Category Archives: MAKESHIFT

MAKESHIFT 2012: JESSAMYN HATCHER

Among the most meaningful things I’ve ever found in a thrift store was a pair of dresses I unearthed at the Goodwill in Durham, North Carolina. One was a white summer dress with a fitted bodice and a full skirt dotted with embroidered flowers.  The other was a pink sequined number straight out of an old Italian movie.  What made the dresses so arresting wasn’t their cut or color, or even all the flowers and sequins. It was the fact that inside, attached to the labels, their former wearer had pinned stories:  “Picnic. 1957.  Hillsboro, North Carolina.” “Eastern Star Dance. May 8, 1958. Danced with M.K.”

I’ve since learned from my friend Emily Spivack who created and edits a blog about clothing and memory to call these stories “worn stories.”

On Tuesday night, as part of MAKESHIFT, we invited members of the audience to write their own worn stories. Rosanne Cash, Cathy Bailey of Heath Ceramics, and Natalie read excerpts of their stories to inspire us.

Here’s Natalie’s.

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MAKESHIFT 2012: ROSANNE CASH

To begin the evening at MAKESHIFT @ the Standard Talks, Rosanne Cash opened with a performance of “Fair and Tender Ladies,” a traditional Appalachian folk song that has been recorded by many singers. The song had been performed by her step-mother, June Carter Cash.

Rosanne began by sharing her thoughts on crafting and writing music. In turn, she asked the audience to collaborate and “craft” a new song from the original version. This posed the question: “What can we learn from the field of music as we creatively approach a collaboration between amateurs and auteurs, makers and users?”

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MORE MAKESHIFT 2012

We had the best intentions of posting lots of pictures and stories from our Makeshift event yesterday and the day just got away from us. There IS so much more to come and to write about, but for the meantime, here some great pictures of the making process at The Standard East Village on Tuesday night.  More to come soon… xoNatalie

Join us for our Crafted Fashion pop-up shop tonight at the Billy Reid store 6pm-until at 54 Bond Street in New York City, with a performance by Grammy nominated singer/songwriter Tift Merritt at 8pm.

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MAKESHIFT 2012

Thank you to everyone who braved the rain and came out last night for MAKESHIFT at the Standard Talks. On behalf of myself and all of the panelists, we appreciate everyone’s enthusiastic response to MAKING.

It was a beautiful evening. As a group, we crafted a song and sang together, finger-knitted, and shared our ‘worn stories.’ Throughout the day, we will share some of our MAKESHIFT moments here.
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MAKESHIFT 2012: TALK. MEET. UNITE.

Our conversation for MAKESHIFT is about finding the point where the professional worlds of craft, fashion, design, and DIY intersect. It is our belief that the simple act of MAKING will be found at that point of intersection. However, it is also our understanding that this convergence has yet to be defined, because there are nearly as many interpretations of it as there are people in the world.

We believe that by MAKING together we will become more aware of how to use our understanding of this intersection as a tool to affect change in our local communities at the micro level, and the world community on a on a grander scale.

This may seem like an idealistic goal. It is idealistic, but there are growing numbers of writers, thinkers, designers, and creators who believe it is attainable.

When I Was a Very Small Boy,” the Ettore Sottsass essay about the act of making , embraces the idea that when we are young, we don’t have preconceived notions about what or how to make, we just DO. And in DOING we learn. In the last paragraph, he says, “I’d like to find somewhere to try out things, together…” In keeping with the Sottsass essay, we believe that by taking ourselves out of our comfort zones and trying something new, we can evolve together. This evolution is attained by exploring, not thinking or judging.

As design and craft professions (of all mediums) have emerged, walls have grown between these practitioners and new ways of thinking.  By living and working within these walls, we close ourselves off from new experiences and more evolved ways of thinking and doing. MAKESHIFT is about reawakening to the wonders we find when we move beyond those walls and step out of our comfort zones. Our hope is that, by initiating this step and beginning this conversation, we will find a natural— and comfortable— meeting place that fosters unity. We further believe that by finding this meeting place, every maker, as well as the designs, products, and lives they touch, will be enriched.

