Why Is It Worth So Much?

We have been getting many emails and questions about a post that appeared this week on Ecouterre.com entitled “Does the Art of Craft and Handmade Matter in Fashion?”
 
My answers seemed to spur yet more questions… and a few angry emails.
 
After mulling over these questions, I have to think about Gina and Linton Hopkins from Restaurant Eugene along with Holeman & Finch in Atlanta…
 
(Stay with me here: You might remember that we were asking these same questions a few years ago about the food we eat and have seen – at least in my community – a marked difference in how we choose food and how we incorporate the cost of that food into our budget.)
 
Angie Mosier reminds me over-and-over-again (& again this weekend @ Blackberry Farm) about a saying from Gina and Linton: 
 
“It is not why something costs so much; it is why something is worth so much.”
 
I believe – and have seen firsthand – that the fashion industry will also come around and consumers will begin to ask more-and-more questions.
 
Yes indeed: Why is it worth so much?
 
**Photo of Holeman & Finch lifted from the Gourmet (RIP) article by John T. Edge and taken by Gina Hopkins. 

 

Tuesday, January 12, 2010

Prosperity & Alabama Chanin


The Cooper Hewitt National Design Museum has announced their upcoming National Design Triennial series for spring 2010.

 
 “Why Design Now?” will be on view from May 14 through January 9, 2011, and will explore the work of designers addressing human and environmental problems across many fields of design from architecture and product design to fashion, graphics, new media and landscape design. Organized by Cooper-Hewitt curators Ellen Lupton, Cara McCarty, Matilda McQuaid and Cynthia Smith, the Triennial will be global in reach for the first time, reflecting the connectedness of design practices and the need for international cooperation to solve the world’s problems.
 
We are incredibly humbled & proud to announce that Alabama Chanin will be featured alongside esteemed designers like Martin Margiela in a section entitled “Prosperity:”
 
Progressive designers and entrepreneurs are building engines of prosperity that enable local communities to use their own resources to create their own wealth, as well as to participate in the global economy. Projects on view include a number of items that address basic necessities, such as a pearl millet thresher and a low-smoke stove developed for use in India; examples of slow design such as hand-made, limited-edition clothing by Alabama Chanin; and works made in collaboration with international designers and local craftspeople like the Witches’ Kitchen Collection, Design with a Conscience Series, manufactured by Artecnica.
 
Read the full press release here.
 
 
The exhibition opens on May 14th, 2010 and runs through January 11, 2011 and will include garments and fabrics from our Alabama Chanin collections.
 
Thanks to all of our supporters who have helped to make this possible…
Natalie and all of us @ Alabama Chanin





 

 

Tuesday, January 12, 2010

Origins & Process

Things to think about in the next decade: Cultural Heritage

Origins & Process from Craft in America

From Wikipedia:

Cultural heritage ("national heritage" or just "heritage") is the legacy of physical and intangible attributes of the past of a group or society that are selected from the past, and inherited, maintained in the present and bestowed for the benefit of future generations. What is considered cultural heritage by one generation may be rejected by the next generation, only to be revived by a succeeding generation...

..."Natural heritage" is also an important part of a culture, encompassing the countryside and natural environment, including flora and fauna, scientifically know as biodiversity.

Learn More

Monday, January 11, 2010

Farm-to-Table

Okay – before I start – I have to say – JOIN THE SOUTHERN FOODWAYS ALLIANCE… good?
 
I made it through the snow and ice in Arctic temperatures to Walland, Tennessee. My trip to Blackberry Farm might be one of the most extraordinary trips I have ever taken – anywhere. I know that is saying a lot BUT the warm, gracious hospitality that you experience from the time you drive in the gate is exquisite. Add to Blackberry the wit, education and pure joy of the Southern Foodways Alliance and you have – hands down – one of the best events in the world.
 
