It’s been raining every day here at Penland—such a change from the dry, dying fields of North Alabama over the last weeks. Like a miracle, it rained on our cotton field, too (more to come on that next week). My father reports that we did get 3 inches of rain at my house and I love how he called it a “good rain.” “Long and slow,” he drawls. I know what he means. It has been the same here at Penland, but I have a pair of rubber boots and, thanks to a Spruce Pine store, a camping poncho. And the mountains here just feel like they are particularly beautiful in the rain… I believe that they call them the “Smoky Mountains” for a reason. Continue reading
I was about 22 years old when I entered my first design studio. I felt like a baby. I had rarely taken an art class in school. When I say rarely, I mean there had been a few special days of art in grade school – nothing particularly formal, and certainly nothing recent. At that time, I didn’t think that I KNEW how to make. In that moment, those grade school classes and the lessons of my grandmothers in living arts didn’t seem to matter; I was scared of the entire process and frozen. The freedom that seemed to stretch before me was too much for my young mind to handle. As a young adult, my best friend was a budding artist. I remember her beautiful drawings so clearly and I began to think that that art was fascinating, but something that OTHER people did. Prints of Pinkie and The Blue Boy in gold foil frames, purchased at the local furniture store, were the only “art” that hung in our home.
Even when I land in one of the most beautiful (peaceful) places on Earth, it takes me time to settle in, to relax, and to feel like I belong. Regardless, there is already a sort of “hum” in the studio, as my friend Cathy Bailey might say. You can “hear” thoughts coming together, the whisper of thread through fabric, and hands moving, all mingled with an underlying buzz that permeates the Penland campus.
I flew out of hot and dry North Alabama on Saturday afternoon and woke up in room #2 surrounded by the cool mountain airs of Penland, North Carolina.
Once home to Tee Jays Manufacturing Co., the industrial park where our studio – which we call ‘The Factory’- is located, is also home to many other manufacturers and distributors. Often it has been written that our community collapsed under the weight of NAFTA and the departing textile industry; however, that simply isn’t true. There are many strong companies that still find their homes here in this park on the edge of Florence and one, especially relevant to the upcoming 4th of July celebrations, is TNT Fireworks.
As Independence Day approaches, TNT’s Tommy Glasco took time from his busy schedule to talk about the company and their work. Founded in the late 1950s by Charles Anderson, TNT evolved from a former company called Alabama Sparkler. Anderson, founder of a successful book and magazine business, was seeking to sell seasonal products as a way of expanding his business. Fireworks were a successful fit. Over the years, TNT has become the largest distributor of consumer fireworks in the nation, possibly the world; however, they continue to maintain strong local roots.
While searching for historic parade images in our local library, we came across these beautiful photographs of fireworks. Taken in 1976, they capture a quality of ephemeral beauty and celebration that sweeps our nation (and backyard celebrations) each year.
As a child, I was fascinated with fireworks for their patterns and colors. I watched in awe each July 4th as the displays brilliantly lit up the sky before fading away. Back at home, I reimagined their shapes and recreated them with paper and crayons. Maggie has been decorating our house for weeks now and will, I am sure, come home to paper and crayons the same as I did so many years ago.
As the holiday approaches, we all look forward to days filled with cooking, laughing, and celebrating with friends and family. My neighborhood’s 4th of July parade is followed by the annual Kids vs. Adults Baseball game, a cookout, and a grand fireworks spectacle to conclude the day’s events.
Donna Karan New York by Ingrid Sischy
Stunning images with a wonderful foreword and interview.
See our Donna Karan DIY Dress and more about Donna Karan here.
When I was a design school student at the end of the 1980s, there was one name that you found in all of the magazines and on everyone’s lips: Donna Karan. She was changing the way women dressed. She wanted to “to design modern clothes for modern people.”
Karan became a presence in the fashion world as the women’s rights movement found its footing in the 1970s and women began working in the business world in greater numbers. Most designers didn’t know how to dress this burgeoning new population of professionals. You saw women dressed in double-breasted suits with tight skirts, wide shoulders, and, often, pin stripes. Virginia Slims adverts of the time showed images of women in suits – straight, lean, no curves, nothing womanly at first glance. The models could easily have been men.