Category Archives: THE SCHOOL OF MAKING

DIY NATALIE’S APRON

DIY POLKA DOT APRON

The Camisole Apron is an embellished version of an apron my grandmother wore nearly every day for most of her life. It is beautiful and incredibly practical—especially for those of us that need full-coverage protection in the kitchen. This DIY kit—created from our Camisole Dress pattern from Alabama Studio Style—is available for a limited time as part of our DIY Gift Guide. The apron is fitted for a woman’s body and features a large, two-sided pocket across the front. It comes with our faded fabric as a backing layer and our Black Variegated embroidery floss; choose your outer layer and thread colors.

DIY POLKA DOT APRON

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INSPIRATION: EVERGREEN

INSPIRATION: EVERGREEN

Evergreen: adj.  2. Perennially fresh or interesting; enduring.

Our new Evergreen collection features a selection of hand-sewn and machine-made garments, all over-dyed by hand in our indigo vats here at The Factory. The slow process of dying one garment at a time creates rich color variations and shades of color in each of these one-of-a-kind pieces.

We love to pair this (perennially) fresh color with indigo and cream for the holidays—and all year long.

Available for a limited time.

INSPIRATION: EVERGREEN

P.S.:  Photo of joyous woman and evergreen tree from a box of photographs liberated from the Museum of Wonder.

 

ON DESIGN: THE HISTORY OF STENCILING

On Design - The History of Stenciling

Join us this Monday at The Factory for the third conversation in our On Design Series. This week Natalie discusses the practice of stenciling—including examples of designs throughout history and various techniques used over time, alongside a short, hands-on introduction to making stencils.

Monday, December 8, 2014
10:30am – 11:30am

Alabama Chanin @ The Factory
462 Lane Drive
Florence, AL 35630

$7.00

Open-to-the-public, the cost includes admission, participation in the conversation, and a cup of The Factory blend coffee, a cold drink, or tea.

Register here for our third event.

P.S.: If you can’t make it to the lecture and want to experiment with stencils on your own, we have a selection of stenciling materials and design resources on our website and a suggested reading list here.

If you are interested in learning more detailed stenciling techniques, we are offering our first One-Day Stenciling Workshop on May 14, 2015. During this workshop, we will design and create stencils through combinations of original artworks and existing stencils. Workshop participants have the opportunity to work with a variety of stenciling materials, experiment with mixing fabric paint, and explore a variety of stencil transfer methods like airbrushing, painting, sponging, permanent and fabric markers, fabric pastels, and transferring inkjet patterns onto fabric.

Learn more about this and all of our workshops through The School of Making.

ASANTE SANA

ASANTE SANA

In March of this year, we unexpectedly received an email with the subject line, “Asante Sana (Thank You) from Kenya!” It was sent by a woman named Nirvana, who is part of a team working to empower rural Kenyans with life and entrepreneurial skills. It seems that their goal is to inspire people to challenge the current social and cultural systems that tend to keep rural Kenyans impoverished. Read part of Nirvana’s first email to us:

Dear Alabama Chanin,  

You inspired 39 rural Kenyan women and men to start a tailoring class to learn hand sewing! They thought they had to have a sewing machine to learn tailoring. They also thought only poor people sewed by hand!

My American team and I are living in rural Kenya to teach Kenyans how to move beyond survival entrepreneurship. When so many community members said they wanted a tailoring class, I had to get creative. I knew there had to be a way to empower these youth without having to buy or find at least 20 sewing machines. So I Googled “hand sewing.” Of course, that led me to Natalie and Alabama Chanin!

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NEW: A. CHANIN HOME

NEW: A. CHANIN HOME

At Alabama Chanin, we frequently speak about the concepts of Slow Design and sustainability. We attempt to create a healthy environment so that we can create healthy products. Part of being sustainable means we take great care in the materials that we source to create our products; it also means that the processes we use to create use the most non-destructive methods possible. We keep this goal of sustainability in mind at every stage of production—from concept to final product. In our attempts to be a well-rounded, holistic company, we take inspiration from farmers and the Slow Food movement—where the results of one production process become fuel for another.

NEW: A. CHANIN HOME

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GRAVY #53: FOOD & SOCIAL JUSTICE

“Gravy is the SFA’s collection of original stories—fresh, unexpected, and thought-provoking. Like all of the SFA’s work, Gravy shares stories of the changing American South through the foods we eat. Gravy showcases a South that is constantly evolving, accommodating new immigrants, adopting new traditions, and lovingly maintaining old ones. It uses food as a means to explore all of that, to dig into lesser-known corners of the region, complicate stereotypes, document new dynamics, and give voice to the unsung folk who grow, cook, and serve our daily meals. Gravy the print journal lands in the mailboxes of SFA members four times per year. Gravy the podcast releases a new episode every other week.” –Southern Foodways Alliance

Gravy: The Podcast is now available every second Thursday by iTunes subscription:

“Gravy, a biweekly podcast, doesn’t profile star chefs. We don’t pander to cookbook authors. We don’t narrate recipes. Gravy tells stories of people and place through food…”

Join this important conversation (and get your own copy of Gravy mailed to your door) with your Southern Foodways Alliance membership. (Membership also makes a great holiday gift—think #givingtuesday.)

