Category Archives: BEAUTIFUL LIFE

HÖFER’S LIBRARIES

HOFER'S LIBRARIES

We recently shared a few thoughts and memories of the library, collected from friends and neighbors, about the role libraries have played and continue to play in our lives. The draw of the library is foremost, the books. It is a democratic place to learn, escape, and relax. For many of us, the library conjures childhood memories of our local facility, perhaps a favorite librarian, and certainly the stack of literary treasures we inevitably brought home with us. German photographer Candida Höfer’s series of color plates, Libraries, captures the architecture and physical structures that hold those treasures and the art of those sacred halls.

This impressive volume contains 137 color plates of Höfer’s work, including the British Library in London, the Escorial in Spain, the Whitney Museum and the Pierpont Morgan Library in New York, the Bibliothèque nationale de France in Paris, the Villa Medici in Rome, and the Hamburg University Library, among many others. The images are mostly devoid of people, drawing the eye and mind not to the functionality of a space, but to the colors and aesthetic of a building with a single purpose.

HOFER'S LIBRARIES

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PHILLIP MARCH JONES, COUNTY CLUB, AND A RECIPE

COUNTY CLUB - Photo by Phillip March Jones

We are pleased to welcome back friend and writer, Phillip March Jones, who we have convinced to join us as a regular contributor to this Journal. Phillip will be writing about art, visual design, music, food, and travel.

This week, Phillip shares a photo essay of (and a delicious recipe from) his new favorite restaurant, County Club, in Lexington, Kentucky. This new gathering spot is a stones-throw from Institute 193, Phillip’s gallery. Chef Johnny Shipley’s menu looks mouth-watering and County Club’s Instagram feed has me ready to jump on a plane to Lexington.

Please welcome Phillip with lots of comments below,

xoNatalie

Turner & Guyon, a design team based in Lexington, Kentucky, recently partnered with local chef Johnny Shipley, to transform an abandoned cinder block garage into a full-service restaurant and bar named County Club. The original structure, located on Jefferson Street in the historic Smithtown neighborhood, was built in 1974 as a storage facility for the Rainbow Bread factory’s day-old shop. The factory closed in the early 90′s, and the storage building was eventually purchased by a local man who used it as a garage and auto body shop.

Hunter Guyon and Chesney Turner (Turner & Guyon) have both lived within a few blocks of the building for years, and their familiarity with the neighborhood is evident in the restaurant’s interior, which is elegant, sparse, and comforting.

Memory is one of the driving forces behind both the restaurant’s design and menu, which explores new takes on classic barbecue dishes with a special focus on regionally sourced, in-house smoked meats. County Club, which only opened a few months ago, already feels deeply rooted in the fabric of Lexington’s food and social culture.

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LOVING THE THREAD

LOVING THE THREAD - photo by Rinne Allen

This post grew out of a conversation about love that began around the sewing table at our Warehouse Row workshop in Chattanooga, Tennessee last month. While we have written about well-loved thread many times, it seems important to keep the conversation alive and growing.

Love…We all live for it, because of it, in search of it. Poets try to evoke it from paper and ink. Chefs strive to make you smell and taste it in their meals. And every Alabama Chanin workshop begins with the story of how love is sewn into each stitch of our clothing. Just one of our skirts may need hundreds of yards of thread and thousands of stitches to be completed. If you could watch the process of making that thread, you would see it comes from creating tension in two separate cotton strands and twisting them together. If that tension isn’t tamed before the sewing process, a seamstress will be facing knot after knot, each time the needle is pushed through the fabric. Just imagine what kind of frustration that could cause in the weeks it takes to make a single, hand-stitched garment.

LOVING THE THREAD - photo by Rinne Allen

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DESKTOP OF THE MONTH: AUGUST 2013

DESKTOP OF THE MONTH: AUGUST 2013

Long a favorite image for textile patterns, the fern is an adaptable plant, suited both to moisture-rich, woodland areas, and tall rock crevices. It is also an air-filtering plant that can eliminate certain dangerous chemicals from the environment. Natural elements have often inspired our stencil designs, including this Satin Stitched Fern, one of our oldest, perennial designs. Here, the satin stitches mimic the texture of real fern fronds and add a textured relief to the fabric.

This hi-resolution photograph, for use as your computer desktop background, is now available to download from our Resources page. Click here to order your own Custom DIY Kit.

This photograph illustrates one of the many options you can create yourself when you opt for a Custom DIY kit. View our Alabama Chanin Custom DIY Guide and see the hundreds of options available when you select your garment, fabric, embroidery or treatment, colors, threads, and other choices.

SATIN STITCH FERN – OUR DESIGN CHOICES:

Fabric – 100% organic medium-weight cotton jersey
Backing Layer – Silt
Top Layer – Silt
Stencil – Fern
Treatment – Satin Stitch
Textile Paint – Pearl Grey
Thread – Slate

 

SHANE POWERS: BRING THE OUTDOORS IN

SHANE POWERS: BRING THE OUTDOORS IN

I love having fresh flowers around the office. I dream of flower beds surrounding the building and vases of camellia blooms on each desk. Shane Powers’ book, Bring the Outdoors In: Garden Projects for Decorating and Styling Your Home, has inspired me to perhaps be more ambitious in my plans for floral décor – both at home and in the office. I first met Shane through his work with my friend, Li Edelkoort. He worked on her (amazing) magazine, Bloom, and I met him again in Finland as he was helping curate and install Li’s exhibition, A World of Folk, and the Design Seminar, Folk Futures. Shane went on to work for prestigious titles like Vogue Living Australia, Blueprint, and Martha Stewart Living, and he recently created an indoor garden collection for West Elm. He is a busy man, to say the least.

