Category Archives: BEAUTIFUL LIFE

ANNA MARIA HORNER – NEEDLEWORKS NOTEBOOK

ANNA MARIA HORNER NEEDLEWORK NOTEBOOK

As most of our readers know, we have a deep love and admiration for our friend – and collaboratorAnna Maria Horner. She is an artist, fluent in more than one creative medium. She not only creates bold and unique fabrics, some of which we have adapted into Alabama Chanin garments, but she also designs kitchen and paper goods, writes, works as the spokesperson for Janome, and keeps up with her beautiful family, all while pregnant with baby #7.

As I read through my new copy of Anna Maria’s Needleworks Notebook, I was moved by her descriptions of family and creativity and how being surrounded by the beautiful handmade things they made influenced her life path. While my parents weren’t as prolifically artistic as Anna Maria’s, the stories of her grandmothers and their sewing resonate with me strongly.

ANNA MARIA HORNER NEEDLEWORK NOTEBOOK

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COLLECTION HIGHLIGHT

NEW COLLECTION HIGHLIGHTS

Our latest Alabama Chanin Collection features two original pieces – The Swing Coat and Layered Dolman Coat – and several classic patterns like the Alabama A-line dress and Long Skirt developed in new colorways and patterns.

Last summer we collaborated with friend and talent Anna Maria Horner on the Little Flowers stencil, which you’ll find on our Little Flowers Swing Coat and Little Flowers Dolman Coat. The Swing Coat, essentially a shorter version of our Long Coat, is fitted through the bodice with a gentle flare at the waist. Made in 100% organic lightweight cotton jersey, the Swing Coat measures 32” from the shoulder and shows off the simple beauty of backstitch reverse appliqué.

NEW COLLECTION HIGHLIGHTS

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TILLEKE SCHWARZ (+ INDIGO WEEK)

TILLEKE SCHWARZ: NEW POTATOES

I first saw Tilleke Schwarz’s work in an exhibition called Pricked: Extreme Embroidery at the Museum of Arts & Design in New York. The needlework was displayed proudly as contemporary art by extraordinary female artists. Boundaries were pushed as textile art was made. Friend, Maira Kalman, also had work on view.

Tilleke’s work resonated with me with its elaborate technique and profound artistic statement. At the time, her first book Mark Making (2007) had quickly sold out, so when her self-published second book, New Potatoes, came out a few years later I readily ordered 10 copies.

TILLEKE SCHWARZ: NEW POTATOES Continue reading

HANDCRAFTED MODERN EUROPE: AT HOME WITH MIDCENTURY DESIGNERS

Leslie Williamson’s beautiful first book, Handcrafted Modern, captures several homes and interiors of some of the mid-twentieth century’s most loved architects and designers. The photos and essays blew us away and left us wanting for more. With a little more support for her Kickstarter campaign, we just might get to see her second book, Handcrafted Modern Europe, come to be.

DESKTOP OF THE MONTH: SPIRALS

DESKTOP OF THE MONTH - MARCH 2013

This month’s Desktop of the Month features our Spiral embroidery technique from Alabama Studio Sewing + Design. Due to its textural quality, I think the Spiral is one of the most beautiful techniques that we use here at Alabama Chanin. Those that wear garments embellished with this simple (but time consuming) embroidery treatment often remark that perfect strangers ask to touch their garments. While you can’t touch this image, it gives you a perfect illustration of what it might be like to touch and be touched.

A high-resolution photograph for use as your computer desktop background is now available as a download in our Resource Downloads section.

Come back this Thursday for our DIY Spiral Embroidered Coffee Cozies (although I wish it was for my DIY Spirals Couch).

 

ALABAMA CHANIN BASICS

ALABAMA CHANIN BASICS

We recently started a conversation on Real Women and fashion with Sara’s post “Too Fat For Fashion,” and your response has been lively, evocative and challenging. As we prepared to launch an extended ready-to-wear Basics section on our Alabama Chanin website, we found ourselves thinking more carefully about how our pieces fit different shapes, how they can be adjusted and streamlined for individual figures, and how many of our pieces flatter many body types.

Start with the material. By using 100% organic cotton jersey, we have given our collection a head start on both comfort and individualized fit. Jersey, by nature, has a generous stretch, but also memory. One member on our Alabama Chanin team loves the Alabama Corset because when she hangs it up after wearing she can still see the silhouette of her body in the fabric. It makes her feel as though the top was made especially for her.

ALABAMA CHANIN BASICS - HALTER TOP

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FROM SARA: BILL CUNNINGHAM (POST FASHION WEEK)

BILL CUNNINGHAM - SCENE FROM THE MOVIE "BILL CUNNINGHAM NEW YORK"I don’t want to overstate the obvious, but most of you would know that I am neither a New Yorker nor a fashion expert. While I enjoy style and design and I’m somewhat awed by the city, it’s clear to any observer that I’m native to neither. But, there’s something about Bill Cunningham that makes me feel comfortable with both. He lives and roams in the intimidating worlds of fashion and Manhattan, but manages to do so in an unpretentious way.

This weekend I re-watched the feature-length documentary Bill Cunningham New York, which profiles this prolific photographer and wise fashion observer and, once again, this eighty-something gentleman captured all my heart. Sometimes, as a fashion outsider, I imagine that NY style begins and ends on the runway. Bill Cunningham is a firm believer that this notion is not true. “The best fashion show is definitely on the street – always has been, always will be,” he assures us. His “On the Street,” column in the New York Times is a collage of on-trend people, items, movements, and real-time style progressions. In the film, Harold Koda, Curator of the Costume Institute/Metropolitan Museum of Art, explains that Bill attempts to “tease out trends in terms of the reality of how people dress.” Cunningham himself demurs, “I don’t decide anything. I let the street speak to ME.”

