It’s hard to believe that summer is almost over. Where did the time go?
Wishing you and all of yours a happy (and healthy) Labor Day weekend!
Heather Wylie is the daughter of Alabama Chanin friend and mentor Terry Wylie, and a welcome creative force in our shared factory space on Lane Drive. Heather is recently graduated from Parsons School of Design in New York, where she earned an MFA in Design and Technology. She learned printmaking as an undergrad at the University of Alabama, and it is her love of printing and her ingrained knowledge of the t-shirt business (thanks to Dad) that led her to create Bohemian Bop, a line of hand-printed, silkscreen and lace embellished tee shirts. We visited Heather’s studio to learn a little more about Bohemian Bop, her love of print making, and the future for Heather Wylie.
Amos Kennedy became an artist in an unusual way. At age 40, he left his corporate, white-collar job and secure middle class life to pursue a passion for printing, took to wearing overalls, and learned to live on an artist’s salary. He prints posters for The People, keeping the message clear and the price affordable. His work ranges from the inspirational to the informative, often creating and printing work for festivals and events. In 2008, film maker Laura Zinger directed “Proceed and Be Bold,” a documentary about Amos Kennedy and his non-traditional path into the art world.
We recently shared a few thoughts and memories of the library, collected from friends and neighbors, about the role libraries have played and continue to play in our lives. The draw of the library is foremost, the books. It is a democratic place to learn, escape, and relax. For many of us, the library conjures childhood memories of our local facility, perhaps a favorite librarian, and certainly the stack of literary treasures we inevitably brought home with us. German photographer Candida Höfer’s series of color plates, Libraries, captures the architecture and physical structures that hold those treasures and the art of those sacred halls.
This impressive volume contains 137 color plates of Höfer’s work, including the British Library in London, the Escorial in Spain, the Whitney Museum and the Pierpont Morgan Library in New York, the Bibliothèque nationale de France in Paris, the Villa Medici in Rome, and the Hamburg University Library, among many others. The images are mostly devoid of people, drawing the eye and mind not to the functionality of a space, but to the colors and aesthetic of a building with a single purpose.
We are pleased to welcome back friend and writer, Phillip March Jones, who we have convinced to join us as a regular contributor to this Journal. Phillip will be writing about art, visual design, music, food, and travel.
This week, Phillip shares a photo essay of (and a delicious recipe from) his new favorite restaurant, County Club, in Lexington, Kentucky. This new gathering spot is a stones-throw from Institute 193, Phillip’s gallery. Chef Johnny Shipley’s menu looks mouth-watering and County Club’s Instagram feed has me ready to jump on a plane to Lexington.
Please welcome Phillip with lots of comments below,
Turner & Guyon, a design team based in Lexington, Kentucky, recently partnered with local chef Johnny Shipley, to transform an abandoned cinder block garage into a full-service restaurant and bar named County Club. The original structure, located on Jefferson Street in the historic Smithtown neighborhood, was built in 1974 as a storage facility for the Rainbow Bread factory’s day-old shop. The factory closed in the early 90′s, and the storage building was eventually purchased by a local man who used it as a garage and auto body shop.
Hunter Guyon and Chesney Turner (Turner & Guyon) have both lived within a few blocks of the building for years, and their familiarity with the neighborhood is evident in the restaurant’s interior, which is elegant, sparse, and comforting.
Memory is one of the driving forces behind both the restaurant’s design and menu, which explores new takes on classic barbecue dishes with a special focus on regionally sourced, in-house smoked meats. County Club, which only opened a few months ago, already feels deeply rooted in the fabric of Lexington’s food and social culture.
This post grew out of a conversation about love that began around the sewing table at our Warehouse Row workshop in Chattanooga, Tennessee last month. While we have written about well-loved thread many times, it seems important to keep the conversation alive and growing.
Love…We all live for it, because of it, in search of it. Poets try to evoke it from paper and ink. Chefs strive to make you smell and taste it in their meals. And every Alabama Chanin workshop begins with the story of how love is sewn into each stitch of our clothing. Just one of our skirts may need hundreds of yards of thread and thousands of stitches to be completed. If you could watch the process of making that thread, you would see it comes from creating tension in two separate cotton strands and twisting them together. If that tension isn’t tamed before the sewing process, a seamstress will be facing knot after knot, each time the needle is pushed through the fabric. Just imagine what kind of frustration that could cause in the weeks it takes to make a single, hand-stitched garment.
Those of us of a certain age remember the ubiquitous mix tape. We made them for our best girlfriends on their birthdays, for boys and girls we crushed on, and for our younger siblings, bringing them into the fold of “cool.” We received them much in the same way, personally curated with a clear directive: a road trip, an anti-algebra protest (for those of us not good with numbers), a condolence for a loss or break-up. We crafted the paper insert covers in collage cut from magazines or newspapers, or colored them over in crayon and markers. The mix tape might be one of the purest expressions of feeling a person can share. Melody plus lyrics plus artwork (or no artwork) demonstrated time spent consciously collecting something so essential to life: music.
Mix Tape: The Art of Cassette Culture, edited by Thurston Moore of the band Sonic Youth, is a look into the practice and craft of the mix tape, with essays from a long list of contributors including photographers, writers, poets, visual artists, designers, and many musicians, each recalling a specific mix tape that held, and still holds, meaning in their post-cassette lives. Today, many of us stream much of the music we listen to. The playlist has replaced the mix tape (or the mix CD). It’s hard to imagine that record companies protested the invention of the recordable cassette, which we bought in droves. They feared revenue loss and called it piracy. It’s amazing how that control has changed in the years since, how the battle to maintain control of the industry has weighed heavily in favor of the consumer (and pirate), and how musicians have taken up the battle to defend their own art, often breaking from traditional paths to establish their own labels or sign with smaller, independent labels, like Florence, Alabama’s Single Lock Records (where we first learned about this book).
Long a favorite image for textile patterns, the fern is an adaptable plant, suited both to moisture-rich, woodland areas, and tall rock crevices. It is also an air-filtering plant that can eliminate certain dangerous chemicals from the environment. Natural elements have often inspired our stencil designs, including this Satin Stitched Fern, one of our oldest, perennial designs. Here, the satin stitches mimic the texture of real fern fronds and add a textured relief to the fabric.
This photograph illustrates one of the many options you can create yourself when you opt for a Custom DIY kit. View our Alabama Chanin Custom DIY Guide and see the hundreds of options available when you select your garment, fabric, embroidery or treatment, colors, threads, and other choices.
SATIN STITCH FERN – OUR DESIGN CHOICES:
I love having fresh flowers around the office. I dream of flower beds surrounding the building and vases of camellia blooms on each desk. Shane Powers’ book, Bring the Outdoors In: Garden Projects for Decorating and Styling Your Home, has inspired me to perhaps be more ambitious in my plans for floral décor – both at home and in the office. I first met Shane through his work with my friend, Li Edelkoort. He worked on her (amazing) magazine, Bloom, and I met him again in Finland as he was helping curate and install Li’s exhibition, A World of Folk, and the Design Seminar, Folk Futures. Shane went on to work for prestigious titles like Vogue Living Australia, Blueprint, and Martha Stewart Living, and he recently created an indoor garden collection for West Elm. He is a busy man, to say the least.
Bring the Outdoors In is not a traditional gardening book. Rather, Shane presents ideas and instructions for projects that are akin to floral art installations. The results are astonishing, especially when compared to the traditional potted plant. This type of project would be perfect alongside traditional décor and would fit right into any unconventional home design. It is also ideal for apartment dwellers who lack the outdoor space for a garden plot of their own.