Looking back at what we have accomplished this year at Alabama Chanin, I feel nothing short of overwhelmed. With the help of many friends, Alabama Chanin has grown in ways I only imagined. Our company is the best it has ever been, and will only get better. Over the summer, and on the heels of Camp Bacon at Zingerman’s, I wrote a 10 year vision for the company—a peek into what I wanted for the future of our family of businesses. Many of the things I envisioned happening years from now were accomplished by this year’s end, with much hard work, dedication, occasional pains of labor, trial and error, and the true grit and determination of our team. All this growth and success doesn’t come from nowhere, after all.
It is hard to believe that so much has happened in the past year. While we are busy wrapping up our year-end Inventory Sale here at The Factory, it is nice to take the time to reflect on all the projects, people, and places we have experienced in just twelve incredible months.
Wishing you and yours a healthy and happy holiday season.
From all of us @ Alabama Chanin
Under the label Twine & Co., longtime Alabama Chanin friend Robert Rausch creates, designs, and produces luxury paper products that are artisan-made in nearby Tuscumbia, Alabama.
Robert and the artisans he collaborates with share our beliefs and practices of slow and economical design. Twine & Co.’s illustrated letterpress cards are slow designed for thoughtful use and made with sustainable practices and materials. Made of 100% recycled cotton, acid-free paper, the cards are hand printed on a letterpress.
We love the beautifully detailed Beetle and Dragonfly cards, and have featured the boxed sets as part of our Holiday Gift Guide.
Exploration of the extensive Dust-to-Digital catalog continues to reveal compilations that strongly resonate. We have previously written about the moving collections: I Listen to the Wind, Never a Pal Like Mother, Keeping a Record Of It, and Goodbye, Babylon.
Take Me to the Water: Immersion Baptism in Vintage Music and Photography 1890-1950 is a powerful collection that explores immersion baptism, an important component of many Southern religious traditions and religious culture worldwide.
Alabama Chanin has a long-standing relationship with Heath Ceramics and we see their artisans as constant sources of inspiration. Their Los Angeles Studio Director, Adam Silverman, has compiled a volume of his beautiful, experimental pottery, called Adam Silverman Ceramics.
At Alabama Chanin, we are proud of our home’s musical legacy. As we have written before, we are also proud to be surrounded by an impressive group of local, up-and-coming musicians. The Bear and Belle Adair are just two of a growing list of our favorite local bands.
Both bands have released records under local, indie label, Single Lock Records – founded by John Paul White of the Civil Wars, Ben Tanner of the Alabama Shakes, and Shoals native Will Trapp.
As part of our 2013 Holiday Gift Guide, we are featuring a selection of our favorite magazines in our online store. We all enjoy time spent browsing the internet on our laptops and tablets, but sometimes it is nice to have something tangible in your hands to read while enjoying coffee, on a plane, or at home. Plus, you will find that one (or all) of these magazines makes the perfect stocking stuffer this holiday season.
As seasons change and the holiday rush begins in full force, Christmas carols seem to appear earlier and earlier each year. Once upon a time, Thanksgiving was considered the unofficial date when radio stations began to play holiday music. This year, I heard my first Christmas carol when picking up Halloween candy at the grocery store.
But, regardless of whether you love or avoid holiday music, many of the seasonal songs have been around for hundreds of years. Some have social or political messages and many have a colorful history.
December’s Desktop of the Month highlights an elaborate modification of a traditional embroidery technique, negative reverse appliqué.
Negative reverse appliqué looks much like traditional appliqué, but is worked slightly differently. Here, we stencil the top layer of fabric, then place it on top of the backing fabric. We then use a straight stitch to attach the top layer of fabric to the bottom layer, and cut away the top layer of fabric, leaving a 1/4” sliver of top-layer fabric beyond the stitching line.