Join us tonight @The Standard, East Village, at 7pm for the first of our MAKESHIFT events for New York Design Week.

MAKESHIFT 2012: INTRODUCING CATHY BAILEY OF HEATH CERAMICS

Cathy Bailey of HEATH Ceramics has frequented this blog for a number of years as a friend and a colleague. After loving her work (and her) from afar, we were fortunate to collaborate with HEATH Ceramics to produce a line of table and dinner wares that were launched last fall.

Cathy (her husband, Robin), and I share much of the same passion about design, craft, and local production. Next week, Cathy and I will share the stage at the Standard Talks. This coming Tuesday, Alabama Chanin presents MAKESHIFT: Shifting Thoughts on Design, Fashion, Craft, and DIY, our first event in a series of many as we continue a conversation on the intersection of design, fashion, craft, and DIY.

Heath Ceramics: An impressive view from within from Heath Ceramics on Vimeo.

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MAKESHIFT 2012: INTRODUCING ANDREW WAGNER

When Andrew Wagner was asked to moderate the MAKESHIFT panel conversation as part of New York Design Week 2012, he jokingly insisted that he be considered MC rather than moderator. That’s exactly the type of robust, experienced personality I look forward to sharing the stage with next week at the Standard Talks, as we discuss the intersection of design, fashion, craft, and DIY.

We’re happy to introduce Andrew on our blog and welcome his participation in MAKESHIFT. His long- running list of big DIY ideas and achievements makes him a veteran in that community. As “What You Make of It” columnist for the  New York Times, he has recently delved instructions on how to turn an old rusty bicycle into a beautiful hanging lamp- Isamu Noguchi style- and how to repurpose egg carton trays into stunning and sturdy stools.

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CRAFT

For the past few weeks, my mind has been on the subject of ‘craft’ even more than usual as I continue to work on MAKESHIFT: SHIFTING THOUGHTS ON DESIGN, FASHION, COMMUNITY, CRAFT & DIY- a series of events, discussions, and workshops held during ICFF New York Design Week.

How appropriate it is to have received this beautifully hand-printed postcard from our friends at Rural Studio.

For more information visit www.ruralstudio.org.

ROSANNE CASH: WORN STORIES (INTERVIEWED BY JESSAMYN)

Last month, we introduced Jessamyn, a new contributor to this blog. Sharing the story of the Triangle Shirtwaist Factory fires cast a sad light on the history of labor laws in the U.S; however, she showed us how to find better joys in fashion, ecology, and ethics. She has since written about the meaning of D.I.Y.

This week, in a conversation between Jessamyn and Rosanne Cash—another dear friend and colleague—Rosanne shares sentimental stories on the garments that occupy her life and closet.

Please welcome back Jessamyn – and Rosanne - part of the growing heart and soul of Alabama Chanin.

Rosanne and Jessamyn will also be participating in MAKESHIFT: SHIFTING THOUGHTS ON DESIGN, FASHION, COMMUNITY, CRAFT & DIY. Visit here to learn more about MAKESHIFT and its participants.

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DIY MUSIC: THE CIVIL WARS

At the Factory, we play music to help set an inspiring tone for our work environment, and sometimes to just get us through the day. At any given time, you will hear a range of genres including folk, classical, rock, country, and independent artists. We don’t usually pick favorites, but The Civil Wars’ sounds are often heard floating through the shelves of organic fabric in the studio.

Joy Williams and John Paul White’s soothing and harmonic melodies have provided the soundtrack to many FULL workdays. The songs are sometimes bluesy, sometimes haunting, and always powerful. Their voices simply sound natural and right together. Perhaps we’re partial to them—not only because of their poetic music—but also because they are rooted in the Shoals; The Civil Wars are a vital part of our artistic community. But, we also feel connected to the band because of their approach to making, or “crafting” music.

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