I adore clothes. Both my closet and a large portion of the surrounding floor space are a testament to that. My lack of self control, paired with a job that forces me to be around beautiful garments all day, means I acquire more than I should and more than I have room for. At some point I will have to pay Alabama Chanin for working here.
My morning routine usually consists of two or three outfit changes. And if I’m getting ready for a special occasion- forget it; it’s going to take a while. At least that was the norm before Agnes, my daughter, came onto the scene. Life with a tiny human that refused to sleep quickly put showering in the luxury category and landed multiple wardrobe changes nowhere near the radar.
Thanks to everyone who reached out about and/or shared my post on organic cotton last Friday on @EcoSalon.
For the sake of making a plea for organic cotton, here it is again… spread the word.
Pound for Pound:
I am pissed. It doesn’t happen often, but, it does happen.
I grew up in cotton country. My mother and her sisters picked cotton every summer to make money for new school clothes, as they didn’t want to head back in “handmade.” My aunts and uncles raised this cotton. I slept under blankets made from scrap cotton that grows after the harvest has taken place – the dregs that are left over. I made a film about cotton and rural quilting. For better or for worse, cotton is part of the vernacular of my community, my childhood, and my life. I would venture that cotton plays a large role in your life as well.
Thanks to all the HEATH Ceramics team for this lovely piece on Alabama Chanin in their November Newsletter:
Slowing Down (and Sitting Down) with Alabama Chanin
Stitch and clay intersect to create modern heirlooms in our newest collection
Slow down. This may feel like an impossible pursuit, particularly in this season, but when Heath Ceramics Creative Director Catherine Bailey explained that one of the intentions of Heath’s collaboration with Owner + Designer Natalie Chanin of Alabama Chanin was to “celebrate slow, thoughtful design,” the word really resonated.
“The point of intersection between stitch and clay. A collaboration between Natalie Chanin and Heath Ceramics yields an anthology of carefully crafted modern heirlooms in a new and permanent dinnerware line.
This collection celebrates texture and a range of layering possibilities in thoughtfully curated place settings, plates and serving bowls.”