BILL CUNNINGHAM FOR THE NY TIMES

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FABIOLA (LOVE LETTER TO A PAINTING)

FABIOLA (LOVE LETTER TO A PAINTING) via California Literary ReviewIn his classic tome on two-dimensional design, Wucius Wong indicates that it takes at least three elements for something to be considered repeating. Repeating elements is one of the first theories you learn as a textile designer. I spent an entire semester discussing the theory of words and their meanings in design language. We were all in agreement: for repetition, two isn’t enough. What about over three hundred?

Wucius Wong’s theory is the first thing that comes to mind when I look at these pictures from an exhibition by the artist Francis Alys, showcased at the National Portrait Gallery in London. In room after room, over 300 portraits of Saint Fabiola are displayed: the same woman in the same pose, the same traditional rendition. Repetition – the same image seen over and over again.

The artist has collected these paintings from flea markets and garage sales in his adopted home of Mexico City. Most are painted by amateur artists. All portray the same woman, again, and again, and again. What Alys points out is that, though the images are similar – they all portray this woman, Saint Fabiola, in the same traditional veil, seated in the same pose and with the same background color – each individual image is unique. Each bears the mark of the artist. One may paint her nose with a slant; another may paint her with makeup or a solemn expression. The artists have copied a widely known image, but interpreted through their own eyes. We see repetition, but without absolutely identical images.

The larger art here is in the repetition of the “pattern,” or image. But, Francis Alys is showing us that even copies bear the mark of the creator. Seeing the same image repeated hundreds of times makes for an impressive impact. Viewed as a whole they represent merely a single pattern; viewed more closely, they demonstrate that, even when re-creating someone else’s work of art, the artist’s uniqueness shines through.

SAINT FABIOLA

*Photos borrowed from California Literary Review.

DR. RUTH (AND THE LOVE OF LITERATURE)

DR. RUTH (AND SOME VALENTINE'S LITERATURE) There is no denying that I love stories and storytelling.  In various and changing stages of my life, I have transformed from an obsessed to a simply avid reader, and everything in between.

These days, I have to admit that I have a hard time staying awake long enough to get through all the books on my nightstand, as some nights I seem to fall asleep before six-year-old Maggie.

Over the years, and as my love for reading grew, I developed numerous ways of moving through literature:

Choosing an author and reading everything: Hermann Hesse, Zora Neale Hurston, Toni Morrison, Alice Walker, Mary Renault, Steven King (the early works)…

Finding a theme and following it through: Good Business (Paul Hawken, Bill McKibben, Samuel Mockbee…), Classics (Homer, Chaucer, Dante, Shakespeare), The Nature of Love (D.H. Lawrence, Laurence Durrell, and Marquis De Sade), Southern Short Stories (Harry Crews, Eudora Welty, Tennessee Williams, George Dawes Green)…

Genres, and subgenres: pioneer, mystery/thrillers, vampire, Southern gothic, cookbooks, and, yes, erotica.

Last week, I was on the phone with my dear friend Lisa who talking about Dr. Ruth and organizing a book reading with the famed doctor in the mattress section of a well-known store.  Genius.

Dr. Ruth was suddenly on my radar and, in the process, I discovered her Twitter account (follow Dr. Ruth; you will thank me). So, as one thing leads to another on the internet, I follow one of the links to the video below, which brings me back to literature, specifically erotica:

I started pretty early in my reading life with classics like Lady Chatterley’s Lover, The Story of O, and afterward moved seamlessly from De Sade to Anaïs Nin, from the (rather boring) Memoirs of Fanny Hill by John Cleland (I prefer Erica Jong’s version) to Anne Rice’s (trashy) Sleeping Beauty series, written under the pseudonym of A. N. Roquelaure.

So, I admit that when the Fifty Shades Series arrived on my radar, I wanted to see what all the fuss was about. Many women today are reading this series openly. I see school moms posting about the characters on Facebook and little old ladies sitting in coffee shops with the book proudly lying open beside their tea.  So while I am thankful that erotica has found its way out-of-the-closet, I found the series (ahem) not as engaging as some of the classic tomes from my earlier days; however, I ADORE Dr. Ruth’s take:

All of this in a round-about-way to say Happy Valentine’s Month ahead of us. Here’s to a bit of literature (erotic or otherwise)–perhaps read aloud to a loved one.

These days, I mostly enjoy Ivy and Bean, recited aloud by my budding reader (if I can stay awake long enough).

BELOVED COMMUNITY

Schools, government offices, and many businesses are closed today to honor Dr. Martin Luther King, Jr. We are closing our studio a few hours early and to take part in MLK’s Day of Service.  In the spirit of King’s Beloved Community, we will take some time today to serve others, while reflecting on our theme for the year: peace.

From The King Center’s website:

As early as 1956, Dr. King spoke of The Beloved Community as the end goal of nonviolent boycotts. As he said in a speech at a victory rally following the announcement of a favorable U.S. Supreme Court Decision desegregating the seats on Montgomery’s busses, “the end is reconciliation; the end is redemption; the end is the creation of the Beloved Community. It is this type of spirit and this type of love that can transform opponents into friends. It is this type of understanding goodwill that will transform the deep gloom of the old age into the exuberant gladness of the new age. It is this love which will bring about miracles in the hearts of men.”

Read more about Dr. Martin Luther King, Jr.’s teachings and achievements here.

P.S.: Please share your reflections with us.

*Photo above from The Kodak Gallery. Photographer: Charles Moore, Alabama, 1958.