The piece below, written by Catarina Passidomo, reflects this year’s Southern Foodways Alliance theme, “Who is Welcome at the Welcome Table?” and can be found on page 13 of Gravy #53. View the entire issue in digital form here.

FOOD JUSTICE

“WHY STUDY FOOD JUSTICE??
Lessons from A Post-Katrina New Orleans” by Catarina Passidomo

When I tell people that I study food, the response is usually one of curious interest. When I go on to explain that I study food justice—that is, the connections between food systems and race, class, gender, and other means of oppression—the look of curiosity changes slightly. Is that confusion? Agreement? Concern? People who experience one or multiple forms of oppression in their own lives generally nod with understanding. But for many of us, the connections between food and social justice are abstract. The interlocking systems that bring food from field or factory to fork, spoon, fingers, or chopsticks are mostly obscured from view. Or they are so familiar that we don’t notice them. But if we look closely and critically, we can begin to see through food to broader systems of oppression and dominance. This makes food a powerful tool for thinking and teaching about social justice. Continue reading

REAL WOMEN: SOLA

REAL WOMEN: SOLA

Do you remember your first day of school? I don’t remember the actual day, but I do have photos of myself, standing outside my first grade classroom, smiling, wearing a plaid dress and knee socks. I do remember my children’s first school days—the nervous excitement they showed and the bittersweet pride I felt at witnessing this important milestone. While I don’t take those moments for granted, there was never a doubt that those moments would come. It’s common now to see Facebook, Twitter, and Instagram light up with school photos that document every moment of our children’s educational lives. A few months ago, I received an email from an old friend that provided some much-needed perspective.

The email offered a link to a Ted Talk by a woman named Shabana Basij-Rasikh, co-founder of SOLA—Afghanistan’s first all-girl boarding school. The word “sola” means “peace” in the Pashto language, but it is also an acronym for School of Leadership, Afghanistan. Shabana was 6 years old when the Taliban took over Afghanistan and made it illegal for girls to go to school. So, for five years, her family dressed her as a boy and sent her to a secret school to learn. Even at this young age, she understood the risks that she—and her parents—were undertaking. She would walk for 30 minutes, even an hour, to schools. The locations would move, and she would walk different paths each day; sometimes class would take place in the morning and other times in the afternoon.

REAL WOMEN: SOLA

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ON DESIGN: THE EAMES + MID-CENTURY DESIGN

ON DESIGN: THE EAMES + MID-CENTURY DESIGN

Join us this Monday at The Factory for the second lecture in our conversation series: On Design. Last month, Natalie spoke on the Bauhaus and the creative process. This month the conversation continues with a lecture about Charles and Ray Eames, husband and wife designers, and mid-century design. We’ve been finding inspiration from the timeless furniture, interior, and design details featured in Mid-Century Modern, by friend Bradley Quinn.

On Design is part of our ongoing Makeshift conversation about design, art, business, community, and much more. As one of our educational initiatives, the lecture series falls under the umbrella of The School of Making, a new arm of the Alabama Chanin Family of Businesses. We continue working to give The School of Making an active voice in our local community, our state, and the making community, at large. We hope you will join the conversation. Open-to-the-public with limited seating, the cost includes admission, participation, and a cup of The Factory blend coffee, a cold drink, or tea. Registration required.

On Design: The Eames + Mid-Century Design
Makeshift multimedia presentation by Natalie Chanin

November 10, 2014 10:30am – 11:30am
The Factory @ Alabama Chanin
462 Lane Drive, Florence, Alabama
Open-to-the-Public with Limited Seating
Registration Required $7.00

Look for more information on this and other upcoming Makeshift events on our Journal and/or join our mailing list. ON DESIGN: THE EAMES + MID-CENTURY DESIGN

LAUNCHING: ALABAMA STUDIO SEWING PATTERNS

LAUNCHING: ALABAMA STUDIO SEWING PATTERNS

As I’ve mentioned before, writing a book is no easy feat. It involves months (often years) of planning, drafting, edits, new designs, reviews, rewrites, photo shoots, patternmaking…basically, equal parts labor and love. So, I honestly surprised myself when I agreed to write another one. While still a work in progress, the end is in sight, and I’m proud to officially announce Alabama Chanin’s upcoming book, Alabama Studio Sewing Patterns. This is the fourth (yes, fourth) book I’ve worked on with my editor (and friend), Melanie Falick, of STC Craft and Abrams.

Around the studio, we’ve been referring to this project as the ‘addendum’, as it acts as a supplement to our Studio Book Series—Alabama Stitch Book, Alabama Studio Style, and Alabama Studio Sewing + Design.

LAUNCHING: ALABAMA STUDIO SEWING PATTERNS

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INSPIRATION: MINECRAFT

INSPIRATION: MINECRAFT

Where does inspiration come from? Do ideas spring from a single stimulus? Or are they generated by a creative environment fostered over time? Of course, we know the answer is both – and many more sources.

My daughter, Maggie, is obsessed with Minecraft, which (if you don’t already know) is an open-ended game that relies upon the player’s creativity to build her own world and solve problems along her journey. The game’s virtual world is made of cubes of materials – grass, dirt, sand, bricks, lava, and many others. Players survive and earn accomplishments by using these blocks to create other materials, structures, and any three-dimensional form.

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