Bring the Outdoors In is not a traditional gardening book. Rather, Shane presents ideas and instructions for projects that are akin to floral art installations. The results are astonishing, especially when compared to the traditional potted plant. This type of project would be perfect alongside traditional décor and would fit right into any unconventional home design. It is also ideal for apartment dwellers who lack the outdoor space for a garden plot of their own.

SHANE POWERS: BRING THE OUTDOORS IN

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REAL WOMEN: ACROSS GENERATIONS

REAL WOMEN - ROXIE MAE

We have long written stories and profiles of real women; however, on January 15, 2013, we began an official series that we call, “Real Women.” Here you find the latest in this series, written by Bill Simpson, our friend and father to confidante and editor, Sara Martin.  Please welcome Bill and savor his story of real women across three generations.

From Bill:

My entire life, I’ve been surrounded by amazing women, beautiful inside and out. I was raised by strong women, married a strong woman, and have three lovely, strong-minded daughters, followed by three remarkable granddaughters. Now, I have great-grandchildren: boys and girls, so I’m not quite so outnumbered anymore. But, I have been fortunate to find myself in this situation. These women have made me the man I am today.

The most important women in my life, past and present, are my grandmother (Roxie Mae pictured above), my mother (Evelyn pictured below), and my wife (Grace pictured at the bottom of this post).

My grandmother, Roxie Mae, was smart, strong, and independent and she made her way successfully through a long life. Sometimes her success was with her “man” and sometimes she found success in spite of him. She had the courage to be independent and express her opinions in a day when many women did not. My mother, Evelyn, was much like her mother. She was independent and strong, opinionated and open-hearted. She lived and loved fiercely.

REAL WOMEN - EVELYN

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CAST FABRIC CUFF

CAST FABRIC CUFF

While we are known for our elaborate hand-sewn, hand-embellished garments, collaboration has long been an integral part of our philosophy. My cousin’s family owns MTM Recognition in Princeton, Illinois, where they make an array of hand-made jewelry pieces produced by skilled craftsmen. When the opportunity to create jewelry together came up, the idea of capturing the texture of cotton jersey fabric and the detail of hand embroidery into a bracelet felt like a natural addition to the Alabama Chanin line. The Cast Fabric Cuff  was designed with our hand-sewn, heirloom garments in mind.

CAST FABRIC CUFF

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CLOSING: THE LIFE AND DEATH OF AN AMERICAN FACTORY

CLOSING: THE LIFE AND DEATH OF AN AMERICAN FACTORY

In Closing: The Life and Death of an American Factory, Cathy N. Davidson writes:

“When the last worker passed through the doors of White Furniture Company in May of 1993, hardly anyone beyond the city limits of Mebane, North Carolina, noticed. In national terms, it made little difference that 203 men and women were out of work or that a venerable, family-owned firm (the ‘South’s oldest maker of fine furniture’) had been sold to a conglomerate and now was being shut down. After all, what happened to White’s is hardly unique. In the 1990s, in every walk of life and on all social levels, Americans have had to learn a new vocabulary of economic anxiety – layoff, outsourcing, buyout, off-shoring, downsizing, closing. The statistics are mind-numbing: 70,000 people laid off from General Motors in 1991; 50,000 workers from Sears and 63,000 from IBM in 1993; 40,000 from AT&T in 1996. In these times, why should we care about the closing of one furniture factory in a small southern town?”

Davidson’s text accompanies Bill Bamberger’s photographs, which document the closing of this small American factory and capture the artisans, many of whom were masters of their craft. White’s Furniture Company operated by assembly line, though many of the details were executed by hand. The company was small, almost unknown, but to people in the know, White’s was regarded as one of the highest quality furniture crafters in America. Though Closing was published in 1999, nearly fifteen years ago, the trend of downsizing and outsourcing has continued, and our American factories have all but disappeared. Production, as we well know, has mostly been shipped overseas.

CLOSING: THE LIFE AND DEATH OF AN AMERICAN FACTORY

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THE HALTER TOP

THE HALTER TOP

In February, we launched our Basics line of Alabama Chanin garments in clean, unadorned silhouettes: garments for everyday life, to wear with everything. As temperatures climb into the 90’s here in North Alabama, the Basics have found their way into the wardrobe rotation more frequently, particularly the Halter Top.

Hand-stitched in 100% organic cotton medium-weight jersey, the Halter Top (shown here in our color, Denim) is a comfortable slip-on piece with an adjustable tie behind the neck, Cretan stitch finish on the rib, and a tapered, feminine fit through the chest and waist. Top hits at the hip, measuring approximately 23” from the center neckline and 17” from the back to bottom edge.

We love it with our Pleated Skirt or jeans or over a swimsuit on our way to the lake. The Halter Top comes in a variety of lightweight and medium-weight cotton jersey colors.

Wash gently + Hang to dry. Free shipping. Made in the USA.

Regular Price: $145

On Sale Today Only: $120

Place your order here, grab your sandals and (safely) enjoy the sun.