Category Archives: BEAUTIFUL LIFE

LONNIE HOLLEY

Yesterday, we shared a post by contributor Phillip March Jones on self-taught musician, song writer, and artist Lonnie Holley. Holley’s second album, Keeping A Record of It, was just released by the Dust-to-Digital label in Atlanta, Georgia. A special, limited price offer of $20 for both of Holley’s albums are available for purchase in our online store.

 

DESKTOP OF THE MONTH: SEPTEMBER 2013

DESKTOP OF THE MONTH: SEPTEMBER 2013

September’s Desktop of the Month illustrates the strength of contrasting color choices in a fabric design. Red and blue elements, when placed beside a light, neutral tone, bring a strong focus to the image or pattern – in this case, long-time favorite, Angie’s Fall. Additionally, placing some of the knots on the outside of the design adds a textural element that draws the eye to the embroidered stencil shapes.

This hi-resolution photograph, for use as your computer desktop background, is now available to download from our Resources page.

The photograph above highlights one of the many options available when creating a Custom DIY Kit. There are hundreds of options to choose from, including fabric, colors, thread, stencil, embroidery or treatment, and garment or item. View our Alabama Chanin Custom DIY Guide for ideas to create your own project. Click here to design your own Custom DIY Kit.

OUR DESIGN CHOICES

Fabric – 100% organic medium-weight cotton jersey
Backing layer – Midnight
Top layer – Natural
Stencil – Angie’s Fall
Treatment – Backstitch reverse appliqué
Textile paint – Light Grey
Thread – Red #128
Knots – both outside and inside; outside knots strategically placed for design emphasis

 

LONNIE HOLLEY: KEEPING A RECORD OF IT

LONNIE HOLLEY

Keeping a Record of It (Harmful Music), 1986, Lonnie Holley, Salvaged phonograph top, phonograph record, animal skull 13 3/4 x 15 3/4 x 9 inches, Courtesy of the Souls Grown Deep Foundation. Photo: Steve Pitkin

Lonnie Holley, at the age of 63, is finally getting his proverbial moment in the sun. The artist’s second album, Keeping A Record of It, was released today by Atlanta’s Dust-to-Digital label, and he is currently touring the US with Deerhunter and Bill Callahan. Earlier this year Holley performed at the Whitney Museum of American Art during the Blues for Smoke exhibition, and a solo-exhibition of his visual work is scheduled to open at th­e James Fuentes Gallery on September 15 in New York. Holley’s life has not, however, always been this glamorous.

Lonnie Bradley Holley was born on February 10, 1950 in Birmingham, Alabama. From the age of 5, Holley worked various jobs, picking up trash at a drive-in movie theatre, washing dishes, and cooking. He lived in a whiskey house, on the state-fair grounds, and in several foster homes. His early life was chaotic and Holley was never afforded the pleasure of a real childhood.

LONNIE HOLLEY

Holley performing at the Whitney Museum of American Art, New York, NY. Photo: Matt Arnett

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HEATHER WYLIE + BOHEMIAN BOP

HEATHER WYLIE + BOHEMIAN BOP

Heather Wylie is the daughter of Alabama Chanin friend and mentor Terry Wylie, and a welcome creative force in our shared factory space on Lane Drive. Heather is recently graduated from Parsons School of Design in New York, where she earned an MFA in Design and Technology. She learned printmaking as an undergrad at the University of Alabama, and it is her love of printing and her ingrained knowledge of the t-shirt business (thanks to Dad) that led her to create Bohemian Bop, a line of hand-printed, silkscreen and lace embellished tee shirts. We visited Heather’s studio to learn a little more about Bohemian Bop, her love of print making, and the future for Heather Wylie.

HEATHER WYLIE + BOHEMIAN BOP - photo by Valerie Crawford

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AMOS KENNEDY + THE PERFECT POSTER

AMOS KENNEDY + THE PERFECT POSTER

Amos Kennedy became an artist in an unusual way. At age 40, he left his corporate, white-collar job and secure middle class life to pursue a passion for printing, took to wearing overalls, and learned to live on an artist’s salary. He prints posters for The People, keeping the message clear and the price affordable. His work ranges from the inspirational to the informative, often creating and printing work for festivals and events. In 2008, film maker Laura Zinger directed “Proceed and Be Bold,” a documentary about Amos Kennedy and his non-traditional path into the art world.

