See more photos from Jesse Hartman here: El Cosmico in Process
I found this very straight forward and informative post while jumping around this morning. The site boasts many other interesting tidbits too: Green Fashion Glossary
I am very excited to be included in this seminar and looking forward to visiting Stavanger and seeing The World of Folk exhibition:
International Design Seminar – Folk Futures With: Li Edelkoort, Tord Boontje, Natalie Chanin, Dick van Hoff, Hella Jongerius, Peter Marigold, Mike Meiré, Fernando & Humberto Campana.
As part of this summer’s A World of Folk exhibition, Folk Futures will discuss the future of unique design in a day-long symposium featuring presentations by distinguished international designers: Tord Boontje, Natalie Chanin, Dick van Hoff, Hella Jongerius, Peter Marigold, Mike Meiré and the Campanas brothers.
The seminar will examine how craft and design will provide an important and continued stimulus in this new century and analyze the implications of commercial production on uniquely made objects. Exhibition curator and trend forecaster, Li Edelkoort, will introduce a dynamic line-up of speakers, illustrating the importance of telling stories through the creative process and previewing how craft and technology will merge in symbiosis in the coming years.
The Alabama-born designer Natalie Chanin will explain how soul can be ingrained into a product through the handmade, while Dick van Hoff will talk about the challenges facing industrial production when maintaining craftsmanship principles. London-based Peter Marigold will discuss how chance and performance can influence the design of a product and Hella Jongerius will be interviewed by Li Edelkoort in an interesting conversation about the integration of local folklores in contemporary design. German art director Mike Meiré will discuss local food and its integration into the design field. Tord Boontje will revisit his journey through decoration and embellishment while joining Fernando and Humberto Campana to also describe their recent collaborations with artisans in Africa and South America.
Today I am inspired by families, friends laughing, couples holding, sisters, brothers, lovers, a glimpse of the past, inspiring: http://www.disfarmer.org/index.htm
Occasionally in our lives, a person comes along who changes the course of our destiny and makes us a better person, simply by having touched our lives. One such person in my life was a teacher who believed in me before I knew that one could believe.
I came to his studio as a naive, wounded young woman and his quiet guidance opened a path for me that I never knew could have existed. I am the designer, business owner, manufacturer, and person I am today because of the commitment of a teacher/professor and friend: Michael Pause.
Here is a portion of an email that I received from him today:
… Speaking of which, on 30 June I resigned from the faculty, after 33 years. Cleaned the office, put my keys in an envelope, put the years in a box, ribboned it and put it up on a shelf. It was a fantastic run; every student was a gift in some way.
I mourn for the legions of students who will miss his quiet guidance, commitment to pure design, and his struggle to keep a sliver of Bauhaus alive in education today.
Let’s take a moment today to thank all of those teachers along our way who have helped to shape us into men and women we are proud to be, walking paths we are proud to walk.
Thank you Michael. May your days be filled with family, joy, good work, and laughter.
American Routes takes a trip through the music of the Yellowhammer State–Alabama. Visit the Muscle Shoals Sound Studio and find out what’s in the water around “The Shoals” to make it a historic hotbed for R&B hits by Wilson Pickett, Aretha Franklin and more. Also, a trip through Hank Williams‘ childhood home in Georgiana, and W.C. Handy Music Festival in Florence. And music from Shelby Lynne, the Birmingham Sunlights and the Delmore Brothers.
Okay, what about a woman who can sing and cook, has her own radio program called “Apron Strings” and has a song about how it “Takes Balls” to be a woman?
Check out Elizabeth Cook.
Elizabeth has fans from all corners of the earth that make their own music videos to her songs. Check out this awesome It Takes Balls video that Elizabeth found on You Tube.
Our weekend workshop was a beautiful mixture of women from all walks of life. It was wonderful to hear our studio filled with laughter, chatter and, from time to time, the quiet hum of concentrated fingers at work. All of the projects are lovely and I am certain that the participants will be showing off their garments over the course of the next months.
(Keep an eye on the flickr page for new additions: Alabama Stitch Book Group )
Our Sunday morning was enchanted by a serenade of Alabama Song by singer, songwriter, and designer, Allison Moorer. Allison is an amazing woman and I was inspired by her fearless choice to make our 16-Panel Swing Dress with all-over rose reverse applique.
I cannot wait to see her on stage in the piece and feel grateful to have found a new stitching sister so close to home as Nashville is just a hop, a skip and a jump up the Natchez Trace from Florence.
Visit Allison’s website:
Listen to her music:
and stay tuned for more on a week in music (thanks to Allison and Traci).
Posted at 5:13 am
I received the email below from friend Sarah Lewis after she visited the Photography on Photography: Reflections on the Medium since 1960 (through October 19, 2008 at the Metropolitan Museum of Art in New York City). And while I am not in New York myself to see the exhibition, my entire body of work has been very influenced by the photographs of Walker Evans (along with others from this era) and particularly his work with John Agee in Let Us Now Praise Famous Men.
I love the text below. Here is Sarah’s email:
I am sure you heard of the photographer Walker Evans…!?
“Watching Allie Mae Burroughs work with a simple broom kept in the kitchen corner, Agee mused that everything in the house might be licked with the tongue and made scarcely cleaner.
Evans photographs of the tenant farmers’ tidy kitchen are distilled essences of domesticity. “
From the MET photo exhibit,
“Kitchen Corner, Tenant Farmhouse, Hale County, Alabama, 1936.”
And his predecessor, Sherrie Levine, “After Walker Evans.”
…I think of you no less than every other day…
Learn more about the exhibition here and start your own discussion about the role of the historical in contemporary work:
This beautiful catalog of work from Li Edelkoort and her team is refreshing and inspiring: