Category Archives: BEAUTIFUL LIFE

NEW: LAYERING A. CHANIN

NEW: LAYERING A. CHANIN

Check out the newest additions to our A. Chanin + Basics category: the Cropped PulloverPeplum Cardigan, and Patchwork Tank—great layering pieces to add to your cooler weather wardrobe.

The Cropped Pullover is shown here over our Long Sleeve Scoopneck rib top and paired with the Magdalena Gore Skirt in Black. This top is a lighter-weight alternative to our popular Long Sleeve Raglan.

NEW: LAYERING A. CHANIN

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GRAVY #53: FOOD & SOCIAL JUSTICE

“Gravy is the SFA’s collection of original stories—fresh, unexpected, and thought-provoking. Like all of the SFA’s work, Gravy shares stories of the changing American South through the foods we eat. Gravy showcases a South that is constantly evolving, accommodating new immigrants, adopting new traditions, and lovingly maintaining old ones. It uses food as a means to explore all of that, to dig into lesser-known corners of the region, complicate stereotypes, document new dynamics, and give voice to the unsung folk who grow, cook, and serve our daily meals. Gravy the print journal lands in the mailboxes of SFA members four times per year. Gravy the podcast releases a new episode every other week.” –Southern Foodways Alliance

Gravy: The Podcast is now available every second Thursday by iTunes subscription:

“Gravy, a biweekly podcast, doesn’t profile star chefs. We don’t pander to cookbook authors. We don’t narrate recipes. Gravy tells stories of people and place through food…”

Join this important conversation (and get your own copy of Gravy mailed to your door) with your Southern Foodways Alliance membership. (Membership also makes a great holiday gift – think #givingtuesday.)

The piece below, written by Catarina Passidomo, reflects this year’s Southern Foodways Alliance theme, “Who is Welcome at the Welcome Table?” and can be found on page 13 of Gravy #53. View the entire issue in digital form here.

FOOD JUSTICE

“WHY STUDY FOOD JUSTICE??
Lessons from A Post-Katrina New Orleans” by Catarina Passidomo

When I tell people that I study food, the response is usually one of curious interest. When I go on to explain that I study food justice—that is, the connections between food systems and race, class, gender, and other means of oppression—the look of curiosity changes slightly. Is that confusion? Agreement? Concern? People who experience one or multiple forms of oppression in their own lives generally nod with understanding. But for many of us, the connections between food and social justice are abstract. The interlocking systems that bring food from field or factory to fork, spoon, fingers, or chopsticks are mostly obscured from view. Or they are so familiar that we don’t notice them. But if we look closely and critically, we can begin to see through food to broader systems of oppression and dominance. This makes food a powerful tool for thinking and teaching about social justice. Continue reading

HEIRLOOM IN THE MAKING: MIKE’S CROSS

CROSS-1

Over the past months, we have been exploring heirlooms through ongoing Journal posts. Our intention is to look at the things we hold dear and examine how we find meaning in our personal heirlooms and mementos—even if those things don’t necessarily have great monetary value. The Heirloom series is meant to celebrate things that last and the things that we assign meaning to in our lives.

This week, we look at the process of creating something with intention – the act of making something designed to last and assigning a meaning to that object from its inception. Our friend and Journal contributor Sara shares stories of her late father-in-law, told from the perspective of some of his children:

A few months ago, my family suffered a loss with the passing of my father-in-law, who we all called Mike. It was a heartbreaking time but, as is often the case, the painful loss provided the opportunity to share memories, spend time together, grieve, and heal. The ironic part of the rituals surrounding a death—the preparations, family gatherings, storytelling—is that you constantly look at one another and think: He would have loved to be here… He would have loved this.

My husband, Kory, has six siblings. They rarely see one another. We don’t live terribly close to most of them and, though we might have great intentions of visiting one another (or at least calling more often), inevitably life happens. Days and weeks and months and seasons pass with only brief “hellos”, the occasional text message, or the rare visit.

When Mike passed away, we all found ourselves in the same room, thrust upon one another in the middle of life. We were brothers and sisters, spouses and children, nieces and mothers and aunts and uncles—together with one terrible agenda settling in over the room. But, as happens, there are things that must be done, plans to be made, decisions to ponder, meals to cook, and logistics to navigate. You begin the tricky balance of working, grieving, and healing. Your loss is personal and it is also communal. Continue reading

NEW: ALABAMA CHANIN CANDLES

NEW: ALABAMA CHANIN CANDLES

Our Alabama Chanin Candles, with a seasonal Grapefruit + Watercress scent, are the newest addition to Home + Table. Hand-poured in Mississippi, the soy candles feature our floral Magdalena pattern and a graphic Diamond design, inspired by vintage glassware that I’ve collected over the years.

Once you burn your candle, clean the 6 oz. votive with boiling water, and reuse it to hold odds-and-ends, as a salt canister—or my favorite—a tumbler for juice, wine, or cocktails.

REAL WOMEN: SOLA

REAL WOMEN: SOLA

Do you remember your first day of school? I don’t remember the actual day, but I do have photos of myself, standing outside my first grade classroom, smiling, wearing a plaid dress and knee socks. I do remember my children’s first school days—the nervous excitement they showed and the bittersweet pride I felt at witnessing this important milestone. While I don’t take those moments for granted, there was never a doubt that those moments would come. It’s common now to see Facebook, Twitter, and Instagram light up with school photos that document every moment of our children’s educational lives. A few months ago, I received an email from an old friend that provided some much-needed perspective.

