You asked for Lime; you got it. For a limited time, and in limited stock, you can purchase our 100% organic cotton jersey in our collection color, Lime. Available in both light and medium-weight.
As a designer, I am constantly in search of inspiration for new patterns. Often, I find ideas in nature. Other times, I’m drawn to simple geometric shapes – such as circles or dots – and how they interact with one another. Polka dots, with their equal size and relative spacing, create a classic pattern on a garment. In fact, polka dots have quite an interesting history throughout fashion.
The spotted design gained popularity in the mid to late-19th century, as the polka dance came into fashion. Martha Stewart describes the origins of the term in her book, Encyclopedia of Sewing and Fabric Crafts:
“To capitalize on the popularity of the polka in the late nineteenth century, one enterprising American textile manufacturer coined the term “polka dot” to describe the dots on one of his fabrics. The name stuck, and today the term refers to round, evenly spaced dots of identical size.”
Beginning today, we launch our new DIY Sewing Kit collection. These DIY collections are designed and sold in the same manner as our ready-to-wear collection—created through seasonal inspirations and focusing on garments and patterns that we love. Some pieces are designed in conjunction with our current Alabama Chanin collection; others are top customer picks and our own long-standing favorites.
Going forward, all of our DIY Sewing Kits will be introduced seasonally. Some old favorites will be transitioned out, while new designs will appear. Every new DIY Kit can be personalized to fit your desired embellishment or embroidery choices—so your kit of choice can be worked in any of our techniques. Of course, if we are not currently offering a DIY kit that you want, you may create your own custom DIY Kit design by mixing and matching any of our body styles, stencils, embroidery techniques, and color choices. For more information on how to design your own, view our guide here.
Our longtime friend and collaborator Anna Maria Horner has created a new line of knit jersey fabric – Anna Maria Knits. On my recent visit to Nashville for Anna Maria’s newest venture, Craft South, we hosted a joint workshop that focused on combining machine and hand techniques with both Alabama Chanin and Anna Maria Horner knits. Before Craft South, we got a sneak peek and explored what might come of applying our techniques to the colorful designs.
Her 100% cotton interlock fabric is available in 5 prints with 3 different colorways each, for a total of 15 different pieces. When planning these new textiles, Anna Maria opted for a knit she felt would work well with a sewing machine, in addition to hand stitching. Those who love texture and pattern can experiment with combining our Alabama Chanin stencil designs and techniques with these patterned knits.
Alabama Chanin Cotton Jersey in Peacock with Sealing Wax Knit as Reverse Applique backing using our new Large Polka Dot stencil
The Swatch of the Month for September continues August’s emphasis on texture as it relates to an overall design perspective. Couching has a sculptural quality and it places significant focus on the stencil or design motif it highlights. This stencil, Anna’s Garden, works well with the couching technique, as it has lots of curved shapes and forms.
Traditional couching is a very old embroidery technique in which yarn is laid across a surface fabric and sewn into place (usually with a satin stitch). While we have used cotton yarn in some of our couching designs, we most often substitute our cotton jersey, cut into strips and pulled to make a smaller version of our cotton jersey pulls. These are more substantial and look beautiful on coats, dresses, pillows – and many other pieces.
Couching is simple in concept, but more difficult in execution. It is difficult, if not impossible, to pin the yarn or rope to the base fabric before stitching it down, so you must use your fingers to turn and shape it into place.
One of the great joys of my job is the fact that we sometimes get to review books for other authors. Sometimes we order the books from a catalog of new titles and sometimes, the books just arrive like magic in the mail. This was the case last year, when we received a book called Secret Garden: An Inky Treasure Hunt and Coloring Book by Johanna Basford. The coloring book—intended for children and adults—was published by Lawrence King and immediately found its way to my pile of books I love. On the inside cover is a quote that reads, “Tumble down the rabbit hole & find yourself in my inky wonderland…” And that is exactly how I felt after browsing just a few pages. Although we have played with permanent markers for years in writing on quilts and garments, looking at page after page of beautiful detailed illustrations, I was overwhelmed by inspiration.
Through some experimentation, we found out that black and white photocopies will transfer onto white and/or natural colored fabric with a hot iron. This made it possible for us to transfer the pattern one-to-one from this or any coloring book, stencil, or black and white design. There are arrays of fabric coloring tools available at local craft stores and more arrive on the market each year. We found that the pastel dye sticks and fabric markers (designed for children) work very well.
