Today, in celebration of Martin Luther King, Jr. week, we turn the spotlight to one of the unsung heroes (or heroines, rather) of the Civil Rights Movement: Georgia Gilmore.
Georgia (whom we have written about before) lived and worked in Montgomery, Alabama, and was a true servant to the cause of the movement. Georgia was a big lady with a big personality—frankly put, she didn’t take any bull from anybody. She worked as a midwife, as well as a cook at the National Lunch Company. After Rosa Parks was arrested for refusing to leave her seat on a bus in December of 1955, a group of black ministers and community leaders formed the Montgomery Improvement Association (MIA)—and initiated the Montgomery Bus Boycott. Led by Martin Luther King, Jr., the Association often held secret meetings around the city. As soon as Georgia heard of Rosa Parks’ arrest on the radio, she joined the MIA, determined to aid the effort in any way she could.
Outspoken and feisty, Georgia let her disapproval of the discriminatory bus drivers be known—an action that got her fired from her job at the cafeteria. When that happened, Dr. King and other leaders helped her set up a restaurant in her home kitchen. Georgia was well-known around town for her fried chicken, pork chops, and stuffed bell peppers and often served these and other dishes to Dr. King and fellow supporters of the boycott. She even hosted secret MIA meetings there in her kitchen.
Georgia’s love (and talent) for cooking and her passion for equality and change led her to start a club with a few of her friends, named “The Club from Nowhere.” The ladies in the club, most of them maids and cooks, sold homemade pies and cakes (and even Georgia’s chicken dinners) to supporters of the movement in order to raise money for the boycott. The Club from Nowhere often set up shop in beauty parlors, Laundromats, and on street corners in downtown Montgomery. Both black and white supporters of the boycott were able to contribute anonymously. The Club from Nowhere used the money they collected to buy gas and station wagons, which were used to transport people to and from work during the boycott. Georgia always said that the money came “from nowhere.”
It was over 50 years ago when Martin Luther King, Jr. delivered his famous “I Have a Dream” speech at the march on Washington D.C. It was a moment that changed America, and the world. But, the line was almost excluded from the speech. One of King’s aides encouraged him not to use the line, stating it was cliché and that he had used it too many times already. After receiving several conflicting suggestions the night before the march, King put the final touches on the speech in solitude in his hotel room.
There was an array of speakers at the march that day, and he was sixteenth in line. The podium was crowded with microphones and speakers, and when he approached the platform he heard a voice from behind shout “Tell ‘em about the dream, Martin.” It was gospel singer Mahalia Jackson, who had heard King refer to his dream on a previous occasion. She prompted him again. King then launched into his speech from the steps of the Lincoln Memorial, looking over the National Mall. He delivered his message more like a sermon, laying his prepared notes to the side, letting spontaneity and emotion preside. The utopian-like speech was not just about what was going on in the world that day in time, it was about what was going on in the world every day. We have come a long way as a nation, but we still have a long way to go. In fact, there were decades of struggle and complications involved to get the observance Martin Luther King, Jr.’s birthday passed into federal law.
This week on the Journal we are dedicating a series of posts to Dr. Martin Luther King, Jr., his philosophy, and legacy. Today, Martin Luther King, Jr. Day, is the only federal holiday also recognized as a national day of service – a “day on, not a day off.” So, throughout your day, in the spirit of King’s Beloved Community, take time to recognize the needs of those around you. Even the smallest gesture can make a big impact. We are encouraging our staff to leave a little early this afternoon to complete a service project of their choice that gives back to our community.
As Dr. King once said, “Life’s most persistent and urgent question is: ‘What are you doing for others?’”
*You can learn more about Dr. King and his philosophy and teachings at The King Center’s website.
Photo of the Civil Rights Memorial in Montgomery, Alabama courtesy of The George F. Landegger Collection of Alabama Photographs in Carol M. Highsmith’s America, Library of Congress, Prints and Photographs Division
Musician, author, and dear friend Rosanne Cash was born in Tennessee to a family soon to become Southern music royalty, but has lived for over 20 years in New York City. Still, her Southern heritage played and continues to play a role in shaping who she is as an artist, a traveler, and a citizen of the world. She deeply explores her relationship with the South and with Southern culture in her newest album, The River and the Thread. Listening to these songs, you hear a songwriter investigating how where she came from helped shape who she is today. The tracks are heartfelt, touching, and, by turns, rocking.
A sweet friend to Alabama Chanin, Rosanne curated a playlist for us that includes some of her favorite songs from and about the South. These songs capture the sometimes-elusive nature of our homeland and the people we call family. I’ve been cooking and dancing (and, yes, singing) to these tracks for a week…
Come sing along.
Photo of Rosanne courtesy of Clay Patrick McBride.
First Mondays @ The Factory
Join us the first Monday of every month in our new expanded studio space. Spend your morning working on your latest project in the company of fellow sewers. Share inspiration, encouragement, and coffee from The Factory Café.
