“Don’t throw anything away. Away is not far from you.”
The quote above hangs in our studio as a reminder that each action we take (no matter how big or small) impacts our environment. Designed by our friend Robert Rausch a few years ago, the simple quote was stamped on an event invite as a means to provoke thought about what people use and, consequently, throw away each day. At Alabama Chanin, we are taking strides to become a zero waste company—where the results of one production process become the fuel for another. It is our continuing goal to maintain a well-rounded, (w)holistic company that revolves around a central theme: sustainability of culture, environment, and community.
Not only do we reuse and recycle each scrap of fabric, but we also participate in other sustainable and environmental practices on a daily basis. We recycle paper and cardboard, collect and save glass in the café, compost all food waste, repurpose scrap paper, plant trees, and are even starting a garden at The Factory. Waste not, want not.
Our Heirloom series highlights personal items or mementos that hold a special meaning, regardless of monetary value. Our hope is to reveal the incredible value of family, memory, and things that last.
This week Erin, our Director of Media Services and Special Projects, shares the story of her grandmother’s kerchief.
My grandma, Nancy Jo, was a beautiful, artistic, kind-hearted, and very stylish woman. She had a contagious laugh, and I remember her as always happy and smiling. Throughout much of her life, she painted and drew as hobbies (mostly pictures of flowers and birds), made clothes, crafted, and was an amazing cook. (My favorite was her coconut cream pie, which I made for Christmas this year.) I like to think she passed her creative traits down to my dad, who then passed them to me.
When she passed away in May of 2011, she left me her engagement ring, her sewing machine and a box of fabric scraps, hats from her collection, her paper doll collection, and a collection of her kerchiefs. That spring, I had just been introduced to Alabama Chanin and wouldn’t begin working here until the following year. But, I’d been inspired to begin making and sewing for myself and was excited and proud to share my projects with my Grandma.
For April’s playlist, we’ve gathered some of our favorite songs to share with you. These artists are on constant rotation at the studio (and in the store and café), and serve as daily inspiration for us as we work.
We believe these musicians are producing beautiful work and we know you will love them as much as we do:
St. Paul & the Broken Bones – “Call Me”
A new favorite, from their recently released (debut) album, Half the City. (In case you aren’t familiar, St. Paul and The Broken Bones is a soulful band, recalling the sounds that put Muscle Shoals on the map.)
Pine Hill Haints – “How Much Poison Does It Take”
Alabama “ghost music,” from one of the longest-running bands of the Shoals.
Roseanne Cash – “A Feather’s Not a Bird”
The beautifully- composed opening song on Rosanne’s latest record, which follows her from Florence, Alabama, to Arkansas. In it, she sings of “going down to Florence, just to learn to love the thread.” Read more about Rosanne and The River and The Thread here.
Jason Isbell and the 400 Unit – “Alabama Pines”
This song by Shoals native Jason Isbell has become an unofficial Alabama anthem.
Lauderdale – “Dressed Like the Devil”
Southern rock with strong Americana influences, Lauderdale has been making music in the Shoals for nearly a decade.
Dylan LeBlanc – “If The Creek Don’t Rise”
Singer/songwriter Dylan LeBlanc collaborated with music legend Emmylou Harris on this beautifully haunting track.
Short Stack is a beautiful series of small-format, hand-bound publications that are half cookbook, half food magazine. Each 4 1/2” x 7 1/2” edition is inspired by a single ingredient and written by an array of chefs, cookbook authors, and food writers. To sum it up, Short Stack Editions are a food-lovers’ pocket-sized dream—and are as functional as they are collectible. (Our staff has been poring over the volumes since their arrival at The Factory.)
This year, we’ve taken the best of our new collection and Studio Style DIY and put them together for our 2014 Mother’s Day Gift Guide. We have a little bit of everything for everyone, whether you want to make something special or prefer to give something already handmade. Either way, your gift will be one-of-a-kind.
Our collection features contemporary and flattering styles for moms of all ages, and our guide features a selection of garments, discounted for a limited-time: the Panel Tunic, Magdalena Betsy Blazer, and Daisy Long Skirt. The Alabama Vest is a simple accessory and compliments any woman’s wardrobe.
Other gift items include Dust-to-Digital’s book and CD collection, Never a Pal Like Mother and But Mama Always Put Vodka in her Sangria by Julia Reed. These would be perfect when paired with Rosanne Cash’s newest (amazing) album, The River & The Thread.