The email offered a link to a Ted Talk by a woman named Shabana Basij-Rasikh, co-founder of SOLA—Afghanistan’s first all-girl boarding school. The word “sola” means “peace” in the Pashto language, but it is also an acronym for School of Leadership, Afghanistan. Shabana was 6 years old when the Taliban took over Afghanistan and made it illegal for girls to go to school. So, for five years, her family dressed her as a boy and sent her to a secret school to learn. Even at this young age, she understood the risks that she—and her parents—were undertaking. She would walk for 30 minutes, even an hour, to schools. The locations would move, and she would walk different paths each day; sometimes class would take place in the morning and other times in the afternoon.

REAL WOMEN: SOLA

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CHILDCRAFT: THE HOW AND WHY LIBRARY

CHILDCRAFT: THE HOW AND WHY LIBRARY

On a recent outing scavenging local thrift and antique stores, I stumbled upon a set of children’s encyclopedias, titled Childcraft: The How and Why Library. Although an incomplete collection, the books were in good shape and decently priced so I happily acquired the lot. (I am a known collectorhoarder, lover, gatherer—of books.)

While modern encyclopedias have existed for around three centuries, the first set aimed at children (aptly titled the Children’s Encyclopaedia) appeared in the early 1900s. The Childcraft books were first published in the 1930s, with updated versions produced throughout subsequent decades. The editions I found were copyrighted 1976, and I was particularly intrigued by the volume titled Make and Do, which is full of simple, kid-friendly crafts, including sewing projects aimed to make learning (and doing) fun.

CHILDCRAFT: THE HOW AND WHY LIBRARY

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I BELONG TO THIS BAND

I BELONG TO THIS BAND

Here at Alabama Chanin, we continue to be drawn to the distinct and historical Dust-to-Digital catalog. Dust-to-Digital is a unique recording company that serves to combine rare recordings with historical images and descriptive texts, resulting in cultural artifacts. We have previously written about several of their collections that resonate so well with our brand. We believe in preserving traditions, and Dust-to-Digital truly speaks to that with their historically rich albums.

I Belong to this Band: 85 Years of Sacred Harp Recordings is a moving glimpse into the history of Sacred Harp singing and its deep Southern ties. Compiled by Matt Hinton and Lance Ledbetter, this CD features 30 recordings as varied as the earliest recordings of the genre from the 1920s, 30s and 40s. It also includes a pleasant mix of home recordings made by small groups of singers in the 1950s as well as contemporary recordings of all-day singings.

I BELONG TO THIS BAND

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UNCONVENTIONAL & UNEXPECTED

UNCONVENTIONAL & UNEXPECTED

I’ve never met Roderick Kiracofe, but, I’ve known about his quilt collection for a long time. I believe that I heard his name shortly after I returned to Alabama over a decade ago. In those early days, I was working with quilters to create the garments that would make up my first collections. My neighbors supported my interest in quilts and quilting, happy that I was embracing a skill so highly valued in the community. Back then, it wasn’t uncommon for me to open my door in the morning and find a bag of quilts left by an anonymous soul. They were often “garbage quilts”, as they are called around here—quilts that had seen better days. Many were shedding handpicked cotton through feed-sack fabric, worn so thin that the strings left couldn’t contain the internal batting. They were quilts that had been used to cover animals or as seat padding for an old car. But someone knew that I would see their value and appreciate their history.

UNCONVENTIONAL & UNEXPECTED

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THE HISTORY OF PUMPKIN CARVING – REVISITED

THE HISTORY OF PUMPKIN CARVING

Without fail, the arrival of autumn marks the season of all things pumpkin. From pumpkin bread, to pumpkin scented candles, to my daughter Maggie’s annual visit to The Pumpkin Patch, the pumpkin is an essential part of the seasonal change. Just ask any coffee shop employee who hears the cry for Pumpkin Spice Latte dozens (or hundreds) of times each day. In celebration of Halloween and in the spirit of the autumn season, we thought we would re-share our tribute to all things pumpkin. We have also added links to pumpkin carving tutorials and seasonal recipes.

Pumpkins are a form of squash, native to North America. Over 1.5 billion pounds of pumpkins are produced in America each year. This fruit (and, because it develops from a flower, it is technically a fruit and not a vegetable) is the most common symbol of the fall season and Halloween. Pumpkins are present in our literary and popular culture, making appearances in The Legend of Sleepy Hollow, Peter, Peter Pumpkin Eater, and Cinderella.

The act of carving pumpkins dates back thousands of years to the Celtic festival of Samuin, or Samhain. This festival marked the end of the Celtic year and the beginning of harvest and it was used as a time to honor the dead. Some believed that this was the night when the separation between the worlds of the living and the dead was the thinnest, making it easier to communicate with those on the “other side.” Celts who sought to ward off evil spirits would often light great bonfires to dissuade unfriendly visitors. As Christianity spread, the fires became more contained and were placed inside large gourds or turnips. Families would carve the fruits and vegetables, placing them in their windows and hoping to deter the otherworldly from entering their homes.

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