We began our 2015 Swatch of the Month back in January but neglected to write about the swatch and share pictures here on the Journal. Many of you reached out to let us know that you missed these posts. We heard. We listened. And herewith, our February post (and the slightly late January below).
Here’s what February has in store for me:
February 1 – Super Bowl Sunday. Watch the Puppy Bowl with Maggie instead.
February 2 – Groundhog Day. (Note: Groundhog Day movie marathon on television)
February 3 – Full moon. Literally anything can happen.
February 7 – National Send a Card to a Friend Day
February 14 – Valentine’s Day
February 17 – National Act of Kindness Day. I will buy lunch for some guests at the Factory Café.
February 22 – Downton Abbey finale (It’s a guilty pleasure. No apologies.)
February 24 – Start seeds: broccoli, cauliflower, peas
Make time to begin February’s Swatch of the Month—backstitched reverse appliqué. For a detailed description of this technique, view page 97 of Alabama Studio Sewing + Design.
You can experiment with different versions of reverse applique: traditional reverse appliqué, beaded appliqué, outside reverse appliqué, or any other technique that suits you.
Purchase a membership to our Swatch of the Month club for 2015 here (or start with Swatch of the Month 2014 here).
When we first opened our Building 14 division in July of 2013, we learned quickly that there was still SO MUCH to learn. So, with the concept of The School of Making firmly in place, we began at the beginning to work on a set of finishing examples for our Building 14 machine-made division. Like our Alabama Chanin Library of hand-embellished fabric swatches, this library documents the capabilities of the machines, folders, and attachments we have available in the factory and the endless variations and combinations that create everything from collars to hems and in between.
In 2015, and as we fold our MAKESHIFT programming into The School of Making, we foresee many more conversations about design, fashion, DIY, and community. And, of course, we will continue sharing the evolution of our manufacturing systems—including this new sort of maker’s library—to explore their part in the larger making process.
Photos from Abraham Rowe, Angie Mosier, and Rinne Allen
Part of our A. Chanin collection, the A. Chanin Long Sleeve Cardigan is a must-have piece for cooler weather. Constructed of lightweight cotton rib, the casual cover up is machine sewn and hand dyed here at The Factory.
The Cardigan features raw edge detailing along the placket and hits at the natural waist—accentuating curves. Measures approximately 17 inches from shoulder and is hand dyed to order in Dark Indigo.
Like our other A. Chanin basics, the Long Sleeve Cardigan integrates beautifully with Alabama Chanin garments—layer over the Panel Tunic for a feminine silhouette, or pair with the Daisy Long Skirt to create a classic look.
In our ongoing Makeshift conversation on design, craft, food, DIY, and fashion—and how they intersect—we continue to adapt open-source patterns from other designers and brands using Alabama Chanin techniques. This experiment demonstrates how open-sourced materials and collaborative works can be used in any number of ways and tailored to almost any personal style.
For this entry in the series, we have chosen to work with a pattern from Merchant & Mills, a popular UK-based company created by Carolyn Denham and Roderick Field, formed, in their words, “to elevate sewing to its proper place in the creative world, respecting the craftsmanship it entails.” That is certainly a philosophy in line with Alabama Chanin’s mission and Makeshift’s goals.
Merchant & Mills has an interesting selection of patterns to offer. UK sizes differ a bit from US numbered sizes, but the website has clear size charts that can help you select the right pattern size for your body. But keep in mind that their patterns are priced in pounds, not US dollars; you should also take into account shipping costs when shopping. Alternatively, there are quite a few stockists in the US with ready links available here.
In order to highlight the simple beauty of this Dress Shirt, we have opted to make a basic version. Of course, you can choose to utilize any of the techniques from our previous posts or our Swatch of the Month Club to embellish your project. We’ve found that the loose fit and shape of the pattern makes it an easy pull-on garment when paired with our stretchable cotton jersey, and this piece looks great with The Every Day Long Skirt or the Bloomers Swing Skirt and Stripe Tall Socks.
Docendo discimus — “by teaching, we learn”
–Seneca the Younger
As we slide into 2015, we invite you to join us for one (or more) of our Workshops offered through The School of Making. As a company, Alabama Chanin believes strongly in the ideas of sharing, collaborating, exploring, educating, learning by doing, and—in the process—creating a community; our hope is that our work will produce a happy work environment, happy people, happy products, and a happier Mother Nature.
As Alabama Chanin and The School of Making continue to grow, so do our Workshops. Over the coming months we have a variety of Workshops scheduled and more to be added. We will have events lasting a week, a weekend, one-day, one-hour, and two-hours; some events will be held at The Factory, with other events in Tennessee, Texas, Illinois, New York, California, and beyond.