I could fill this entire page but have to just highlight a few morsels of the weekend:
 
Blackberry Farm – I had the luxury of sitting next to Sam and Mary Celeste Beall on Thursday night and was struck at their deep knowledge of this farm and understanding of the ultimate Farm-to-Table experience. 
 
The Blackberry Farm Cookbook – on the inside flap - says it best: “In the foothills, you don’t eat to eat, you eat to talk, to remember, and to imagine what you will eat tomorrow.” The book is lush with photographs of the estate, the kitchens, the gardens and luscious Farm-to-Table recipes. 
 
While talking about the upcoming weekend, Sam and I spoke about the biscuit making classes (see below) and he asked me, “Butter or Lard?” This was just about the best question I have ever been asked over a five course dinner – with wine parings. You just have to love a man who understands the true essence of good bread. I laughed and replied, “Butter.”
 
 
Friday morning, the Blackberry Farm Chef Team of Josh Feathers, Adam Cooke and Joseph Lenn offered a Cast Iron Skillet demonstration – which I unfortunately missed –
but came home with the following recipe by Chef Josh Feathers which I am going to make and then bake in my cast-iron:
 
Buttermilk Mashed Potatoes
**Courtesy of Taste of the South notepad so generously supplied for all our cooking and tasting notes!
 
3 pounds red bliss potatoes
6 ounces butter
10 ounces buttermilk
half & half – as needed
Kosher salt – to taste
1/4 teaspoon black pepper
 
Simmer potatoes until tender. Strain and dry in 300 degree oven for 15 minutes.
 
Run potatoes through a food mill with medium die to mash.
Stir in remaining, heated ingredients. Taste for seasoning.
 
Note: Those of you who are new to cast iron, NEVER wash your pan with soapy water. Clean your skillet first with a handful of kosher salt then rinse in warm to hot water and dry thoroughly. I learned this from Angie Mosier while working on Alabama Studio Style.
 

Saturday morning were the afore mentioned biscuit making classes which featured a lard based recipe. Those of you who have been here for awhile know that I pride myself as a world-class biscuit maker (in fact, I got my nickname “Alabama” by making biscuits – Alabama Bread in Venezuela) and my favorite recipe can be found in Alabama Stitch Book; however, I am definitely going to try this lard recipe very soon. 
 
Try it yourself and let me know what you think:
 
Buttermilk Biscuits
**Courtesy of Taste of the South notepad so generously supplied for all our cooking and tasting notes!
 
In a large bowl, combine:
 
1 1/4 pounds White Lily flour
1 1/4 teaspoon cream of tartar
1 1/4 teaspoon baking soda
1 1/4 teaspoon salt
 
Cut in until mixture is crumbly:
 
2 ounces shortening
2 ounces lard
 
Make a well in the center and pour in:
 
2 cups buttermilk
 
Gently mix buttermilk in, until mixture is loose and bubbly. Pour out onto very well floured table and pat into a square, about 1 – 1 1/2” thick. Spread down the center:
 
4 ounces very soft butter
 
Fold over one third of dough on each side and pat gently. Fold over one third of top and bottom and pat dough into a square, about 1 – 1 1/2" thick. Cut with well-floured ring mold about 2” in diameter. Place on papered sheet pan. Brush tops with melted butter and bake at 375F for 8 minutes, turn and continue baking until tops are very well browned and biscuit is firm. Brush with butter after removing from oven.
 
I am going to start keeping buttermilk in my refrigerator.
 
I opted out of cooking and went straight for the beer tasting with Lazy Magnolia from Mississippi. I LOVE their Indian Summer brew – served, of course, in Reidl stemware. Delicious. Planning my visit to Mississippi now.
 
There were too many highlights of the weekend to mention all but a great treat was listening to Danny Meyers speak on Friday evening. Danny was named the unelected emperor of New York City over the weekend by the WSJ. I had never read his book Setting the Table but devoured it last night and have added it to my reading list of business books this morning. Hospitality – in every sense of the word - is truly at the core of every exceptional business.
 
