Category Archives: THE SCHOOL OF MAKING

DOO-NANNY

Doo-Nanny

This weekend marks the 15th year of the Doo-Nanny festival, simply called ‘Doo-Nanny’. The folk art festival has grown and evolved into a temporary community filled with creative expression that occupies Butch’s 80-acre farm once a year.

When Butch speaks of the history of Doo-Nanny, his story begins with a turnip root that was plowed up in his garden by friend John Henry Toney. The turnip “had a face in it,” so he drew a picture of it and sold in a nearby junk shop to a folk art collector. And so, in 1996, Doo-Nanny was born out of a roadside art show. Years later, the folk art festival merged with a “lo-fi” movie festival and is now complete with solar showers, an outdoor community kitchen, art vendors, and culminates with a burning effigy for the celebration on Saturday night.

Ready for art and making, campers, artists, musicians, and free spirits arrive here for fun, food, music, and experimental architecture. Children run free (but supervised). I’ve heard first-time attendees say nothing could have prepared them for the spectacle of the weekend; this year’s event is certain to be another good one.

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PHILLIP MARCH JONES

POINTS OF DEPARTURE by Phillip March Jones

Writer, artist, and curator Phillip March Jones’s latest book, Points of Departure, is a collection of roadside memorial Polaroids depicting scenes of reality, often stark eulogies on road sides, highways, and Interstates, that we routinely speed by in our busy lives. The collection demonstrates an irony between our hurried motion and the absoluteness of departure the memorials commemorate, as if the two, at least at moments, exist in parallel universes.

A busy man himself, Phillip March Jones is the founder of Institute 193 – a non-profit contemporary art space, small-scale publishing house, and cultural centre in Lexington, Kentucky – and the director of the Souls Grown Deep Foundation, committed to raising public awareness of African-American vernacular art of the South. We were able to catch up with Jones for a quick Q&A about his newest book.

POINTS OF DEPARTURE by Phillip March Jones

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Q&A WITH ANNA MARIA HORNER+ A BOOK GIVEAWAY

NEEDLEWORK NOTEBOOK

We’ve been talking about friend and collaborator Anna Maria Horner all week, featuring a DIY A-line Tunic with her Little Flowers stencil, a Greek lunch in her honor, and a review of her new book, Anna Maria’s Needleworks Notebook, which we wrote about on Monday promising a giveaway later in the week. Details below on how to enter to win a copy of Anna Maria’s book, but first, a Q&A with the lady herself.

NATALIE AND ANNA MARIA

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YOU CAN’T FAKE FASHION (PART 2)

YOU CAN'T FAKE FASHION

In 2005, I was inducted into The Council of Fashion Designers of America.  Long before that time (and during my days as a stylist in Europe), I didn’t really know what the CFDA was (or did). However, the organization was founded in 1962 by Eleanor Lambert as a not-for-profit trade organization to support American womenswear, menswear, jewelry, and accessory designers. Today, the CFDA consists of over 400 members across the nation (we have 2 from Alabama). Their mission statement has grown to reflect a desire to “advance artistic and professional standards within the fashion industry, establish and maintain a code of ethics and practices of mutual benefit in professional, public, trade relations, promote and improve understanding and appreciation of the fashion arts through leadership in quality and taste, and to support the overall growth of American fashion as a global industry.”

Some of the programs growing out of this agency include the CFDA/Vogue Fashion Fund for which Alabama Chanin was a finalist in 2009 and which Billy Reid (the other CFDA member in the state of Alabama) won in 2010. Other programs include CFDA Fashion Awards, Made in Midtown, and the great {Fashion Incubator} program, among many others.

YOU CAN'T FAKE FASHION

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NATURAL DYES + NEW FABRIC COLORS

NATURAL DYE HIGHLIGHTS

Natural dyes have been used for thousands of years by nearly every civilization; however, these days most natural versions have largely been replaced by synthetics. With consumers today demanding to know more about what they wear and where it comes from, there is a resurgence of people who are learning and practicing the art of natural dyeing.

Today, we launch a full range of Natural Dye Organic Cotton Jersey in nine shades, some old, some new, each made with a variety of natural plants and minerals.

NATURAL DYE HIGHLIGHTS

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EL ANATSUI

EL ANATSUI: ART AND LIFE

From far away, Ghanaian artist El Anatsui’s large-scale artworks take on the appearance of textiles and tapestries with patterns resembling those a master weaver might create. But upon closer inspection, the poignant pieces are actually constructed with simple bottle tops connected by copper wire.  Flattened then stitched, their unique assembly allows the works to move, flow, and take almost any shape. They speak volumes about El Anatsui’s education and home.

