We are saying good-bye to summer and gearing up for a busy fall season.
Look for a new collection, new DIY collection, more workshops,
another Friends of the Café dinner, and added events at The Factory.
Celebrate the last breath of summer with our August’s End Sale.
Save 20% online and in-store
Midnight, Thursday, August 29th – midnight, Monday, September 1st
Enter code AUGUST2014 at online checkout
Or visit us at Alabama Chanin @ The Factory
462 Lane Drive
Florence, AL 35630
Friday* from 9:00 – 5:00
(*Please note The Factory Store and Café will be closed
on Monday, September 1st to observe Labor Day.)
*Discount excludes all workshops, collaborations, books + music, Swatch of the Month, Starter Sewing Kit, and Heath Ceramics dinnerware.
A few months ago, I spent a couple of days with friends at Gray Bear Lodge in Hohenwald, Tennessee. While there—in addition to the yoga sessions, sauna time, tub soaks, and hikes—I was treated to a (mini) juice cleanse for a few days. And though I recommend consulting your doctor before embarking on your own juice cleanses, I must say that I walked away from the experience feeling healthy and refreshed.
I returned from my trip, bought a juicer the next day, and it has changed my life. Diann from Gray Bear walked me through the juicing regimen which always seemed a bit complicated and demanding for me. She taught me to: simplify, use ingredients that I like, experiment with combinations, and taste as I go to come up with an array of variations. “Plus,” she says, “once you have the raw ingredients on hand (and the juicer out and running) make enough for a few days.” While that might not be as good as juicing and drinking right away, this is real life, right?
After a few weeks, I also discovered that these fresh fruit and vegetable juices also lend themselves to delicious cocktails. (However, it should be noted that fresh juice cocktails don’t maintain all of the health benefits of fresh juice alone.) During Vivian Howard’s recent dinner at The Factory, we used my juicer to create the Cucumber Ginger Limeade cocktail that opened the evening. Since the dinner, there have been several requests for the recipe. Break out your juicer (but juice—and drink—responsibly).
The Jane Tank was added to our Basics section as part of our most recent Alabama Chanin collection, inspired by Maxine Payne’s Making Pictures: Three For a Dime. The silhouette is classic and unquestionably feminine. This tank is best worn when you want to bare your arms and shoulders, as the tied straps draw attention to the upper body and face. It is beautiful paired with pants or a long skirt, though I love how it looks when worn with our Patchwork Skirt.
The tank is fitted at the bust and flares at the waist. It measures 25 inches in length, and the straps are secured with long ties at the shoulder. Select either lightweight or medium-weight organic jersey fabric.
I have known many storytellers in my life. Some have a natural and unrehearsed style that feels captivating and immediate; some present new or unfamiliar points of view; others are quite deliberate and thoughtful in approach; all of them are enthralling to me. As a storyteller born into a family of storytellers, I find master storyteller Gael Towey both compelling and inspiring. She has a distinct perspective and is skilled at many things: crafting a storyline, discovering and highlighting the unique qualities of her subjects, eliciting a response from the audience, and designing beautiful visual elements. Her work has informed contemporary visual language in a way we can barely imagine.
I was lucky to be among Gael’s subjects as part of her series of short films about artists called “Portraits in Creativity” www.portraitsincreativity.com (and I especially love her piece on friend and heroine Maira Kalman). Each of her portraits uncover the unique qualities of her subjects and reveal Towey’s fascination with the creative process. For over two years, we have been speaking with Gael about her past, her present, and the creative processes, media, and methods she uses to propel her ideas forward.
Gael was raised in New Jersey and was the oldest of six children. She revealed that, as a child, she was mildly dyslexic and almost flunked the second and third grade because she couldn’t spell; she reversed all her consonants and vowel combinations. She was drawn to art and studied it enthusiastically through college. “I loved printmaking and accidentally signed up for a class in typography, and I fell in love with it from the first lecture,” Towey says. “I’d never looked at the design of a letter and had not noticed how beautiful they are.” She switched her major to graphic design and graduated from Boston University, College of Fine Arts. Gael said, “I was extraordinarily lucky. I have met so many young people who don’t know what they want to do, but I always knew. I struggled academically and art was the only thing I was good at… And it’s funny that I wound up working in the publishing business since I had no confidence in my ability to write properly.”
Gael worked on the book, In the Russian Style, with Jacqueline Kennedy Onassis.
“Without leaps of imagination or dreaming, we lose the excitement of possibilities. Dreaming, after all is a form of planning.” – Gloria Steinem
Here is what we have going on this week, Monday, August 25 – Friday, August 29:
Beginning Friday, shop our annual Labor Day Sale and receive 20% off both in-store and online. Sign up for our mailing list for more details.
