For nearly 25 years, Mike Goodlett has lived and worked in a house near Wilmore, Kentucky, that originally belonged his grandparents. Over the years, he has embellished the house’s interior and even its structure with artwork of his own creation in a sort of visual call and response. Paper flowers bloom from cracks in the ceiling. Doorframes and windows are adorned with carvings. Delicate ballpoint pen-webs emanate from the electric outlets. Accessible only by an overgrown and narrow road, the house and studio are mostly hidden from view.
“We are happy when we are growing.”
- William Butler Yeats
The Factory has been home to the Alabama Chanin design and production studio since 2008 and over the years has hosted workshops, events, and dinners. The space is filled with books, music, and the hum of making. Now, we are expanding The Factory to include a full-service café, serve as Workshop headquarters, and house the Alabama Chanin store.
Pumpkin carving has a deep-rooted history in American culture. As a child, my family always used the butcher knife/three-triangles-and-a-mouth method. Today, there are specialized carving tools available from a range of sources. Martha Stewart, a lover of all things Halloween, has brought pumpkin carving to a new level, offering creative designs and techniques. Meanwhile, Maggie’s dad, Butch, looks for the strangest pumpkins available and stacks them in towering sculptures before Halloween, and then plants rows and rows of the leftover seeds in his garden after the holiday.
Without fail, the arrival of autumn marks the season of all things pumpkin. From pumpkin bread, to pumpkin scented candles, to my daughter Maggie’s ubiquitous visit to The Pumpkin Patch, the pumpkin is an essential part of the seasonal change. Pumpkins are present in our literary and popular culture, making appearances in The Legend of Sleepy Hollow, Peter, Peter Pumpkin Eater, and Cinderella. This fruit (and, because it develops from a flower, it is technically a fruit and not a vegetable) is the most common symbol of the fall season and Halloween.
The act of carving pumpkins dates back thousands of years to the Celtic festival of Samuin, or Samhain. This festival marked the end of the Celtic year and the beginning of harvest and it was used as a time to honor the dead. Some believed that this was the night when the separation between the worlds of the living and the dead was the thinnest, making it easier to communicate with those on the “other side.” Celts who sought to ward off evil spirits would often light great bonfires to dissuade unfriendly visitors. As Christianity spread, the fires became more contained and were placed inside large gourds or turnips. Families would carve the fruits and vegetables, placing them in their windows and hoping to deter the otherworldly from entering their homes. Continue reading
I met photographer Rinne Allen years ago, through mutual friend Angie Mosier, and have adored her ever since. Her work inspires me over and over again as it is always stunning and captures intimate aspects of life that many overlook.
In 1939, Eugene Von Bruenchenhein met a 19-year-old girl named Eveline Kalke, whom he nicknamed “Marie,” at a state fair is Wisconsin. The two married in 1943, and settled into their daily lives in Milwaukee where Eugene worked as a baker. Unlike most bakers, Eugene spent his free time composing poems on the subjects of love, nature, reincarnation and time travel. He made fantastical paintings of unknown universes, ceramic vases pieced together from dozens of hand-sculpted leaves, towers and thrones fashioned from chicken bones, concrete masks, and perhaps most importantly, elaborately-staged photographs of his wife and muse, Marie.
Belle Adair. Photo: Ashton Lance
Name: Matthew Green
Band: Belle Adair
Instrument(s) you play: Guitar and bass
Place of Birth/Hometown: Muscle Shoals, Alabama
Presently residing: Tuscumbia, Alabama
Happy (Handmade) Holiday
Make. Celebrate. Love.
Shop our selection of holiday-inspired DIY projects perfect for that special someone (or for you).
Ben Sollee recording in the Mosquito Hut. Prospect, Kentucky. 2013. Photo:PMJ
Ben Sollee spent a few days this past summer trying to capture the songs and sounds that influence his life and music. The makeshift recording studio, a small house nestled in a hollow near Prospect, Kentucky, provided the backdrop for the project, a covers record, including songs by Arthur Russell, Otis Redding, Paul Simon, Harry Belafonte, The Zombies, Howard Finster, Bill Monroe, Fiona Apple, Tom Waits, and Gillian Welch. Screened porches, hallways, decks, and living rooms lend their own particular character to the recordings, and the hollow’s voice can be heard throughout: bugs chirp, birds whistle, water flows, and the wind blows. More collaborators than background, the house and hollow provide the listener with a rich audial scenery and shape Sollee’s voice and cello as he seeks to capture his own versions of the songs that have shaped his development as a musician and songwriter.
The Mosquito Hut. Prospect, Kentucky. 2013. Photo: PMJ