Saturday night was featured the Gala Dinner to Benefit the Southern Foodways Alliance and the Fellowship of Southern Farmers, Artisans and Chefs – which already features a stellar array of genius.  The dinner featured guest chefs:  Edward lee, Joe Truex, Ashley Christensen, John Shields and Karen Urie Shields along with wines from Turley Cellars.
 
Ashley Christensen made a Rabbit Sausage with collards which might be one of the best things I have ever eaten in my life.
 
This year’s inductee to the Fellowship of Southern Farmers, Artisans and Chefs was Julian (and Sissy) Van Winkle. As you can imagine, Old Rip Van Winkle flowed.
 
I could go on and on… and on…but the best thing to do is to join the Southern Foodways Alliance today & start to save for your trip to Taste of the South - 2011 @ Blackberry Farm
 
Thanks again to John T. Edge, Angie Mosier, all the SFA team, everyone at Blackberry Farm and, especially, Rathead Riley… looking forward to seeing you all again very, very soon!



 

 

Thursday, January 7, 2010

Recipes, Gravy & Blackberry Farm


Forgive me for taking a vacation just after the holidays; BUT, I am headed out today for my first vacation - on my own - in 10 years (snow permitting)… very excited & for good reason:

 
 
Alabama Chanin donated one of our Textile Stories Quilts to the auction benefiting the Southern Foodways Alliance at Blackberry Farm this weekend. 
 
The quilt – shown above – is called Aunt Mag’s Chicken Recipe - a story from my favorite great-aunt about her secret recipe for fried chicken that she served only for her quilting circles.
 
Our entire series of quilts was inspired by the Oral History program  - a series of inspiring recipes, stories and films that are made, collected and cataloged by the Southern Foodways Alliance. 
 
 
Thank you to John T. Edge, Angie Mosier, Mary Beth Lasseter, Amy Evans, Joe York and a million more who make the SFA Oral History possible.
 
If you are not already a member of the Southern Foodways Alliance, join today - if for no other reason than to receive your printed copy of Gravy.
 
Back next week rested and with recipes and stories for the next decade…
Natalie

 

Wednesday, January 6, 2010

Recycled


And back to the thought of using what you have

Wouldn’t it be a wonderful thing if we only brought products (things) into our homes that we wanted to keep for the rest of our lives?  And when those products and things become old, we simply recycle them into our own lives.
 
So it is with this coat that one day no longer suited my life but is now one of my favorite pieces. I am continually stopped in airports, shops, and restaurants and asked, “Where did you get that coat?”
 
“Recycled,” I answer.
 
I used the Rose Stencil – from Alabama Stitch Book and new to our online store – to paint the bottom of my coat with our textile paint and then appliquéd the Rose Stencil in our 100% Organic Cotton Jersey Fabric using our burgundy color, burgundy thread and a whip stitch.
 
William Morris said: “Have nothing in your houses that you do not know to be useful or believe to be beautiful.”
 
I would say it this way: “If you want to make a difference on the planet, this is it: Have nothing in your home or life that you do not know to be useful, believe to be beautiful or know that you will strive to keep in your life forever.”

**Photo of my (not yet finished) coat in our studio taken by me.

Tuesday, January 5, 2010

Begin The Beguine


Thanks to my dear friend Maria for sharing this lovely post by the amazing Tasmin Smith:

 
I will take more tme for poetry in 2010 (as I sit at my table).
 
**Detail Photo of our American Poetry fabric thanks to Rinne Allen.
Make your own American Poetry Journal Cover to write your own poetry.
 
 

 

 

Tuesday, January 5, 2010

Archeology of the Future


 

A photo from Li Edelkoort’s exhibition last year titled: Archeology of the Future
 
A table from Studio Job sits before one of our Textile Stories Quilts – a project included in our new book Alabama Studio Style.

