A Veritable Vision in Five-Inch Heels New York Times, February 3, 2010 NEAR dusk on a recent winter Sunday, in a glossy and compact one-bedroom in Hell’s Kitchen, Michael Lisbona was drying the toe box of a Louis-style mule with a blow dryer. The upper part of the half-made shoe, which had been cut from black kid leather embossed with a delicate silver lace pattern, curled back like the petal of an exotic flower. Llorraine Neithardt, a full-time psychic and part-time shoe guru, clapped her hands and exclaimed: “Boy, does that beat mowing the lawn. Look how beautiful — like a little tortellini.”…
(Stay with me here: You might remember that we were asking these same questions a few years ago about the food we eat and have seen – at least in my community – a marked difference in how we choose food and how we incorporate the cost of that food into our budget.)
The Cooper Hewitt National Design Museum has announced their upcoming National Design Triennial series for spring 2010.
“Why Design Now?” will be on view from May 14 through January 9, 2011, and will explore the work of designers addressing human and environmental problems across many fields of design from architecture and product design to fashion, graphics, new media and landscape design. Organized by Cooper-Hewitt curators Ellen Lupton, Cara McCarty, Matilda McQuaid and Cynthia Smith, the Triennial will be global in reach for the first time, reflecting the connectedness of design practices and the need for international cooperation to solve the world’s problems.
We are incredibly humbled &proud to announce that Alabama Chanin will be featured alongside esteemed designers like Martin Margiela in a section entitled “Prosperity:”
Progressive designers and entrepreneurs are building engines of prosperity that enable local communities to use their own resources to create their own wealth, as well as to participate in the global economy. Projects on view include a number of items that address basic necessities, such as a pearl millet thresher and a low-smoke stove developed for use in India; examples of slow design such as hand-made, limited-edition clothing by Alabama Chanin; and works made in collaboration with international designers and local craftspeople like the Witches’ Kitchen Collection, Design with a Conscience Series, manufactured by Artecnica.