Each month, we invite our fellow stitchers to create a favorite Alabama Chanin pattern, embellishment, or embroidery technique through our Swatch of the Month Club. As a companion to that monthly series, we are also offering DIY projects that you can create with your completed swatches. Past projects include DIY Swatch Pillows, DIY Book Covers, a DIY Clutch, and a DIY Swatch Wrap. This month, we illustrate how to add an embellished pocket to a finished tote bag using August’s Beaded Kristina’s Rose swatch.
August’s completed Swatch of the Month (or your favorite swatch of choice)
1 – 1 ¼”-wide strip of fabric, measuring 16” long, cut across the grain, for binding
Alabama Chanin #3 Organic Tote Bag
Complete your swatch of choice according to the instructions – or create a swatch using your personal design choices. Alabama Studio Sewing + Design can provide instruction on techniques and embroidery options, if you need additional guidance or inspiration.
Use your iron to press your 1 ¼” binding strip in half, lengthwise, with wrong sides together. Position your swatch horizontally and encase the top edge of the swatch with your binding. Pin or baste the binding strip into place. Whipstitch the raw edge of the binding to your fabric swatch to secure. You may also opt to use a decorative or stretchable stitch, based on your personal design preference.
Lay your tote on a level surface and smooth the fabric to make sure it lies flat and unwrinkled. Center your swatch – with the finished edge on top – in the center of the tote’s face. When positioning the swatch, align the top edge with the opening of the tote. Pin your swatch onto the outside of the tote bag.
Every day of the week, we use textile paint to transfer stencil designs to our 100% organic cotton jersey. While the colors that can be produced by mixing paints are limitless, we primarily work with the following base colors: opaque black, transparent sand, opaque blue, pearl silver, opaque red, opaque white, opaque yellow, opaque sky blue, pearl red, and forest green. By mixing these colors, we create all of the hues and shades that help define our patterns, stencils, and collections. Our artisans use our painted stencils as a guide for embellishing our designs with appliqué, reverse appliqué, and beading techniques. We have also discovered that a basic garment featuring a subtle stencil adds texture and delicate details to our designs. Many of our Studio Style DIY customers and workshop participants have asked for these unique combinations of textile paint; below, we share recipes for some of our most popular colors. You can find everything you need to create your own stencil and spray kit in our online store. Continue reading
August’s Swatch of the Month combines the beading and ruffle elements we explored in May, June, and July. The stencil, Kristina’s Rose, uses curved lines to create a somewhat abstract floral design. Those curves, when accentuated with beads and appliquéd fabric strips, create a texturally rich fabric treatment. We used three different techniques to create this swatch: folded stripe appliqué, beaded chain stitch appliqué, and beaded rosebud stitch.
Begin by cutting ½” strips of fabric in two colors. The number of strips needed will depend upon the surface area your stencil will cover and the number of shapes you choose to appliqué.
Transfer the design to your fabric using your stenciling method of choice. An enlargeable version of this stencil with accompanying instructions and fabric map are shown on pages 126-127 of Alabama Studio Sewing + Design. You can also download a copy of the Kristina’s Rose stencil from our Resources page.
Select one rose shape to embellish using folded stripe appliqué. To do this, hold together two of your ½” strips (using the two different colors), then randomly fold them back and forth along the line of the stenciled rose shape, while sewing them into place with a beaded straight stitch. Refer to page 108 of Alabama Studio Sewing + Design for detailed instructions and photographs.
In honor of our upcoming “Friends of the Café” dinners (which are also Piggy Bank fundraisers for the Southern Foodways Alliance), Alabama Chanin is offering a DIY SFA Apron kit, with a portion of the sales going toward the SFA.
I keep a selection of half-aprons and full bib aprons on a hanger inside the closet door of my kitchen pantry. Depending on the task at hand (and whether or not Maggie and/or flour are involved in the recipe), I may opt for the additional coverage of a full apron. I cannot count the number of times that I’ve looked down to see that I should have grabbed an apron before starting a kitchen task. I remember both of my grandmothers wearing aprons habitually and often think that an apron is a great addition to every task in life—especially with the addition of a small pocket. This full apron is unisex in design, so I can use it – but it will also work well should I be able to convince my son Zach (who has recently been helping us in the café) to come over for a cookout.
This DIY Kit comes stenciled and ready-to-sew with one of our A. Chanin Long Bar Aprons in Natural and medium-weight cotton jersey for the appliqué (you choose appliqué and embroidery floss color). We will also include basic instructions for embroidery and construction techniques. A whipstitch was used to outline the logo’s letters and the outer circle. The individual shapes were stitched using backstitch negative reverse appliqué. For detailed instructions on these techniques, refer to Alabama Studio Sewing + Design.