Category Archives: MAKESHIFT

MAKESHIFT 2013: CHAIR WORKSHOP

CHAIR WORKSHOP

On Sunday, as part of MAKESHIFT 2013, we co-hosted a Chair Workshop, modeled after the MAKESHIFT 2012 workshop, Crafting Design, sponsored by Partners and Spade. This year we teamed up with Build It Green!NYC (BIG!NYC) and Krrb and invited an array of makers to join us for an afternoon of collaboration, innovation, and chair re-design. While our event at The Standard focused on conversation (though there was plenty of making going on as well), the chair event has evolved into a make-centered occasion where a community of designers work both independently and together through skill sharing and mutual encouragement.

The event was held at BIG!NYC’s restore facility in Brooklyn – a warehouse filled with doors, fireplace mantels, sinks, mirrors, tiles and a number of other goods, much of it vintage and antique, acquired through donations and offered at low prices for those looking to save money (and the landfill) in home renovations. Or in the case of friend Kerry Diamond (of Cherry Bombe Magazine) and her chef/partner Robert Newton, the interior of their third and most recent restaurant, Nightingale 9, was designed with salvage bought from BIG!NYC.

CHAIR WORKSHOP

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MAKESHIFT 2013 @ THE STANDARD

MAKESHIFT STANDARD_24

“Craft” might seem like it’s for the amateurs, and “fashion” for the auteurs. Yet we live in an age where creativity and innovation are increasingly found in collaborations between makers and users, crafters and designers, designers and manufacturers, and in the loosening of the boundaries between them. – MAKESHIFT 2012

The MAKESHIFT conversation began last year to discover where and how various creative industries can work together as one. The discussion continued last Thursday evening at The Standard, addressing the intersection of industries on the artisan level, where the interchanges occur, and how we can transform those intersections through innovation and collaboration for the greater good.

MAKESHIFT STANDARD_21

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BUILD IT GREEN!NYC (AND A PARTY)

Chair PileAs MAKESHIFT 2013 takes shape, we continue the conversation that began last year about the intersection of art, craft, making, producing, designing, and manufacturing.  One of last year’s most popular events, Crafting Design: Chair Workshop with Partners and Spade, found resonance with a league of artists, designers, crafters, and makers. And due its popularity, we are excited to be curating the workshop again, this year hosted by Build It Green!NYC, on the 19th of May, in their Gowanus, Brooklyn location, and in collaboration with Krrb. This year’s event includes a Chair Exhibition, followed by a party—both open to the public. Expect some local brew, a food truck (or two), and some surprises along the way.

Build It Green!NYC (BIG!NYC) is New York City’s only non-profit retail outlet for salvaged and surplus building supplies and materials. Co-sponsored by Community Environmental Center (CEC), which assists New York buildings with energy efficiency, BIG!NYC works to keep building materials out of landfills, using all materials where possible (much like Alabama Chanin). You can find most anything at BIG!NYC, whether it’s shutters, panel doors or refrigerators. Construction and demolition waste is a massive portion of landfill content (over 19,000 tons of building material are thrown out each day in NYC) and that waste contains pollutants, GHG emissions, and contributes to climate change and global warming. All proceeds from sales through BIG!NYC go back into supporting CEC’s environmental programs throughout the city: BIG!Compost, BIG!Blooms, BIG!NYC Gives Back, along with a variety of other projects that continue to emerge.

Our friends (and Southern Foodways Alliance cohorts) Kerry Diamond (of Cherry Bombe Magazine) and her chef/partner Robert Newton (of Seersucker and  Smith Canteen) built their newest endeavor, Nightingale 9, from materials found at Build It Green!NYC.

BUILD IT GREEN!NYC

Last October, Hurricane Sandy nearly destroyed one of BIG!NYC’s reuse centers, flooding their 21,000 square foot warehouse with five feet of water. Two days later, volunteers from across the state amassed on the site to help remove the unsalvageable and clean what could be saved. With the help of those volunteers, Build It Green!NYC was back in business within days, aiding those hit hard by the storm and providing needed building materials. BIG!NYC suffered major losses as a result of Hurricane Sandy, which only reinforced their mission to extend the usability of construction materials by keeping them out of landfills.