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DIY LEARNING

DIY LEARNING - FILMING WITH NATALIE CHANIN

There are a growing number of programs tailored to adults in the workforce who want to advance their careers or earn a degree. These days, it’s not unheard of for someone to earn their bachelor’s or master’s degree online. There are also entirely new platforms emerging, called MOOCs, or massive open online courses. The expectation is that these new platforms for learning are going to change online learning, opening up opportunities to those who thought they’d never have the chance to further their education. While many of these courses offer no credits, the demand for them isn’t waning. People are looking for outlets to learn – simply for the sake of personal growth.

The trend is expanding into fields outside of higher education. Google search or visit YouTube and you will find an incredible number of courses in all imaginable subjects. Some courses are free; others require a fee or subscription. Still, the possibility of learning something – a skill, a subject, a language – all in your living room has a certain appeal to those of us who can’t imagine the thought of sitting in a classroom again. These classes can be taken on your time, fit between loads of laundry or after the kids have gone to bed. This time, it’s perfectly acceptable to go to class in your pajamas.

DIY LEARNING

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DIY MANUFACTURING

DIY MANUFACTURING

As a small business with an artisan-based production system, we are aware that Alabama Chanin is unique in the way that we create our products. We would not exist without the skill and hard work of our artisans. Our cottage industry-style method of production is a subject of interest at many trunk shows, workshops, and forums. We are proud of what we have accomplished as a company and proud that we have been able to keep our manufacturing local. We are also excited to see a trend emerging among other small companies: DIY Manufacturing.

We recently learned about the work of Amor Muñoz in a New York Times article. Muñoz creates a specialized form of electronic textile and seeks her workforce by pedaling down the streets of Mexico City shouting through a megaphone. She has created a “maquiladora,” or factory that pays workers roughly the same as American minimum wage – well over the average rate of pay in Mexico. “It’s about community,” Ms. Muñoz said. “I’m interested in sharing the experience of art.” She wants to create art, but she wants to improve the rate of compensation for workers. This strategy runs counteractive to government agents’ strategy of keeping wages low to make Mexico competitive with China when manufacturing contracts are being signed.

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A LOVE LETTER TO LOVE LETTERS

Love LettersOnce there was nothing but paper and pen. Not so long ago (a little over a decade), before the email, the text, the tweet, or the Facebook post, there was simply paper and pen.

Think about how special it feels when you get an actual hand-written note in the mail. When you were a child and wrote that super-secret note to your pen pal, covering the envelope in stickers – think of the pure excitement when a response finally arrived. When I was young and corresponded with friends, summer camp bunk-mates, or cousins, I remember watching as they grew and their handwriting changed: a visual representation that we were getting older. As we moved through junior high and high school, the passing of the note in class became high art. As we got older, silly little love notes were left under car windshield wipers, tucked into coat pockets, left on pillows. Some were sappy, some embarrassing, some beautiful – all with one intent: to express affection.

But, at some point we stopped.

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LES BLANK (A LOVE LETTER)

LES BLANK (A LOVE LETTER)I’ve written a couple of times about what happens when your heroes and heroines become friends. For me, it brings about a feeling of connection to the ever-expanding universe; all things are possible.  A girl from the countryside in Alabama can dine with royalty (in all its meanings).  The picture above is proof. When I look at this picture, I laughingly think of The Death of Roy Batty in Blade Runner: “I’ve seen things you people wouldn’t believe. Attack ships on fire off the shoulder of Orion. I watched C-beams glitter in the dark near the Tannhauser gate. All those moments will be lost in time, like tears in rain….” However, those moments will not be lost. Knowing and dining with Les Blank gives me a connection to the stories and tiny details of human nature that make me a bigger, and better, person. His contribution to the genre of documentary film is exceptional; his contribution to my life is priceless.  His clear vision of humanity (like that of The Kitchen Sisters)  helped mold the designer, story lover, and human being I am today. I am so sad to write that my friend, and hero, is very ill with a protracted cancer.  The City of Berkeley, California declared January 22nd the official Les Blank Day and wrote this: “With a soft spoken demeanor, an eye for beauty, an insightful mind and great enthusiasm, Les Blank has captured the essence of aspects of American culture,” and “through his respectful, quiet presence, and non-didactic style created films that allow his subjects to reveal their true selves in a unique way.” Well deserved.  The world is a better place because of Les Blank, visionary wayfarer. P.S.: Photo above with Les and Alice Waters from April 2008 at The Edible Schoolyard (where Les first filmed and then cleaned everyone’s plate).