AMOS KENNEDY + THE PERFECT POSTER

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HÖFER’S LIBRARIES

HOFER'S LIBRARIES

We recently shared a few thoughts and memories of the library, collected from friends and neighbors, about the role libraries have played and continue to play in our lives. The draw of the library is foremost, the books. It is a democratic place to learn, escape, and relax. For many of us, the library conjures childhood memories of our local facility, perhaps a favorite librarian, and certainly the stack of literary treasures we inevitably brought home with us. German photographer Candida Höfer’s series of color plates, Libraries, captures the architecture and physical structures that hold those treasures and the art of those sacred halls.

This impressive volume contains 137 color plates of Höfer’s work, including the British Library in London, the Escorial in Spain, the Whitney Museum and the Pierpont Morgan Library in New York, the Bibliothèque nationale de France in Paris, the Villa Medici in Rome, and the Hamburg University Library, among many others. The images are mostly devoid of people, drawing the eye and mind not to the functionality of a space, but to the colors and aesthetic of a building with a single purpose.

HOFER'S LIBRARIES

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PHILLIP MARCH JONES, COUNTY CLUB, AND A RECIPE

COUNTY CLUB - Photo by Phillip March Jones

We are pleased to welcome back friend and writer, Phillip March Jones, who we have convinced to join us as a regular contributor to this Journal. Phillip will be writing about art, visual design, music, food, and travel.

This week, Phillip shares a photo essay of (and a delicious recipe from) his new favorite restaurant, County Club, in Lexington, Kentucky. This new gathering spot is a stones-throw from Institute 193, Phillip’s gallery. Chef Johnny Shipley’s menu looks mouth-watering and County Club’s Instagram feed has me ready to jump on a plane to Lexington.

Please welcome Phillip with lots of comments below,

xoNatalie

Turner & Guyon, a design team based in Lexington, Kentucky, recently partnered with local chef Johnny Shipley, to transform an abandoned cinder block garage into a full-service restaurant and bar named County Club. The original structure, located on Jefferson Street in the historic Smithtown neighborhood, was built in 1974 as a storage facility for the Rainbow Bread factory’s day-old shop. The factory closed in the early 90′s, and the storage building was eventually purchased by a local man who used it as a garage and auto body shop.

Hunter Guyon and Chesney Turner (Turner & Guyon) have both lived within a few blocks of the building for years, and their familiarity with the neighborhood is evident in the restaurant’s interior, which is elegant, sparse, and comforting.

Memory is one of the driving forces behind both the restaurant’s design and menu, which explores new takes on classic barbecue dishes with a special focus on regionally sourced, in-house smoked meats. County Club, which only opened a few months ago, already feels deeply rooted in the fabric of Lexington’s food and social culture.

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LOVING THE THREAD

LOVING THE THREAD - photo by Rinne Allen

This post grew out of a conversation about love that began around the sewing table at our Warehouse Row workshop in Chattanooga, Tennessee last month. While we have written about well-loved thread many times, it seems important to keep the conversation alive and growing.

Love…We all live for it, because of it, in search of it. Poets try to evoke it from paper and ink. Chefs strive to make you smell and taste it in their meals. And every Alabama Chanin workshop begins with the story of how love is sewn into each stitch of our clothing. Just one of our skirts may need hundreds of yards of thread and thousands of stitches to be completed. If you could watch the process of making that thread, you would see it comes from creating tension in two separate cotton strands and twisting them together. If that tension isn’t tamed before the sewing process, a seamstress will be facing knot after knot, each time the needle is pushed through the fabric. Just imagine what kind of frustration that could cause in the weeks it takes to make a single, hand-stitched garment.

LOVING THE THREAD - photo by Rinne Allen

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DESKTOP OF THE MONTH: AUGUST 2013

DESKTOP OF THE MONTH: AUGUST 2013

Long a favorite image for textile patterns, the fern is an adaptable plant, suited both to moisture-rich, woodland areas, and tall rock crevices. It is also an air-filtering plant that can eliminate certain dangerous chemicals from the environment. Natural elements have often inspired our stencil designs, including this Satin Stitched Fern, one of our oldest, perennial designs. Here, the satin stitches mimic the texture of real fern fronds and add a textured relief to the fabric.

This hi-resolution photograph, for use as your computer desktop background, is now available to download from our Resources page. Click here to order your own Custom DIY Kit.

This photograph illustrates one of the many options you can create yourself when you opt for a Custom DIY kit. View our Alabama Chanin Custom DIY Guide and see the hundreds of options available when you select your garment, fabric, embroidery or treatment, colors, threads, and other choices.

SATIN STITCH FERN – OUR DESIGN CHOICES:

Fabric – 100% organic medium-weight cotton jersey
Backing Layer – Silt
Top Layer – Silt
Stencil – Fern
Treatment – Satin Stitch
Textile Paint – Pearl Grey
Thread – Slate