The BUST DIY Guide to Life, which might be more aptly titled the BUST DIY Guide to Life and Death, as it also covers a DIY funeral, may be the most useful book I’ve ever had in my possession. Understand that this is a remarkable claim as I love books, and have been exposed to a wide array of literature including hand drawn survivalist volumes weighing 15 pounds (I had a roommate in college who loved that sort of thing). I do think identifying edible foliage and making an outdoor shower are useful skills, but I only cling to that knowledge in a paranoid, worst-case scenario sort of way. But, the BUST DIY Guide feels like a survival guide for everyday. It’s perfect for any girl on a budget, or anyone that has any interest in homemade butter, managing a rental property, styling a beehive (like the one pictured above), or making basic home repairs.
Recipes, home remedies, and beauty tricks abound- each with simple, straightforward instructions and a witty intro.
The BUST DIY Guide contains 250 projects from BUST magazine’s archives, organized by category: beauty and health, fashion, food and entertaining, career, finance, travel, and sex. Right now you can get your own copy for less than $20, which will more than pay for itself when you start your own business, skip a trip to the salon, or brew your first batch of beer.
Or leave a short comment by Friday, January 20th, 12 midnight, below about your best “BUST-out” moment for a chance to win your own copy. We will put the best stories in a hat, draw a name randomly, and announce a winner in next Monday’s post – January 20th, 2012.
I have had a love for the Amish people and art since I was a little girl growing up in Alabama. In fact, there is a small Amish community just north of my town that has fascinated me my whole life.
As Alabama Chanin has grown, part of the beauty of this growth has been my ability to watch our employees and families spread their wings, grow, and find their voices. A few months back, June started to use her voice to tell our stories through her own experiences. Today, Sara Martin makes that same leap and stretches her voice. As I wrote about Sara a few weeks back, she was like a child when she first showed up at my studio. What a treasure to see her make this leap from child to beautiful woman. A hearty Alabama Chanin welcome to Sara’s voice on this blog… xoNatalie
I’ve never been conventionally beautiful. I’ve always known this. I’m just a little bit shorter, a little rounder than the pretty girls; I’ve always laughed a little louder, been a bit more vulgar and less delicate than a southern woman is expected to be. Like most young girls, I struggled with trying to figure out what it meant – this difference. And I tried to negotiate my way through what was expected of me and what I expected of myself.
In the not-so-distant past, tattoos were considered unattractive; to many, they still are. Tattoos have long been the domain of sailors, bikers, outlaws and prisoners. So, how do we reconcile this type of art with femininity? Is it possible to love the skin that we live in and still change it?
Most women I know use some sort of enhancement to make them feel better about what they see as imperfections. Many dye their hair – or buy someone else’s hair to improve upon what they naturally have. We’ve been known to wear high heels to make us taller and Spanx to make us thinner. Some women look to plastic surgery, Botox, face creams and bronzers to enhance the figures and faces they were born with. For me, the process of learning to love myself meant getting underneath my own skin.
I got my first tattoo right out of high school. I found that I liked the way that it made me feel about myself. I got another, and then another. Most of them were easily hidden – something I kept for myself or revealed only to people that really knew me. As I slowly gathered these pieces I discovered that, even in moments of intense self-loathing, I had something about myself that I loved. I chose this about myself. I may not have loved what my thighs looked like, but this I was proud of. I did this.
Now, as an adult, I’ve finally come to terms with who I am on the inside. I like my loud laugh and my off-color jokes. I’m learning more and more to love who I am outside, too. But, I still struggle with some things, as most women do. These days, I view my insecurities as mountains or undiscovered continents – somewhere to conquer and plant a flag. My arms are my latest Mount Everest. I’m learning to love them, but on my own terms and one tract of skin at a time.
I’m still a work in progress. I’m painting my masterpiece, one bit of ink at a time.
P.S.: Thank you to Julie for sending this link.
Check out my post this week on EcoSalon.
Board By Board:
This is a conversation that played out in my head countless times this last week:
“I need to sit down and write the EcoSalon post.”
“The laundry really needs to get done.”
“I NEED to sit down and write the EcoSalon post.”
“Maybe, I should go weed the garden.”
“I NEED to SIT DOWN NOW and write the EcoSalon post.”
“There is that bird pecking around in the yard, I could go stare at it for a while.”
As the year closes, I thought I would put together a list of those people and organizations who have made a difference for me in 2011. For a moment, let’s celebrate just a few of those who are creating inspiring works by striving toward a better, more beautiful, sustainable world.
The Kitchen Sisters, Davia Nelson and Nikki Silva, have been producing inspiring material for years, as producers of such programs as Hidden Kitchens, Lost and Found Sound, and now, The Hidden World of Girls. One particularly inspiring piece, the film “White Gloves,” by Courtney Stevens and Les Blank focuses on the Oakland Museum Women’s Board. The short piece is poignant in its focus on volunteerism, women, and the relationships that bond people together. The Kitchen Sisters never fail to tell important stories and create moving art. (Images at the top of this post from Francesca Woodman.)
The book, Deep Economy: The Wealth of Communities and the Durable Future, offers a challenge to the notion that more is better and instead emphasizes the importance of locally-centered commerce, politics and culture. The author, Bill McKibben, challenges us to consider why we buy what we do and urges us to think about our role within a community at large. McKibben makes appeals for action, but he also leaves us with a sense of what is possible. I believe in community and the fact that change is possible.
It seems unbelievable to me that 2011 is coming to a close. The Alabama Chanin journal has covered so many topics over the 2011 year and we have been so grateful for the opportunity to share our thoughts, travels, milestones and inspirations with you. As the year’s end approaches, we thought we would recap some of the favorite topics of the year.
…from our dear friend Eva Whitechapel and all of us @ Alabama Chanin