Like last year’s chair workshop, participants in this year’s event will  repurpose cast-off, found chairs into objects of beauty. And like last year, friends, makers,  and designers, like Natalie, A.J. Mason, Andrew Wagner, Tanya Aguiniga, Amy Devers, and more, will be on-hand to help and participate. While space for this workshop is limited, a Chair Exhibit and party will take place directly after the workshop and are open to all. Build It Green!NYC will also be open for business during the workshop with a portion of all sales benefiting Build It Green!NYC Hurricane Sandy relief efforts. Come join us…

P.S.: The workshop is currently wait listed, but spots may open so go ahead and send us an email. We want to hear from you: rsvp (at) alabamachanin.com

 

MAKESHIFT 2013

MAKESHIFT 2013

Everything we, as humans, touch, has a global impact, which is only magnified by the Internet and ease of information exchange. At Alabama Chanin we see evidence of this every day through our Journal, which allows us to easily and quickly share and exchange ideas with our readers. One idea we discuss and implement regularly is cross-collaboration, whether it is a project with another designer, like Anna Maria Horner, or a friendly game of baseball with the designers and artists of  The Texas Playboys. At MAKESHIFT 2013, continuing the conversation from last year, we’ll be asking this question:

HOW DO WE DEFINE AND TRANSFORM THE INTERSECTION OF FASHION, FOOD, DESIGN, CRAFT + DIY THROUGH INNOVATION AND COLLABORATION FOR THE BETTER GOOD?

MAKESHIFT 2013

We look forward to sitting with a group of artists, makers, designers, fashion designers, chefs, writers and musicians to exchange thoughts and brainstorm ideas surrounding this question.

MAKESHIFT CONVERSATION @ The Standard is presently Wait Listed.

The conversation will be facilitated visually through decorating, embellishing, and crafting Alabama Chanin tote bags, which we will share on a Tumblr page post-MAKESHIFT (more on that to come…)

MAKESHIFT 2013

In addition to panel discussions and brainstorming, we are co-hosting a Chair Workshop with Build It Green!NYC and Krrb focused on implementing the concepts of craft and design.

Look for up-to-date posts this week and next as we share our plans and experiences. Read about last year’s events here. Start your own conversation with fellow makers and artists and share your thoughts with us here.

 

PUNKS, DIY, AND FASHION

DIY PUNK

Last January, we had several conversations in our studio about punks and pirates spurred by Richard McCarthy’s analogy about pirates and “big food.” Just last week, the conversation continued in our studio about how the underground punk movement changed the way music was produced and delivered to the listening public. (More on this coming in the next weeks…)

I was surprised to see this title on the cover of the Arts & Leisure section of The New York Times yesterday:  “Anarchy in the Met: Punks and DIY looks they inspired, captured in a show.

The story highlights a new exhibit at The Costume Institute of The Metropolitan Museum of Art, Punk: Chaos to Couture, focusing on DIY Punk fashion.

Certainly music and fashion have been two of the more obvious arenas where the gatekeepers (music executives, producers, designers, magazine editors) have decided for us what we listen to and what we wear. The general anarchy that drove the punk era may have been debaucherous and even, violently, against mainstream culture, but the intellectual elements of DIY are lasting and poignant.

As we approach MAKESHIFT 2013, we anticipate continuing the conversation from MAKESHIFT 2012, when we asked and discussed where the intersection of Fashion, Food, Design, Craft, Music, and DIY intersect and how that intersection ultimately leads to collaboration. Pit stained, ripped t-shirts, and safety pin adornments aside, we have something to learn from the DIY Punk revolution.

MAKESHIFT 2012: THE CONVERSATION

“Craft” might seem like it’s for the amateurs, and “fashion” for the auteurs. Yet we live in an age where creativity and innovation are increasingly found in collaborations between makers and users, crafters and designers, designers and manufacturers, and in the loosening of the boundaries between them. Open sourcing and the emergence of DIY everything (from apps to dresses to education) are THE design stories of the 21st century.

