Schools, government offices, and many businesses are closed today to honor Dr. Martin Luther King, Jr. We are closing our studio a few hours early and to take part in MLK’s Day of Service. In the spirit of King’s Beloved Community, we will take some time today to serve others, while reflecting on our theme for the year: peace.
As early as 1956, Dr. King spoke of The Beloved Community as the end goal of nonviolent boycotts. As he said in a speech at a victory rally following the announcement of a favorable U.S. Supreme Court Decision desegregating the seats on Montgomery’s busses, “the end is reconciliation; the end is redemption; the end is the creation of the Beloved Community. It is this type of spirit and this type of love that can transform opponents into friends. It is this type of understanding goodwill that will transform the deep gloom of the old age into the exuberant gladness of the new age. It is this love which will bring about miracles in the hearts of men.”
Read more about Dr. Martin Luther King, Jr.’s teachings and achievements here.
It’s the time of the year when the shape of a heart makes its prolific comeback (although with a six-year-old girl at home, the heart shape is a pretty common part of daily life). Graphic symbols often carry with them deep histories (and controversies) over where the shape emerged. This simple shape is no different. Apparently it is found in cave paintings dating as far back as 10,000 B.C.E.
Some believe that the shape was a simplification of the silhouette of the human heart; others believe that it was a sign used for a now-extinct plant called silphium, which was used as a form of birth-control—therefore becoming the sign of love. Still others believe that the inverted heart symbolized the hanging scrotum —perhaps a stretch of the (over-active) imagination.
Wherever your beliefs land, it can’t be denied that the heart is possibly the most (over?) used symbol of our time. But then, why should that stop us?
Here is our version of the heart in stencil form:
Check back this week as we elaborate on all things love (and heart shaped), from Dr. Ruth to DIY Kits, and little girls’ valentines (to themselves). “I love you. I love you. I love you,” she murmured as she gazed in the mirror.
Should we all find such self-love in these next two weeks… and for the rest of our lives.
You can download the Hearts Stencil from our Resources page and sign yourself (and a loved one) up for our One-Day Studio workshop to get in the mood.
Valentine’s Special: Buy a One-Day Studio workshop at full price and get a second one for $295.
P.S.: Heart rocks above were carefully selected from Natalie and Maggie’s collection.
I’m going to admit something that might seem a little pedestrian to some of you, perhaps a little familiar to others: I watch a lot of television, all kinds. I’m simultaneously a television snob and a consumer of frivolous content. I’m not sure how I rationalize all of that, but to quote Whitman in a post about popular culture: I am large, I contain multitudes.
So, as a consumer of all of this entertainment content, I include among my weekly dvr selections a show called Project Runway. I’m going to go ahead and guess that most of you have heard of or watched this reality-based competition. If so, you may be aware that each season, the contestants are given the challenge of designing for “real women,” that is, women who are not models and have normal, everyday shapes and sizes. And, without fail, every season there is a designer who throws an absolute tantrum about how difficult this challenge is, about how this isn’t what they “do” as a designer.
I know that what happens on television might not be the most accurate representation of reality, how designers design in the privacy of their studios, or how garments travel from paper to product. But, the fact that this attitude continues to present itself causes me to ask: whom do designers think that they are designing for, if not real people?
In 2008, to commemorate the 50 year anniversary of the peace symbol, National Geographic published Peace: the Biography of a Symbol, by Ken Kolsbun with Michael S. Sweeney.
The book documents the symbol, from its creation in 1958, through its usage in the folk scene of the 1960s, its very visible presence in the 1970s at Woodstock, Vietnam war protests, and in the artwork of Peter Max, until today, with its wide use in commerce and as a cultural icon.
National Geographic has a moving photo gallery of the peace symbol that you can view here, starting with the gorgeous photo of Arlo Guthrie below by Bettman/CORBIS.
The ancient Greeks believed that the olive branch brought not only food, but deliverance from evil—or that is to say, they believed that the olive branch kept evil away. Since that time (and most likely before), the olive branch or the olive branch in combination with the dove, can be found in all manner of art and design. The incorporation of these images always infers peace. Not inner peace—if I understand it correctly—but the absence of war.
This imagery also found its way into literature with the “offering of the olive branch.” The item itself has been beloved in the kitchen since first tasted, is the base for creating the best oil you can find to eat (in my humble opinion), can be used for creating cleaning supplies, and is now a popular name for little girls my daughter Maggie’s age. Perhaps that comes from the sweet little exhausting mischievous pig Olivia. And, as you know, we also have an Olivia in our studio.