For a small company in a small town, we’ve received quite a bit of media attention. This is particularly amazing when you consider our nonexistent advertising budget. With the exception of a couple of classified listings in our local paper, I can’t recall having ever purchased an ad. Even though we have been fortunate in this particular area I can say, without a doubt, that our approach would have been different had I read this book sooner.
Amy Flurry’s Recipe for Press has been called “THE DIY guide to being your own publicist!” and I couldn’t agree more.
We subscribed to Alabama’s Farmers and Consumers Bulletin shortly thereafter and are happy to report that we received our first issue just in time for spring cultivation. Old- timey Tennessee Red Cob Corn and Cow Horn Okra will be great additions to my garden. Continue reading →
Our exploration into organic cotton growing continues. As we brainstorm, discuss, research, and learn all there is to know about growing our own organic cotton, we decided that the best place to begin is with a study of the seeds themselves. So this week Erin–who is new to our studio – dug in deep to learn more about seed supply and just how to find those organic seeds. Here are some of her reflections and discoveries:
As Alabama Chanin has grown and evolved, we have built a business model that I strongly believe in. Many of you have been with us from the beginning, and many of you have found us along the way. On a daily basis, we receive a bounty of emails, phone calls, and letters. Here we have compiled a list of our most frequently asked questions. Included are the mission and some history of Alabama Chanin. We invite you to explore, share, and of course let us know if there is something that we missed.
We sincerely appreciate every email, query, and compliment that comes our way; we look forward to continuing the conversation. While our FAQs is not meant to replace old-fashioned interaction we hope it gives anyone interested the opportunity to learn more about our company, just as we hope for opportunities to learn more about all of you.
When I returned to Alabama over a decade ago to start the project that has become Alabama Chanin, I had NO IDEA that this simple project would surround me with stories of cotton, mill work, and, quite honestly, the history of the small community where I grew up. This blog is proof to the fact that I am STILL learning – each and every day.
While researching the post about Sweetwater Mills and reading William McDonald’s books a few weeks back, I came across Rick Bragg’s book, The Most They Ever Had. As an avid reader and, quite honestly, a Rick Bragg fan, I was surprised that I’d never read this book before. I have followed his work for years: from Anniston, Alabama, to The New York Times, through all the novels, the Pulitzer, to the controversy surrounding his departure from the Times. (Full disclosure, I know some of the parties attached to The New York Times scandal and have a few thoughts on that myself – we will save that for a later day or a face-to-face conversation.)
Thank you to our employees and artisans for their commitment to the extraordinary and thank you to everyone at Etsy for telling our story with this beautiful film. It makes us proud to share the stories that unfold each day in our growing community.
Please visit the Etsy blog to read a little more and leave a comment to enter to win a copy of Alabama Studio Sewing + Design plus a DIY kit that includes everything you’ll need to sew your own Alabama Chanin garment.
At the Factory, we play music to help set an inspiring tone for our work environment, and sometimes to just get us through the day. At any given time, you will hear a range of genres including folk, classical, rock, country, and independent artists. We don’t usually pick favorites, but The Civil Wars’ sounds are often heard floating through the shelves of organic fabric in the studio.
Joy Williams and John Paul White’s soothing and harmonic melodies have provided the soundtrack to many FULL workdays. The songs are sometimes bluesy, sometimes haunting, and always powerful. Their voices simply sound natural and right together. Perhaps we’re partial to them—not only because of their poetic music—but also because they are rooted in the Shoals; The Civil Wars are a vital part of our artistic community. But, we also feel connected to the band because of their approach to making, or “crafting” music.
I feel so honored and happy to introduce Jessamyn Hatcher as a new contributor to this blog (soon we will add a face to the name). Jessamyn has been a source of inspiration for me as I continue to learn how to frame the work that is so easy for me to DO, but so difficult for me to EXPLAIN in words. My conversations with Jessamyn have taken place across several states, drinks, emails, and phone calls. I am so excited to expand upon those in-depth conversations here with you—beginning today. Please show a big, hearty, and embracing welcome to Jessamyn—our newest contributor and a part of the growing heart and soul of Alabama Chanin. Continue reading →
As we posted last Tuesday, I highly recommend that you start a library to document your design work. As you create your samples, make them the same size so that your (master) pieces can be easily stored. And even if you don’t want to keep the samples for posterity, you can work towards making a Sampler Throw like the one shown above. As we develop our many fabrics, it often happens that a particular sample, as beautiful as it may be, just doesn’t fit neatly into one of our Fabric Swatch Books or collections. That was the case with the swatches that became the basis for this Sampler Throw. You may even find that you want to make the Sampler Throw not as a way of developing different fabric swatches, but just because it’s a beautiful and easy project. Either way, I urge you to explore our stencils, colors, techniques, and stitches to sustain rewarding design experiences.
Shakerag Workshops have been taking place on the campus of St. Andrew’s-Sewanee School for some eight years now. Among the rolling hills of the Cumberland Plateau, Shakerag operates as a community where artists + those eager to learn a craft come together in a creative learning environment. Similar to our sewing workshops, the instructors work closely with students in a full-immersion studio course. This summer, I am eager to travel here with our studio Directress, Diane, to teach sewing, to learn, and explore the Sewanee Hollow.
We will be teaching Open Design: Sewing and Construction during the week of June 17-23, 2012, as part of the second session. This is how I intend to spend my days at Shakerag: coffee + breakfast, sewing, delicious lunch, more sewing, and a relaxing yoga session or a hike on the St. Andrew’s-Sewanee Perimeter Trail. To end the day, a locally-sourced dinner- featuring adapted recipes from A New Turn in the South- followed by enrichment + faculty artist’s lectures. And of course, Hugh Acheson’s lecture, Wednesday evening, June 20, 2012, is a welcome interruption in the schedule. Continue reading →