 

*Photo courtesy of Li Edelkoort

Monday, January 4, 2010

Life Doesn't Frighten Me


Maggie's favorite poem/book of the decade (well...moment). 
She says to me this morning, "I like a scary movie."


Life Doesn’t Frighten Me

By Maya Angelou with paintings by Jean Michelle Basquiat
 
Shadows on the wall
Noises down the hail
Life doesn’t frighten me at all
Bad dogs barking loud
Big ghosts in a cloud
Life doesn’t frighten me at all.
 
Mean old Mother Goose
Lions on the loose
They don’t frighten me at all
Dragons breathing flame
On my counterpane
That doesn’t frighten me at all.
 
I go boo
Make them shoo
I make fun
Way they run
I won’t cry
So they fly
I just smile
They go wild
Life doesn’t frighten me at all.
 
Tough guys in a fight
All alone at night
Life doesn’t frighten me at all.
Panthers in the park
Strangers in the dark
No, they don’t frighten me at all.
That new classroom where
Boys pull all my hair
(Kissy little girls
With their hair in curls)
They don’t frighten me at all.
 
Don’t show me frogs and snakes
And listen for my scream,
If I’m afraid at all
It’s only in my dreams.
 
I’ve got a magic charm
That I keep up my sleeve,
I can walk the ocean floor
And never have to breathe.
 
Life doesn’t frighten me at all
Not at all
Not at all
Life doesn’t frighten me at all.

 

Sunday, January 3, 2010

Swimming with Barracuda

 The island of Los Roques is attached to an archipelago of approximately 250 islands and is the second largest living organism on the planet – second in size only to the Great Barrier Reef
 
 The island itself is of volcanic origin and has small rock mountains (really hills) on the Atlantic side while the archipelago side is flat and sandy. At the southeastern Atlantic edge of the island – and archipelago – is a tiny cove which is really just a curved beach with a small volcanic hill slightly offshore.  The small hill is covered with all types of sea birds and the water swirls through the chute between the island and beach with incredible force.  The beach is virtually inaccessible from all sides; to get there, you must hike, traverse a lagoon, rock climb, shimmy around edges and corners before finally dropping onto the sand.. 
 
I had that small cove in my sights as I arrived on the island, but it took me some weeks to find time, when the weather permitted, to make my way there. I packed a small bag of supplies one morning and headed out. Three hours later, I arrived at the small strip of sand, maybe the smallest beach in the entire archipelago.  The beach sits next to a large reef of dead coral.  The Atlantic was so strong that the huge pieces of coral were crashing together in the waves and making a sound like a symphony.  Hence, I named the spot “Singing Coral.”
 
I stood there completely alone, in awe of the coral, the ocean, the sky and the fact that I had made it around the world, around the lagoon and around my life.  The currents seemed so strong but I had an overwhelming urge to swim.  It was like everything in the universe pushed me to the water. I dropped my pack and swam towards the middle of the cove where the water seemed slightly calmer.  I lay there – floating on my back – looking at the sky and then rolled to my stomach to look down into the depths of the cove.  When I turned and opened my eyes, I realized that I was swimming in the middle of a school of barracuda.  Floating there, it seemed as if thousands of barracuda swam around me in their slow, silent, circular funnel that continued as far into the depths as my eyes could see. I lay there still, shocked, terrified and strangely invigorated…
 
As slowly as their circular path, I began a small paddle back to my little beach. Slowly, slowly I moved and breathed and swam until my feet touched sand.  Standing back on the beach, I let out a whoop that could-be-heard-around-the-world and thought, “I will never be afraid of life again.” 
 
That was the day that I started my journey to Project Alabama, and now Alabama Chanin.  To this day, I strive to live my life with the same courage and conviction I felt as my whoop joined the song of Singing Coral and the universe.
 
To the next decade - may we all find the courage to swim with barracuda and sing to the stars…
 
 
 
 
 

 

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