Category Archives: BEAUTIFUL LIFE

AUGUST PLAYLIST 2014: TIFT MERRITT

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I’ve written many times about my friend and multi-talented musician Tift Merritt. She is a singer/songwriter, guitarist, pianist, and creative spirit. Her podcast The Spark with Tift Merritt is a conversation about integrity and process, and features some of the most creative minds of our age, including Rosanne Cash, Andrew Bird, and Kiki Smith (among others). In addition to managing her solo career, Tift occasionally plays with Andrew Bird and the Hands Of Glory. Although she spends most of her time on the road touring, I occasionally get the chance to catch up with Tift in New York City (her home-base)—as was the case during our Makeshift events.

Her album, Traveling Alone, is a source of constant creative inspiration to me. When we last spoke, Tift graciously agreed to create our playlist for August.  Below, she shares some of her favorite songs.

AC: When did you start playing music?

TM: I started playing music as a little girl with my father.  He taught me to play by ear and I loved listening to him, trying to sing with him, and seeing how happy music made him. I wanted to be a writer for as long as I could remember, so writing songs was a very natural way to bring many things I loved together.

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GRAVY #52 – LEARNING TO LOVE THE STRIP-MALL SOUTH

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Thank you to the Southern Foodways Alliance for allowing us to share “I Fell Hard for Buford Highway” by John T. Edge.

From Gravy #52:

I grew up in the country. On fourteen acres of red Georgia clay, cut by gullies and skirted by cedars. I grew up fishtailing down gravel roads in pick-up trucks. And running barefoot through honeysuckle patches. Out in those boonies, I developed an urban crush. After a fitful college run through Athens, I hightailed it for Atlanta and made a life in a neighborhood near the city core.

I could walk to two Indian restaurants, a bookstore, and a co-op grocery. I pinch-hit on the softball team of my neighborhood bar. I became the worst sort of city snob: an arriviste. I was quick to dismiss my country birth and even quicker to declaim life in the white-flight suburbs, which I considered a homogenous wasteland, absent of sentient folk and sidewalks.

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BUBBLES (+ INEZ HOLDEN)

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Last year, I was introduced to Inez Holden over a glass of dry white wine at a fundraising event in our community. Mrs. Holden’s story, told with humor and passion, reminded me that the fashion industry runs deep here in our community. Before Alabama Chanin and Billy Reid, there was Bubbles Ltd.

As Alabama Chanin continues to explore the world of machine-made fashion with our new line and manufacturing division, A. Chanin and Building 14, respectively, Mrs. Holden reminded me that we humbly follow in a line of companies that completely designed and manufactured a fashion line in The Shoals and the surrounding area.

We’ve previously spoken about the rich history of textile production in our community and some of the local manufacturers who led the nation in textile and t-shirt production, but we were excited to discover Bubbles Ltd.

Around 1983, Mrs. Holden got her start as a designer quite by accident. She bought an oversized top and banded bottom pant that she loved the style and fit of, but the material was very rough and scratchy. So, she asked a friend of hers to help her make more sets in a similar style, but out of jersey fabric. She had about five sets of these pantsuits made in different colors, but kept giving them away because so many of her friends and family wanted them.

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THE CHARLESTON ACADEMY OF DOMESTIC PURSUITS

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We continuously strive for a healthy work/play balance here at Alabama Chanin. And so we found ourselves charmed by The Charleston Academy of Domestic Pursuits, by Suzanne Pollak and Lee Manigault, which manages to combine elements of work, domestic pursuits, and modern living.

Pollak and Manigault created the Charleston Academy of Domestic Pursuits (located in Charleston, North Carolina) in 2011 – after meeting at a dinner party – in hopes of teaching the value and importance of domestic home life. The Academy’s unique curriculum includes everything from cocktail-party etiquette and business entertaining, to dealing with household guests and cooking for the holidays.
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NEWSLETTER #19

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Newsletter #19 announces our upcoming DIY promotion—special, one-of-a-kind kits on sale beginning this Thursday, August 7th.

Join us for dinner and drinks at our “Friends of the Café” dinner series with Ashley Christensen on Thursday, August 14th. We also have a variety of sewing workshops at The Factory this fall. View the selection and register here.

Join our mailing list and stay up-to-date on all the happenings at Alabama Chanin.

Or update your mailing subscription to include the newsletter (and Daily Journal) here.

xo Natalie and all of us @ Alabama Chanin

7 LESSONS FROM MARIA POPOVA

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Maria Popova is the founder of Brain Pickings, a website designed to introduce you to a broad variety of subjects that feed one’s mind and inspire creativity.  Since founding Brain Pickings, Maria has spent countless hours researching and writing – hours that have taught her many life lessons. In honor of the website’s 7th birthday last fall, she was generous enough to share 7 things she learned from those 7 years of reading, writing, and living.

The 7 Lessons:

  1. Allow yourself the uncomfortable luxury of changing your mind.
  2. Do nothing out of guilt, or for prestige, status, money or approval alone.
  3. Be generous with your time and your resources and with giving credit and, especially, with your words.
  4. Build pockets of stillness into your life.
  5. Maya Angelou famously said, ‘When people tell you who they are, believe them’. But even more importantly, when people try to tell you who you are, don’t believe them.
  6. Presence is far more intricate and rewarding an art than productivity. As Annie Dillard memorably put it, “how we spend our days is, of course, how we spend our lives.”
  7. Debbie Millman captures our modern predicament beautifully: “Expect anything worthwhile to take a long time.”

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PORTRAITS IN CREATIVITY: MAIRA KALMAN

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We at Alabama Chanin have long been obsessed with and inspired by Maira Kalman. She has a rich and singular voice – as a visual artist, author, illustrator, and storyteller – that imbues people, objects, and words with knowing wit and humanity.

Maira has written and illustrated 18 children’s books, all of which have been popular nighttime reading with my daughter Maggie. Maira’s illustrated version of Strunk and White’s The Elements of Style resides, beautiful and dog-eared, on my desk each day—as it has become part of our company style guide. And for years, I have traded and passed on copies of and links to her columns from the New York Times, The Principles of Uncertainty and The Pursuit of Happiness (both of which are now published exquisitely in book form).

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PHILLIP MARCH JONES | ROAD TO DALLAS

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For the past few years, I have essentially worked as a roving curator seeking out new artists and projects for Institute 193 and occasionally finding time for my personal work. I am on the road constantly: crisscrossing the Southern United States, meeting people, visiting artists, and making pictures. Things happen along the way.

This past fall, I was driving from Atlanta to Dallas, a short twelve-hour jaunt, to deliver some paintings. Around sunset, I pulled over to photograph a roadside memorial near Cuba, Alabama. I had been talking to my mother at the time (I know, distracted driving) and our heated, but lovely, conversation had made it slightly more difficult to slow the car down while crossing multiple lanes of fast-moving traffic. As a result, I was much farther away from my subject than usual. I hung up the phone, jumped out of the car, and zig-zagged through one hundred yards of un-mowed wet grass and weeds to the wooden cross. I typically run along the highway shoulder, but it was narrow; the sun was setting; and one of my obvious but unstated artistic goals of my project is to NOT become the subject of a roadside memorial. The irony would be too much for me to posthumously suffer.

After a long slough through the mud and weeds, I bent down and took the picture. I ran back to the car, tossed my camera onto the passenger seat, put my foot on the brake, and watched a small light on my dash flash the words: NO KEY FOUND. And that is precisely the moment when things got interesting.

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