Today we share our final MAKESHIFT post (for this year) of observations and thoughts from participants.
Many have already written, photographed, or posted about their experiences during the week.
Ellie Levine at STC Craft created a timeline of the MAKESHIFT events – a beautiful recap using images and social media platforms which you can read here.
Compiled below are reflections and lingering thoughts to help continue our MAKESHIFT conversation into next year.
Keep in mind (and close to heart) what is valuable and inspiring as you design, create, and make.
As part of MAKESHIFT, we collaborated on a pop-up shop with the Billy Reid team in their New York store. The shop was called ‘Crafting Fashion,’ and featured hand-crafted garments, hats, shoes, jewelry, and home décor from seasoned designers who pair fashion and craft beautifully.
We encourage you to join with crafters, makers, and artists to curate pop-up shops in your community. Find a space- or make a space, work towards creative collaboration, and share your vision with your community.
If you’ve already done so, we’d love to hear about it.
After taking time to reflect on our recent week in New York for MAKESHIFT, I’m already thinking about MAKESHIFT 2013.
Here are some highlights from the conversation at The Standard Talks. We reported the MAKESHIFT events here on the blog throughout the week, and had great press coverage from the New York Times, Style.com, Page Six, and Jezebel. Here’s a recap of our memorable conversation.
From The Standard Talks panel discussion:
Andrew Wagner began with a grand introduction and also referenced Ettore Sottsass’s essay, ‘When I Was a Very Small Boy’.
Thanks to Garden & Gun for making our dinnerware their Editors’ Pick for the June/July 2012 issue.
Beautifully hand-crafted pieces.
Perfect timing for summer parties and entertaining.
Even better timing for my summer tomato sandwich diet (recipe included).
The etched salad plate is the perfect size for a single, delicious sandwich and I’ve got tomatoes in my garden almost ripe for the picking.
Alabama Chanin for HEATH Ceramics is available for purchase from Cook + Dine or from Heath’s website.
Thank you to everyone who came out to The Standard, East Village Penthouse to sew for MAKESHIFT. Here are some images from the day. More of the conversation to come!
Crafting Fashion, a pop-up shop curated by Alabama Chanin and Billy Reid, featured designers- Alabama Chanin, Susan Cianciolo, HEATH Ceramics, George Esquivel, Hugo & Marie, Imogene + Willie, Pamela Love, Leigh Magar, Maria Moyer, Billy Reid, Albertus Quartus Swanepoel, Tucker, and Kenlynn Wilson. Thanks to everyone for the great turn out. And a bigger thank you to Billy Reid and his staff for their hospitality and Tift Merritt for the beautiful performance.
Among the most meaningful things I’ve ever found in a thrift store was a pair of dresses I unearthed at the Goodwill in Durham, North Carolina. One was a white summer dress with a fitted bodice and a full skirt dotted with embroidered flowers. The other was a pink sequined number straight out of an old Italian movie. What made the dresses so arresting wasn’t their cut or color, or even all the flowers and sequins. It was the fact that inside, attached to the labels, their former wearer had pinned stories: “Picnic. 1957. Hillsboro, North Carolina.” “Eastern Star Dance. May 8, 1958. Danced with M.K.”
I’ve since learned from my friend Emily Spivack who created and edits a blog about clothing and memory to call these stories “worn stories.”
On Tuesday night, as part of MAKESHIFT, we invited members of the audience to write their own worn stories. Rosanne Cash, Cathy Bailey of Heath Ceramics, and Natalie read excerpts of their stories to inspire us.
To begin the evening at MAKESHIFT @ the Standard Talks, Rosanne Cash opened with a performance of “Fair and Tender Ladies,” a traditional Appalachian folk song that has been recorded by many singers. The song had been performed by her step-mother, June Carter Cash.
Rosanne began by sharing her thoughts on crafting and writing music. In turn, she asked the audience to collaborate and “craft” a new song from the original version. This posed the question: “What can we learn from the field of music as we creatively approach a collaboration between amateurs and auteurs, makers and users?”
Thank you to everyone who braved the rain and came out last night for MAKESHIFT at the Standard Talks. On behalf of myself and all of the panelists, we appreciate everyone’s enthusiastic response to MAKING.
It was a beautiful evening. As a group, we crafted a song and sang together, finger-knitted, and shared our ‘worn stories.’ Throughout the day, we will share some of our MAKESHIFT moments here.
Cathy Bailey of HEATH Ceramics has frequented this blog for a number of years as a friend and a colleague. After loving her work (and her) from afar, we were fortunate to collaborate with HEATH Ceramics to produce a line of table and dinner wares that were launched last fall.
Cathy (her husband, Robin), and I share much of the same passion about design, craft, and local production. Next week, Cathy and I will share the stage at the Standard Talks. This coming Tuesday, Alabama Chanin presents MAKESHIFT: Shifting Thoughts on Design, Fashion, Craft, and DIY, our first event in a series of many as we continue a conversation on the intersection of design, fashion, craft, and DIY.
Heath Ceramics: An impressive view from within from Heath Ceramics on Vimeo.