Category Archives: DIY + SEWING

THE SCHOOL OF MAKING

THE SCHOOL OF MAKING

Alabama Chanin as a concept and a company began as a DIY enterprise. I made the first garments by hand, to fit my own body. Our entire business model was created because I couldn’t find manufacturing for the sort of garment I wanted to make—and so, we created our own manufacturing system, one stitch at a time.

Because those first garments were made from recycled t-shirts, many of our customers took the concept and re-imagined it for themselves, making their own patterns and clothing. Others felt that—with just a little help—they could create something similar, something that was their own. Almost accidentally, our garments were stirring in others the desire to make. Slowly, and as the internet became more robust, sewers formed groups on the internet to share their Alabama Chanin-style garments and swap ideas. This was the beginning of a more formal DIY presence in our company.

These things were happening at the same time as I began writing our first Studio Book, Alabama Stitch Book. Writing that book helped me crystallize my thoughts on making, open sourcing, and education. It was, in essence, me putting voice to what was important about sharing ideas and creating a community of makers. Throughout the writing process—and as the company grew and evolved over the years—I returned again and again to the idea of keeping the living arts alive. It’s the belief that survival skills for food, clothing, and shelter, are important arts that we live with every single day. And these arts—often considered secondary arts—are equally (and perhaps more) important as the “primary” arts of painting and sculpture.

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DIY POLKA DOT THROW

DIY POLKA DOT THROW

Since the launch of Alabama Studio Style, our DIY Eyelet + Angie Throw (also known in my family as a “couch saver”) has been a favorite do-it-yourself kit among home sewers and our workshop participants alike. Today we launch another design option for this project: the Polka Dot throw. This 36” x 48” throw, made from our medium-weight 100% organic cotton jersey, is patterned with our Medium Polka Dot Stencil and can be worked in a variety of techniques. The throw is shown here sewn in alternating double-rows of quilting, appliqué, and reverse appliqué, and then finished with a blanket stitch that runs around the entire outside edge. Find instructions for all of these techniques and more in our Alabama Stitch Book, Alabama Studio Style, and/or Alabama Studio Sewing + Design.

This DIY kit comes with the backing layer in Navy blue; choose your top layer and appliqué colors. Our production team will match the thread color based on your choices. Or, design your own throw with our Custom DIY option.

From Alabama Studio Style:

Couch savers were a permanent fixture in my grandmother’s home. All manner of crocheted, quilted, and plain fabrics were safety-pinned to upholstered couch backs as well as the arm sand heads of chairs in order to protect the fabric from undue wear and tear. In homage to Gramperkins, who taught me just about everything I love about domesticity, I created this couch saver. To make one of your own, cut a 36” x 48” piece of cotton jersey and embellish as shown. I love to read, relax, and watch movies in bed rather than on my couch, so that is where I display and enjoy this beautiful work.

DIY POLKA DOT THROW

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THE ZERO STENCIL

ZERO STENCIL

“Zero” is both a number and a concept. It is both incredibly complex and perfectly simple. Zero is both a value and a digit—a number and a placeholder. It can be called: nil, oh, naught, nada, and zilch. Complex chemical and physical theories involve and surround the concept of zero. All of this to say that, though the word “zero” may describe something that is very small, the larger idea of zero is very, very big.

Our goal at Alabama Chanin is to become a zero waste company. This means we repurpose and recycle every possible material, letting nothing go to waste. There are times when it is challenging to approach design with the idea of waste in mind; designing patterns and establishing cutting techniques that maximize our materials are not necessarily glamorous or exciting tasks. But, we believe taking those extra steps makes our products—and our company—more beautiful.

ZERO STENCIL

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THE HISTORY OF WORKSHOPS (+ NEW GROUP RATES)

THE HISTORY OF WORKSHOPS (+ NEW GROUP RATES)

Quite a few years ago, I loaded up the car with scissors, needles, and an array of other sewing supplies and took a trip with a group of friends and fellow stitchers to a women’s prison facility (at their invitation, of course). My friend Kyes had organized this meeting in the hopes of developing a program within our Alabama Prison system for training life and job skills. The scissors wound up staying in the car for security reasons, but the experience was life changing. The intent of the day was to show these women—on their way out of prison and back into the “real” world—how to hand stitch and work together. We wanted to help them see that they could make something beautiful with their own two hands and, at the same time, perhaps challenge all of our preconceived notions about our neighbors and the world at large. It’s fair to say that I walked away from that day and the experience a different person.

At that point, I’d begun to realize that education was going to be an important element in the life of my company. I wanted to help others understand how essential “living arts” are—and what it would mean if we lost connection to those skills and our shared history. Slowly, Alabama Chanin added stitching workshops to our traveling trunk shows. We scheduled intimate one-off events that were as much about storytelling as they were stitching (as Blair Hobbs famously exemplified with her “granny panties” story years ago). We were creating a community through making. It was happening.