Here is an overview of the events we have planned. Come one, come all; come to one, come to all.
“If you want a golden rule that will fit everybody, this is it: Have nothing in your houses that you do not know to be useful, or believe to be beautiful.” – William Morris
Join us this Monday at The Factory for the fourth conversation in our On Design Series. Last month, Natalie spoke about the history of stenciling. This week, the conversation continues with a lecture about the Arts and Crafts Movement and its irrefutable leader, designer William Morris—including examples of the movement throughout history and a study of the work of Morris himself.
Monday, January 12, 2015
10:30am – 11:30am
Alabama Chanin @ The Factory
462 Lane Drive
Florence, AL 35630
Open-to-the-public, the cost includes admission, participation in the conversation, and a cup of The Factory blend coffee, a cold drink, or tea.
Register here for our fourth event.
P.S. Look for more information on this and other upcoming Makeshift events on our Journal and/or join our mailing list.
Black and Gold – in color symbolism they hint at the unknown, power, and formality alongside abundance, prosperity, and extravagance.
Black and Gold – Madonna on a Crescent Moon by an anonymous painter in Germany, commonly referred to as the Master of 1456.
Black and Gold – for some reason also makes me think of Madonna (the singer) in the 1980s (but also today).
Black and Gold – our newest blend of fabric and paint—a departure from the tone-on-tone colors seen in many of our previous collections.
When you order black (and other new) pieces from our collection (and/or DIY Kits), the items now come stenciled with shades of Gold textile paint—unless otherwise noted in the description.
P.S.: If you prefer a different color for your DIY Kit, please choose our Custom DIY option.
This Cardigan is a modified version of our Casual T-shirt Top from Alabama Studio Sewing + Design. We’ve created the cardigan simply by cutting our t-shirt front panel down the front to create two pieces (or alternatively, you can choose not to cut the pattern on the fold). When cut this way, it creates a cardigan or cover-up from our Casual T-Shirt pattern. Produced in a double-layer, the organic cotton jersey adds warmth but not bulk.
The kit is shown here in Black and has been produced in our backstitched reverse appliqué treatment. But, this and all DIY kits can be customized for any of our embroidery techniques or embellishments. Choose your own fabric color to go with our Variegated Black embroidery floss, or you may also design your own T-Shirt Cardigan through our Custom DIY option. When purchasing this DIY kit to work as a cardigan, you may want to choose one or two sizes larger than you would normally wear, to allow for additional layering room.
During Makeshift 2012, we dedicated a portion of one event to “Worn Stories,” a concept defined and documented by Emily Spivack that explores the stories and emotional attachments surrounding our clothing. Jessamyn Hatcher introduced us to Emily and her work about the relationships we create with our garments and the rich memories we associate with our clothes. Those memories are certainly why we hold on to items long out of fashion, in sizes we will never wear again. The clothing is a physical representation of our emotional scrapbook.
Spivack’s recent book, also titled Worn Stories, is moving and relatable—and earned it’s way to the New York Times’ Bestseller List. In it, she collects over sixty clothing-inspired remembrances from famous faces and everyday people; each was asked to describe the most meaningful item of clothing in their closet—and the stories that surround them.
Worn Stories is meant not only to unearth memories through storytelling, but also to offer intimate glimpses into the lives, memories, and psyches of the tellers. It also prompts readers to delve into their own closets and consider the role clothing plays in their own lives. The book and website together amount to an extensive catalog of oral and written histories, all surrounding garments.
In 1982, Ari Weinzweig and his business partner Paul Saginaw opened Zingerman’s Delicatessen in Ann Arbor, Michigan. Today, that institution has evolved into a collection of food specialty businesses (known as the Zingerman’s Community of Businesses, or ZCoB) that includes a bakery, mail order operation, a coffee company, candy manufacturer, a barbeque restaurant, creamery, and a catering and event planning service. The decision to build new, independent businesses (instead of franchising the deli) proved to be an sustainable strategy for operating a business, an effective approach for establishing growth opportunities for employees, and a way to ultimately give back to their Ann Arbor community.
In March 2015, we are delighted to be hosting Ari and our friends from Zingerman’s here at The Factory in Florence. I’ve long been an admirer and student of Ari’s work, teachings, and books. (And as an introduction to Ari, you might want to check out this interview with him on our Journal.) His philosophies and approaches to running a business have helped me and the Alabama Chanin family create a better work environment here at The Factory. Our staff studied Ari’s latest book, Managing Ourselves, as part of a workplace enrichment program, and we each wrote visions of how we want to take ownership of our individual roles, while benefiting the team and helping the company grow as a whole.