February 3, 2014, 8:30 am – 11:30 am
March 3, 2014, 8:30 am – 11:30 am
April 7, 2014, 8:30 am – 11:30 am
May 5, 2014, 8:30 am – 11:30 am
Find more information about participating in First Mondays here.
Sun Young Park, a freelance illustrator living in New York, is an integral part of the Alabama Chanin team. If you own Alabama Studio Sewing + Design or have ever browsed our Studio Style DIY Custom DIY Guide, then you’ve seen the beautiful sketches of our garments, illustrated by Sun. I met Sun several years ago by accident through a mutual friend, which resulted in an impromptu breakfast at The Breslin, April Bloomfield’s restaurant at the ACE Hotel in New York City. I was immediately taken by her enthusiasm and had been looking for a new illustrator for my books. Our chance meeting was good fortune.
Sun creates illustrations for a variety of projects, including April Bloomfield’s new book, A Girl and Her Pig: Recipes and Stories, and Gertie’s Book for Better Sewing. We love Sun’s illustrations, doodles, and drawings and recently were able to chat with her about her beginnings in illustration, inspirations, artistic process, and desire to create.
Alabama Chanin friend and inspiration, Rosanne Cash, has lived in New York for over 20 years, but her link to the South remains deep and undeniable. Her mother, Vivian Liberto, was born in Texas and her father, Johnny Cash, was an Arkansas native. Rosanne was born in Memphis, Tennessee, and raised for much of her life in California. As a young woman, she also spent time living in Los Angeles, Nashville, London, among other stops on the road. Though she did not grow up in the South, her connection to the region is profound, largely because of what the South meant to her family and how that shaped her growth. It is this connection to the South and the region’s physical, musical, and emotional landscape that she explores in her newest record, The River and the Thread.
Rosanne found herself traveling southward frequently when Arkansas State University began restoring her father’s childhood home in Dyess, Arkansas. Knowing how much her father would have loved the project, Rosanne agreed to participate – which initiated a series of visits. As she traveled, she began to reconnect with the Southern sense of place, so essential to her family identity. She, along with husband and longtime collaborator, John Leventhal, began to shape and create an entire series of songs, all about the South. Rosanne said, “I started going back to where I was born and these songs started arriving in me. My heart got expanded to the South, to the people I had known, to the people I met… We started finding these stories, these great stories, and melodies that went with these experiences.”
In the book Eco Fashion, our friend Sass Brown celebrates and examines designers and labels practicing sustainability in the fashion industry, including Alabama Chanin (you might have recognized our hand-sewn garment featured on the cover).
Sass offers several definitions for eco fashion—from slow design and traditional techniques to recycled, reused, and redesigned methods—and explores ecological design and the connection between green lifestyle choices and successful business models.
Many of you know that we at Alabama Chanin hold a strong admiration for lyricist, musician, vocal Twitter user, and writer (among other things) Rosanne Cash. I was a fan and supporter many years before we actually met and became friends. The more that I get to know this incredible woman, the more I respect her talent and her humanity. She has said that she wears Alabama Chanin pieces on stage for nearly every performance, an honor that we do not take lightly. Rosanne has become one of our favorite clients, a dear friend, and a near-constant source of inspiration.
Many of you may know of Rosanne Cash because of her renowned family lineage. She is the firstborn daughter of revered American icon Johnny Cash. As a songwriter and performer, she is doing honest work, from her own perspective. For over 30 years, she has written and released 15 albums and four books, charted 21 Top 40 singles, including 11 Number Ones and received 13 Grammy nominations and one Grammy win. Her 2010 album, The List, was named Album of the Year by the Americana Music Awards and her upcoming album, The River and the Thread, is already garnering critical praise.
Her book, Composed: A Memoir, not only tells the story of her upbringing and explores her relationships with her parents and her famous stepmother; it is also the story of a woman in the process of discovering who she is and who she wants to be. Last year, I first read Composed on a trip to Berlin and found myself sitting in an airport terminal, openly weeping; the language is so beautiful and her story is engaging and unfailingly honest.
January’s Swatch of the Month incorporates Alabama Chanin’s basic reverse appliqué technique with our Paisley stencil. Explore our techniques and build your skills with a membership to our Swatch of the Month Club and follow along here on the Journal.
The photograph above shows one of many options you can create when making your own swatch. (This hi-resolution photograph, for use as your computer desktop background, is now available for download from our Resources page.)
Experiment with your swatch. You can work it in reverse appliqué like we did, or use another treatment: negative reverse, backstitched reverse, quilted, or embellish with beaded stitches. Reverse appliqué can be done by beginners and experienced sewers alike and is worked on two layers of fabric: The top layer is stenciled and then stitched to the backing layer; next, part of the top layer is cut away to reveal the backing fabric underneath.
Each kit comes stenciled and ready-to-sew with all of the notions needed to complete the swatch—just provide your own needles, pins, and scissors (or purchase an essential sewing kit). Colorway options include Navy/Black (our design choice), White/Natural, Neutrals, Reds, and Blues. Techniques and instruction can be found in Alabama Studio Sewing + Design.