If the philosophers and economists are right, such stories reflect renewed possibilities for building communities, for growing businesses, and for practicing everyday forms of enchantment, ethics, and sustainability. It is time to expand our way of thinking about the relationship between craft and fashion, between the self-made and the ready-to-wear, between fashion as intellectual property and fashion as an open source. What can we learn from the fields of music, product design, and education? Does a backward glance help us see how fashion was at the forefront of these innovations from the start? What is a Vogue pattern if not an open source? What are les petits mains other than artists?


MAKESHIFT 2012:

SHIFTING THOUGHTS ON DESIGN, FASHION, COMMUNITY, CRAFT & DIY

Over the four days of New York Design Week (May 19-22, 2012), Alabama Chanin–in collaboration with its fashion and design partners–is organizing a series of talks, workshops, and gatherings with leaders in the fashion, design, and craft/DIY communities. The events bring together a dynamic combination of industry leaders to explore the ways in which the fashion, art, and design worlds are inextricably linked to the world of craft/DIY and how each of these worlds elevates the others. We look to create an intersection–a meeting point–to explore, discuss, and celebrate the role of local production, handmade, and craft/DIY in fashion and design as a way to empower individuals, businesses, and communities.

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DIY MUSIC: SONG READER OR “DO WE? WE DO.”

You know how we at Alabama Chanin feel about open sourcing. We offer our techniques and the information necessary to recreate our products, should you decide that you want to do-it-yourself. After three books, countless DIY Kits, and an amazing array of workshops, we have learned some important things: people will take your ideas and run with them; what you put into the world will come back to you in ways that you never imagined; the world is a creative place; and you never know what people are capable of until you give them the tools and the opportunity to create.

That being said, I think we’ve found a kindred spirit in the musician, Beck. While listening to one of my podcast staples, All Things Considered, I caught an interview where he described his newest album – an album that he, himself, hasn’t actually recorded. Song Reader (published by, awesome, McSweeney’s) is a set of 20 songs that Beck has released only in sheet music format. His hope is that other musicians will take the material and record their own versions. After releasing so many solo albums, he said that crowdsourcing his music seemed like a way to make the process less lonely.

From All Things Considered: “When you write a song and make a recording and put out a record, it’s kind of [like] sending a message in a bottle,” Beck says. “You don’t really get a lot of feedback. This is a way of sending that song out, and you just get literally thousands of bottles sent back to you.”

There are plenty of artists that have taken up this artistic challenge. You can hear many of them at Beck’s Song Reader website. Maybe, you’ll find your own inspiration there.

To hear the entire interview and some of the songs that have been recorded, listen to the All Things Considered segment here.

P.S.: Sheet music image from “Old Shanghai” by Beck and included in Song Reader. Illustration for that piece by Kelsey Dake.

FASHION AS CRAFT

It’s no secret that there seems to be a disconnect between the worlds of fashion and craft. The terms, themselves, can be a bit polarizing despite their incredible commonality.

Alabama Chanin is no stranger to straddling that line between the two; to us, craft and fashion definitely go hand-in-hand. On a recent weekend, I spent some time catching up on a pile of magazines and some of the images I found make me think that the larger fashion world is beginning to see the commonalities, too.

Keep an eye out as you peruse your favorite fashion publications. You might be surprised at what you find. The images above from the September issues of W and Vogue (yes, it sometimes takes us a while to get through them) made us smile; craft and fashion, moving together at last.

P.S.: For those of you who joined us or followed online during MAKESHIFT: SHIFTING THOUGHTS ON DESIGN, FASHION, COMMUNITY, CRAFT & DIY, a series of events and talks during NY Design Week, you probably know how strongly we feel about bridging the gap between DIY, design, and high-fashion.  We hope that our efforts may be paying off. While we can never know for certain what is sparking this monumental shift in philosophy, I can’t help but feel that all of us are helping to pave the way. Let us know what you think in the comments below.