And so we committed to this enterprise of creating communities for makers, of building workshops both here at The Factory and across the globe. Alabama Chanin and our customers have become part of one another’s lives in ways I never imagined; we’ve made lifelong friends, helped create wedding gowns, hosted classrooms of college students, and traveled across the country. I’ve met some of my personal heroes through sharing ideas on making and sustainability.

THE HISTORY OF WORKSHOPS (+ NEW GROUP RATES)

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FABRIC STACK: AUTUMN

FABRIC STACK: AUTUMN

New season = new colors.

For a limited time, we are offering our new (bright) autumn colors bundled together in one yard cuts. This fabric stack includes one yard lengths, each, of Dusk, Gold, Persimmon, Autumn, Wine, and Teal.

Our medium-weight 100% organic cotton jersey is 56” wide, made in the USA from domestically grown organic cotton, and comes to you pre-shrunk and ready-to-use.

$156

Enjoy free shipping on orders over $300.

SWATCH OF THE MONTH: OCTOBER 2014

SWATCH OF THE MONTH: OCTOBER 2014

The October Swatch of the Month highlights one of our most popular embroidery treatments—Alabama Fur. The technique, first presented in Alabama Studio Sewing + Design, combines our Spiral stencil with backstitch-worked embroidery floss, and incorporating exposed knots and tails. Simple, yet time consuming, the end result is a hypnotic continuation of curves that is both a beauty to behold and touch (the texture is irresistible).

To create the swatch, begin by stenciling the design to the top layer of fabric using your transfer method of choice. (The Spirals stencil is available for download from our Resources page.)

Align your top and backing layers of fabric, with right sides up and pin together. Using four strands of embroidery floss (or two strands doubled) thread your needle. When you knot off, use a double knot and make sure to leave a 1” tail of floss (note that this tail is longer than we use when working with Button Craft thread, for effect).

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POLKA DOT STENCIL – LARGE, MEDIUM, + SMALL

POLKA DOTS – LARGE, MEDIUM, + SMALL

As a designer, I am constantly in search of inspiration for new patterns. Often, I find ideas in nature. Other times, I’m drawn to simple geometric shapes – such as circles or dots – and how they interact with one another. Polka dots, with their equal size and relative spacing, create a classic pattern on a garment. In fact, polka dots have quite an interesting history throughout fashion.

The spotted design gained popularity in the mid to late-19th century, as the polka dance came into fashion. Martha Stewart describes the origins of the term in her book, Encyclopedia of Sewing and Fabric Crafts:

“To capitalize on the popularity of the polka in the late nineteenth century, one enterprising American textile manufacturer coined the term “polka dot” to describe the dots on one of his fabrics. The name stuck, and today the term refers to round, evenly spaced dots of identical size.”

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NEW DIY COLLECTION

NEW DIY COLLECTION

Beginning today, we launch our new DIY Sewing Kit collection. These DIY collections are designed and sold in the same manner as our ready-to-wear collection—created through seasonal inspirations and focusing on garments and patterns that we love. Some pieces are designed in conjunction with our current Alabama Chanin collection; others are top customer picks and our own long-standing favorites.

Going forward, all of our DIY Sewing Kits will be introduced seasonally. Some old favorites will be transitioned out, while new designs will appear. Every new DIY Kit can be personalized to fit your desired embellishment or embroidery choices—so your kit of choice can be worked in any of our techniques. Of course, if we are not currently offering a DIY kit that you want, you may create your own custom DIY Kit design by mixing and matching any of our body styles, stencils, embroidery techniques, and color choices. For more information on how to design your own, view our guide here.

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ANNA MARIA HORNER KNITS

ANNA MARIA HORNER KNITS

Our longtime friend and collaborator Anna Maria Horner has created a new line of knit jersey fabric – Anna Maria Knits. On my recent visit to Nashville for Anna Maria’s newest venture, Craft South, we hosted a joint workshop that focused on combining machine and hand techniques with both Alabama Chanin and Anna Maria Horner knits.  Before Craft South, we got a sneak peek and explored what might come of applying our techniques to the colorful designs.

Her 100% cotton interlock fabric is available in 5 prints with 3 different colorways each, for a total of 15 different pieces. When planning these new textiles, Anna Maria opted for a knit she felt would work well with a sewing machine, in addition to hand stitching. Those who love texture and pattern can experiment with combining our Alabama Chanin stencil designs and techniques with these patterned knits.

ANNA MARIA HORNER KNITS
Alabama Chanin Cotton Jersey in Peacock with Sealing Wax Knit as Reverse Applique backing using our new Large Polka Dot stencil

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