Alabama Chanin is a celebration of deep Southern roots merged with contemporary style. As a company, we strive to connect to those roots by integrating age-old skills and techniques into our current work. Along the way, we have made new connections, created relationships with friends and pieces that play a role in our story. There are those that have been with us from the beginning and others that have come and gone, but one thing remains constant, they stay with us through memories.
We have the ability to link objects and feelings to those memories; a lifetime of emotion can be evoked from a single touch or sighting. Maybe your grandmother’s wood-handled kitchen knife brings back memories of your education in chopping vegetables without losing a finger. Or perhaps your mother’s overflowing recipe book holds all of the secrets needed to prepare for your very first dinner party. The rocking chair you built with your grandfather holds a feeling of accomplishment within its structure.
For the August Desktop of the Month, we are featuring the backside of fabric using a backstitch. These stitches were made with our Button Craft thread on our 100% organic cotton jersey fabric.
We believe that this is a simple reminder that beauty can be found behind the scenes and out of the spotlight. The things that support and hold us all together are as essential as they are inspiring.
If you’re not familiar with the backstitch and would like to learn the technique, along with many others, reference our Studio Books Series which include how-to sections, complete with images and instructions.
This hi-resolution photograph is for use as your computer desktop background and can be downloaded from our Resources page.
Photo thanks @Rinne Allen
From Eye Magazine:
H: So, what are you thinking right now (aside from ‘what an idiotic question’)? Is there anything at this moment, or this day, that makes you want to go out and make art?
K: I was out walking the dear dog (who is a sweet meal ticket – two books about him, one New Yorker cover and a back page) and I saw 500 things that made me want to make art. I ran into a father taking two kids to school. The girls were wearing green skirts and orange rain boots and one of them had a ponytail and was carrying a pink book and was pigeon-toed. Then I saw a man wearing a bowler hat with a feather and he was wearing an eye mask like Zorro made out of a twenty-dollar bill and I thought, ‘There is a God. Thank you, whoever is showing me this.’
I have become slightly obsessed with the obsessive use of the exclamation mark in today’s casual correspondence. In fact, last week, I had to ask someone in the studio, “When IS it OK to use this (highly over rated) punctuation mark?”
From The Elements of Style:
Do not attempt to emphasize simple statements by using a mark of exclamation.
It was a wonderful show! It was a wonderful show.
The exclamation mark is to be reserved for use after true exclamations or commands.
What a wonderful show!
We received a request on how to tie our Alabama Bandana, a summer accessory I wear often to keep my unruly hair in Alabama style.
Happy Summer from Alabama Chanin on Vimeo.
“It is essential to remember that as many arts of living exist as cultural nuances and beliefs.”
I posted about Deidi von Schaewen’s work back in 2010 when her “Learning from Vernacular” first appeared as an exhibition to be seen only by train.
Now, she takes the work one step further in an exhibition that “proposes a world tour of traditional architectures, known as ‘vernacular’, presented in models, films and photographs.”
Deidi von Schaewen by Deidi_vonSchaewen Continue reading
It has been a wonderful two weeks at Penland: learning, exploring, resting, dreaming. I dread leaving this magical place and at the same time I look forward to going home and using the tools I learned here to become a better designer. As I pack the car, we leave you with a few shots of the tools of Penland.
Happy trails and a great weekend to all…
1. A decorative design, as for fabrics, wallpaper, china, or rugs.
2. Decoration or ornament having a design.
3. A natural or chance marking, or design: patterns of flowers on a fabric.
Moving through the Penland studios, you see patterns emerge everywhere.
As the first week at Penland progressed to week two, the piles of books on our studio meeting table (and the individual studio tables) have grown substantially. We have spoken of so many things and explored SO many ideas. Here are a few of the volumes that have made their way into our conversations:
Thank you to Pinkney Herbert’s studio at Penland…