We’ve written about our friend Phillip March Jones on our journal before – we carry his newest publication, Points of Departure, in our online store. Institute 193 in Lexington, Kentucky, is his gallery, a music venue, and multi-faceted publisher, which recently released a compilation of recordings from artists who have performed in the space. Phillip joins us as a contributor to the journal, with an introduction to 193 SOUND.
Sound is a mechanical wave that is an oscillation of pressure transmitted through a solid, liquid, or gas, composed of frequencies within the range of hearing. 193 SOUND is a collection of musical sounds: continuous, regular, and in this case, site-specific vibrations that tell the story of our small space, Institute 193, in Lexington, Kentucky. This compilation records the artists, performers, musicians, and general sound-makers who have emitted, transmitted, and radiated their own SOUNDS from within our walls and that now travel into your range of hearing.
Institute 193, a project I began in October 2009, is a non-profit contemporary art space and publisher that collaborates with artists, musicians, and writers to document the cultural production of the modern South. We produce exhibitions, books, and records with the goal of unearthing significant ideas from the region and sharing them with the world. Institute 193 engages and directs, steering and shaping projects into reality without sanitizing the vision of the artist.
“A Carafe, that is a blind glass.
A kind in glass and a cousin, a spectacle and nothing strange a simple hurt color and an arrangement in a system to pointing. All this and not ordinary, not unordered in not resembling. The difference is spreading.”
This is how Gertrude Stein begins her Cubist experiment in verse. Tender Buttons, Objects has been called a masterpiece, a failure, confusing, nonsense, and a beautiful collage. It has been supposed a practical joke, too obscure to have real meaning, or too meaningful to describe (the last presumably said by an unenthusiastic poetry student).
Most of us don’t really think about color, or what color is or how it’s made, and yet our entire day is filled with too many shades to count or record. In Victoria Finlay’s 2002 book, Color: A Natural History of the Palette, she writes, “the first challenge in writing about colors is that they don’t really exist. Or rather they do exist, but only because our minds create them as an interpretation of vibrations that are happening around us.”
This leaves quite a bit of objective opinion about color, much of it based on what we are physiologically able to absorb and interpret. The human eye perceives color in different ways, often depending on how light affects the color we are observing. We’ve all witnessed the changing shades of green in the trees or greys and reds on the buildings around us from dawn to dusk as the temperature and quality of light shifts throughout the day. Each person sees color in different ways, notices subtle differences, and has a biased personal interpretation of color. Isn’t one of the first things we learn to answer about ourselves as children, what’s your favorite color?
June’s Desktop of the Month celebrates the idea of collaboration. Alabama Chanin @ Heath Ceramics have worked together to create some beautiful pieces that we have loved and put to good use. But, this pattern, The Camellia, highlights the intersection of design and craftsmanship perfectly; the white glaze shows off the intricate hand-etched floral pattern and the pattern, itself, compliments the curves and shapes of the place settings. You can purchase the available pieces from Heath Ceramics or our online store. Or, download this desktop image to brighten your workspace.
This hi-resolution photograph, for use as your computer desktop background, is now available to download from our Resource Downloads.
Poster by our friend Amos Kennedy. More on Amos and this poster coming soon…
To all who serve…
xoNatalie and all of us @ Alabama Chanin
Lately, we’ve dedicated several journal posts to Mom in anticipation of her holiday this Sunday. Mother’s Day often feels like a holiday remembered at the last minute – a rush to find a card, a brunch reservation in lieu of a gift. But when we started brainstorming for posts about mom a few months ago, we began looking at women, and mothers, through a different lens and gained a deeper appreciation for the women who birthed us, nurture us, care for us, and stand by us through everything.
The Dust-to-Digital book and CD compilation Never a Pal Like Mother is a collection of vintage photographs of and commercial recordings about mother. It’s an unusual and unique gift for any book lover. Just one of several Dust-to-Digital publications we sell in our online store, it may be our favorite.
Our post on Mom and the Casserole explored the history of the American casserole, a memory most of us share and strongly associate with Mom.
We dug deeper into The Craft of Midwifery, possibly the oldest DIY pursuit known to (wo)mankind, and the growing interest in home births.
Mark Twain’s Advice to Little Girls added some much needed humor to our routine.
We look forward to Sunday and sharing a few moments (not just a card) with our mothers (and those who have mothered us) and perhaps a few moments mothering ourselves.
We wish you all a HAPPY MOTHERS’ DAY—whatever that means for you…
xo from all of us @ Alabama Chanin
The newest issue of Refueled Magazine is out and features friends Jack Sanders of Design Build Adventure and Otis James in Nashville. The images in Refueled No. 11 are (once again) beautiful and stunning.
Read the online version of Refueled No. 11 below.