For those who enjoy making, our newest DIY Kits feature our Stencil of the Year pattern, the Check. Our DIY Check Tied Wrap features Alabama Eyelet beading and casually covers the shoulders. The DIY Check Skirt is the only DIY Kit pattern we currently feature using our Short Fitted Skirt pattern from Alabama Studio Sewing + Design.
For the mom-to-be, make a DIY Baby Blanket + Onesie from our kit.
“In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art.” –Josef Albers
Color, as we see it, results from our eyes and brains working together to make sense of the light around us. Since as early as the 15th century, artists and philosophers alike have tried to understand how this works and create a unified approach to color – a color theory – to understand how colors complement or contrast with each other and why they rouse our emotions and influence our decisions.
Essentially, color theory, like the interaction between our eyes and brains, helps us make sense of what we “see.” Perhaps one of the most influential color theorists was artist and educator Josef Albers, who published Interaction of Color in 1963. A tome of a book on color theory, it was made for interaction, to be pored over and actively, even emotionally, involve students as they learned Albers’ philosophy of color.
My Life in Mobile Homes by John T. Edge
Where I grew up, singlewide trailers were as common as clapboard shotguns. On the far end of my Georgia town, near where the seg academy floundered, the mothers and fathers of my grade school friends worked at the mobile home factory, bending aluminum and punching rivets, constructing metal shoeboxes with roller skates on their bottoms. No matter. In my youth, trailers were jokes waiting for punch lines. We said terrible things. We said stupid things. We said, “Tornadoes are proof that God hates trailer parks.”
With time has come perspective. And humility. And a respect for trailers as shelter and conveyance. A few years back, I wrote a book on food trucks. Once I got beyond the hype and chickpea frites, I recognized that food trucks are trailers, too. Operated by new immigrants. And downshifting chefs. And aspirational hipsters.
When I first glimpsed the Massengill family photos of Arkansas folk, shot in a Depression era trailer studio and now being reinterpreted by Maxine Payne, I thought of old prejudices and of new realizations. And I thought of the everyday beauty that earned flashbulb pops then and deserves the klieg lights of fame now.
Our newest Journal series highlights our personal heirlooms – things that hold special value and meaning to us personally, regardless of their monetary value. Alabama Chanin wants to honor things that last and things that we choose to keep in our lives and our homes as reminders of family, friends, or important moments.
This week, our graphic designer, Maggie, shares memories of her grandfather and his special talent for woodworking. Her story reminds me of the words of William Morris: “History has remembered the kings and warriors, because they destroyed; art has remembered the people, because they created.”
My grandfather, who we all called Papa, was an extremely smart and talented man – a skilled artist and craftsman. He really could draw, do, or make anything. He was a gunner on a B-17 during World War II. His plane was shot down over Belgium, where he was captured and held in a few different POW camps for 15 months. He had grown up watching his mother crochet, but he was never formally taught. It was freezing some of the months that he was in Austria and Germany, so he whittled down a stick into a crochet hook so that he could crochet a warm hat and mittens out of holey sweaters he’d found and taken apart. He ended up not only making some for himself, but also for the other prisoners so they could be a little warmer. He was a very caring and thoughtful man.
Last year, we began a series called “Real Women,” an exploration of the real women in our lives (and throughout history) that have made a difference—one way or another—in our world. Today, we are finishing a chapter of that series: real women as seen by men.
Here you find a tribute from son to mother, written by Nashville singer/songwriter (and former English professor) Jon Byrd. Jon grew up just outside of Tuscaloosa, Alabama, and is a dear friend of our editor, Sara. Please welcome Jon and enjoy his beautifully candid account of his mother, Margaret Tidwell Byrd.
The most important woman in my life, past or present, is my mother. I’m adopted; that’s probably why I feel this way. I don’t remember our first meeting, at the Alabama state orphanage in 1955, but it was obviously a life-changing moment for me.
My mother was sweet, but tough. She was not a pushover and didn’t have to win an argument or always be (perceived as) right. She had an amazing way of speaking her mind, calling someone out, and standing up for herself that made the other person in the conversation question why they were resisting her. Her strongest quality was, without question, her determination. She encouraged with empathy, compassion, integrity, and consistency.