While you’re here at The Factory, see “Making Pictures: Three for a Dime”- a collaborative exhibition between Alabama Chanin, artist Maxine Payne, and Phillip March Jones of Institute 193.
Monday – Friday, 9:00am – 5:00pm
Stop by any weekday at 2:00pm for a guided tour of our space, including The Factory, the Alabama Chanin production and design studio, and Building 14.
Join us for lunch at The Factory Café this week and enjoy a new menu every day.
Also, don’t forget to take a look in our new cooler—fully stocked with homemade ready-to-go items like egg salad, pimento cheese, and our roasted tomato soup.
Monday – Friday, 11:00am – 3:00pm
*Lunch service begins at 11:00am, but coffee and snacks are available all day.
I’ve written many times about my friend and multi-talented musician Tift Merritt. She is a singer/songwriter, guitarist, pianist, and creative spirit. Her podcast The Spark with Tift Merritt is a conversation about integrity and process, and features some of the most creative minds of our age, including Rosanne Cash, Andrew Bird, and Kiki Smith (among others). In addition to managing her solo career, Tift occasionally plays with Andrew Bird and the Hands Of Glory. Although she spends most of her time on the road touring, I occasionally get the chance to catch up with Tift in New York City (her home-base)—as was the case during our Makeshift events.
Her album, Traveling Alone, is a source of constant creative inspiration to me. When we last spoke, Tift graciously agreed to create our playlist for August. Below, she shares some of her favorite songs.
AC: When did you start playing music?
TM: I started playing music as a little girl with my father. He taught me to play by ear and I loved listening to him, trying to sing with him, and seeing how happy music made him. I wanted to be a writer for as long as I could remember, so writing songs was a very natural way to bring many things I loved together.
Each month, we invite our fellow stitchers to create a favorite Alabama Chanin pattern, embellishment, or embroidery technique through our Swatch of the Month Club. As a companion to that monthly series, we are also offering DIY projects that you can create with your completed swatches. Past projects include DIY Swatch Pillows, DIY Book Covers, a DIY Clutch, and a DIY Swatch Wrap. This month, we illustrate how to add an embellished pocket to a finished tote bag using August’s Beaded Kristina’s Rose swatch.
August’s completed Swatch of the Month (or your favorite swatch of choice)
1 – 1 ¼”-wide strip of fabric, measuring 16” long, cut across the grain, for binding
Alabama Chanin #3 Organic Tote Bag
Complete your swatch of choice according to the instructions – or create a swatch using your personal design choices. Alabama Studio Sewing + Design can provide instruction on techniques and embroidery options, if you need additional guidance or inspiration.
Use your iron to press your 1 ¼” binding strip in half, lengthwise, with wrong sides together. Position your swatch horizontally and encase the top edge of the swatch with your binding. Pin or baste the binding strip into place. Whipstitch the raw edge of the binding to your fabric swatch to secure. You may also opt to use a decorative or stretchable stitch, based on your personal design preference.
Lay your tote on a level surface and smooth the fabric to make sure it lies flat and unwrinkled. Center your swatch – with the finished edge on top – in the center of the tote’s face. When positioning the swatch, align the top edge with the opening of the tote. Pin your swatch onto the outside of the tote bag.
Alabama Chanin’s Friends of the Café Piggy Bank Dinner for Southern Foodways Alliance, featuring Ashley Christensen, was a singing success last Thursday. Not only did the ingredients sing on the plate, but our diners have adopted the habit of singing to our featured chefs. This time, Ashley Christensen was serenaded with a round of Happy Birthday after an enthusiastic round of applause for her inventive take on Southern cuisine.
It’s no secret that we at Alabama Chanin have long been admirers of Heath Ceramics – their work, their approach to responsible manufacturing, and their embrace of beautiful, sustainable design sets them apart from so many companies today. We have also been honored (and excited) to collaborate with them on several projects, including a line of dinnerware, the MAKESHIFT conversations, and most recently, two clocks designed to celebrate the 10 year ownership of the company by friends Cathy Bailey and Robin Petrovic.
Edith Heath originally founded Heath Ceramics in Sausalito, California, in 1948. She was an accomplished ceramist who cared deeply for the craft and believed in the importance of using quality materials. She grew up in rural Iowa during the Great Depression, which made her a natural conservator. In the late 1930s she worked with Bauhaus artist Laszlo Moholy-Nagy, which influenced her design aesthetic. Heath searched constantly to source the right materials and experimented for years to find the best techniques and glazes; she was once quoted as saying that she wanted to use clay that had “character” and “guts”.
Edith’s attempts to adapt her hand-thrown techniques using industrial production methods were met with controversy. She was told that machine-produced items didn’t qualify as “craft,” which prompted her to respond, “The machine doesn’t decide what the shape is going to be; a human being has to decide that… Just because you make it by hand doesn’t make it good, or a work of art.”