It’s hard to believe that another month has come to an end. Is it really almost August?
I love having fresh flowers around the office. I dream of flower beds surrounding the building and vases of camellia blooms on each desk. Shane Powers’ book, Bring the Outdoors In: Garden Projects for Decorating and Styling Your Home, has inspired me to perhaps be more ambitious in my plans for floral décor – both at home and in the office. I first met Shane through his work with my friend, Li Edelkoort. He worked on her (amazing) magazine, Bloom, and I met him again in Finland as he was helping curate and install Li’s exhibition, A World of Folk, and the Design Seminar, Folk Futures. Shane went on to work for prestigious titles like Vogue Living Australia, Blueprint, and Martha Stewart Living, and he recently created an indoor garden collection for West Elm. He is a busy man, to say the least.
Bring the Outdoors In is not a traditional gardening book. Rather, Shane presents ideas and instructions for projects that are akin to floral art installations. The results are astonishing, especially when compared to the traditional potted plant. This type of project would be perfect alongside traditional décor and would fit right into any unconventional home design. It is also ideal for apartment dwellers who lack the outdoor space for a garden plot of their own.
We have long written stories and profiles of real women; however, on January 15, 2013, we began an official series that we call, “Real Women.” Here you find the latest in this series, written by Bill Simpson, our friend and father to confidante and editor, Sara Martin. Please welcome Bill and savor his story of real women across three generations.
My entire life, I’ve been surrounded by amazing women, beautiful inside and out. I was raised by strong women, married a strong woman, and have three lovely, strong-minded daughters, followed by three remarkable granddaughters. Now, I have great-grandchildren: boys and girls, so I’m not quite so outnumbered anymore. But, I have been fortunate to find myself in this situation. These women have made me the man I am today.
The most important women in my life, past and present, are my grandmother (Roxie Mae pictured above), my mother (Evelyn pictured below), and my wife (Grace pictured at the bottom of this post).
My grandmother, Roxie Mae, was smart, strong, and independent and she made her way successfully through a long life. Sometimes her success was with her “man” and sometimes she found success in spite of him. She had the courage to be independent and express her opinions in a day when many women did not. My mother, Evelyn, was much like her mother. She was independent and strong, opinionated and open-hearted. She lived and loved fiercely.
While we are known for our elaborate hand-sewn, hand-embellished garments, collaboration has long been an integral part of our philosophy. My cousin’s family owns MTM Recognition in Princeton, Illinois, where they make an array of hand-made jewelry pieces produced by skilled craftsmen. When the opportunity to create jewelry together came up, the idea of capturing the texture of cotton jersey fabric and the detail of hand embroidery into a bracelet felt like a natural addition to the Alabama Chanin line. The Cast Fabric Cuff was designed with our hand-sewn, heirloom garments in mind.
In Closing: The Life and Death of an American Factory, Cathy N. Davidson writes:
“When the last worker passed through the doors of White Furniture Company in May of 1993, hardly anyone beyond the city limits of Mebane, North Carolina, noticed. In national terms, it made little difference that 203 men and women were out of work or that a venerable, family-owned firm (the ‘South’s oldest maker of fine furniture’) had been sold to a conglomerate and now was being shut down. After all, what happened to White’s is hardly unique. In the 1990s, in every walk of life and on all social levels, Americans have had to learn a new vocabulary of economic anxiety – layoff, outsourcing, buyout, off-shoring, downsizing, closing. The statistics are mind-numbing: 70,000 people laid off from General Motors in 1991; 50,000 workers from Sears and 63,000 from IBM in 1993; 40,000 from AT&T in 1996. In these times, why should we care about the closing of one furniture factory in a small southern town?”
Davidson’s text accompanies Bill Bamberger’s photographs, which document the closing of this small American factory and capture the artisans, many of whom were masters of their craft. White’s Furniture Company operated by assembly line, though many of the details were executed by hand. The company was small, almost unknown, but to people in the know, White’s was regarded as one of the highest quality furniture crafters in America. Though Closing was published in 1999, nearly fifteen years ago, the trend of downsizing and outsourcing has continued, and our American factories have all but disappeared. Production, as we well know, has mostly been shipped overseas.
In February, we launched our Basics line of Alabama Chanin garments in clean, unadorned silhouettes: garments for everyday life, to wear with everything. As temperatures climb into the 90’s here in North Alabama, the Basics have found their way into the wardrobe rotation more frequently, particularly the Halter Top.
Hand-stitched in 100% organic cotton medium-weight jersey, the Halter Top (shown here in our color, Denim) is a comfortable slip-on piece with an adjustable tie behind the neck, Cretan stitch finish on the rib, and a tapered, feminine fit through the chest and waist. Top hits at the hip, measuring approximately 23” from the center neckline and 17” from the back to bottom edge.
We love it with our Pleated Skirt or jeans or over a swimsuit on our way to the lake. The Halter Top comes in a variety of lightweight and medium-weight cotton jersey colors.
Wash gently + Hang to dry. Free shipping. Made in the USA.
Regular Price: $145
On Sale Today Only: $120
Place your order here, grab your sandals and (safely) enjoy the sun.
Growing up in small town Florence, Alabama, a trip into downtown meant a visit to colorful shops, recognized by equally colorful signs. Ye Ole General Store had a block letter, serif-type sign across the entrance way and inside, we could find canteens and hats and overalls for backyard battles and explorations. Next, we’d walk to Court Street and look for the black and orange store front that meant Wilson’s Fabrics. The simple lettering, enhanced by the high contrast color choices, told my grandmother to come right in – the “Tall Man with the Low Prices” had just the cotton and muslin she needed. Finally, the best part of our trip was our visit to Trowbridge’s for hot dogs and milk shakes. The hand painted awning, with its swirling cursive script, told us we were headed in the right direction. The front window advertises: SANDWICHES, ICE CREAM, SUNDAES. We would slide into a booth and look at the hand-painted menu hanging behind the ice cream counter. That beautiful menu is still there today, challenging me to choose between the hot dog and the chicken salad sandwich. I think the town would riot if it were ever taken down.
This sentimental love I have for hand painted signs was rejuvenated when friend and fellow maker, Faythe Levine, and her co-writer Sam Macon published Sign Painters. This book chronicles the histories and modern-day stories of sign painters. In the 1980’s and 90’s, the art of painting signs became doomed to obscurity, or worse -extinction- with the invention and widespread use of vinyl lettering and digital design. In today’s world, full of Adobe software and inflatable dancing tube men, it is hard to remember that every grocery store sale sign, billboard, storefront, and banner was once carefully designed and painted by hand.
May all your dreams come true…
xo Natalie and all of us @ Alabama Chanin
P.S.: Belt buckle, pants, and shirt thanks to Neilan Tyree
In honor of Independence Day, we chose stars from our Indigo American Flag quilt for July’s Desktop of the Month. The variations of our natural dyed Indigo fabric mirror the diversity that defines our nation and its origins.
This photo displays the intricate stitching and details of each appliquéd star, plus the natural color changes of our Indigo organic cotton jersey. The shades of Indigo vary from piece-to-piece, giving the quilt – and this photograph – depth. View the entire quilt here, or the more traditional version here.
This hi-resolution photograph, for use as your computer desktop background, is now available to download from our Resources page.