If you’ve called or stopped by the studio lately, perhaps you’ve met one of our newest team members, Erin Stephenson. Erin has her hand in many pots here these days, doing everything from writing, to graphic design, to closely monitoring our organic cotton crops. Her ability to seamlessly handle multiple projects makes her an excellent fit here at Alabama Chanin – since all of us have to pitch in to keep the place running, frocks sewn, and fabrics shipped.
I met Erin at a lecture at nearby Athens State University. She’d recently returned to Athens, Alabama, from New York, where she was working after studying Architecture at Cooper Union. Erin says that, while she was living in New York, a friend attending school at the Fashion Institute of Technology showed her one of our books – and she was shocked and proud to find that the author was from her own community.
The lecture in Athens was on a rainy day, and while I believe many people stayed home because of the rain, at the last minute Erin decided to attend. Something about her story and personality urged me to invite her to an upcoming Weekend Workshop at The Factory. She took the workshop, was very quiet, watched, listened, learned, and we went our separate ways.
About the same time, without my knowing, Erin started a blog, just to keep a journal of things that she was interested in, things that she made and cooked, and general “life in the south.” She wanted to find a way to explore, rediscover, and document this place where she grew up. She took up sewing as a hobby, making many of our projects. She says it was very therapeutic and calming to stitch and make.
I was driving through the desert of New Mexico en route to Taos talking about our cotton. I can’t remember a summer as scorchingly hot as this one–and there were some hot ones in the late 60s and early 70s. In the last weeks, temperatures have consistently been over 100. If we have a few more summers like this one, our landscape might morph into something more like the desert. While a desert can be a beautiful landscape, it is much different from our home here in Alabama.
Once home to Tee Jays Manufacturing Co., the industrial park where our studio – which we call ‘The Factory’- is located, is also home to many other manufacturers and distributors. Often it has been written that our community collapsed under the weight of NAFTA and the departing textile industry; however, that simply isn’t true. There are many strong companies that still find their homes here in this park on the edge of Florence and one, especially relevant to the upcoming 4th of July celebrations, is TNT Fireworks.
As Independence Day approaches, TNT’s Tommy Glasco took time from his busy schedule to talk about the company and their work. Founded in the late 1950s by Charles Anderson, TNT evolved from a former company called Alabama Sparkler. Anderson, founder of a successful book and magazine business, was seeking to sell seasonal products as a way of expanding his business. Fireworks were a successful fit. Over the years, TNT has become the largest distributor of consumer fireworks in the nation, possibly the world; however, they continue to maintain strong local roots.
I’ve always been a little obsessed with parades. I scoured the internet trying to find out where parades originated, or why. What I’ve found is this: nobody knows. There are cave drawings from over ten thousand years ago that depict prehistoric men marching wild game home to cook in a wild and celebratory manner. Perhaps it is human nature – a group of people with a common cause just tend to rally around one another and rejoice.
When you think about the concept of people, musicians, floats, horses, waving pageant queens – it seems as though one would be overwhelmed at having every sense stimulated all at once. But, I’m not.
Last Friday, before we left for New York for an inspiring week of MAKESHIFT, we received wonderful news: the cotton seed had been planted. The week before, Jimmy, K.P., and I met early in the morning at the site of the cotton field, prepared to spend the day planting. However, the soil needed to be broken up more finely in order to allow the planter to properly cover the seed. This set us back a few days, but after another day of plowing to break the soil, Jimmy was finally ready to plant.
We left off two weeks ago in search of a two-row planter that will help get our cottonseed in the ground. Fortunately, we were able to find one locally. The planter’s shovels have been adjusted. The soil has been finely chopped. There have been conference calls between the field, the Factory office, and Kelly’s office in Texas. More thanks to Kelly Pepper.
Upon receiving our soil test results, we are determining the proper nutrients needed and the best organic fertilizers for the field. Staff at Auburn University has been helpful answering questions, and we’ve had the chance to learn more about the organic certification process through a local advisor.
Last month, we introduced Jessamyn, a new contributor to this blog. Sharing the story of the Triangle Shirtwaist Factory fires cast a sad light on the history of labor laws in the U.S; however, she showed us how to find better joys in fashion, ecology, and ethics. She has since written about the meaning of D.I.Y.
This week, in a conversation between Jessamyn and Rosanne Cash—another dear friend and colleague—Rosanne shares sentimental stories on the garments that occupy her life and closet.
Please welcome back Jessamyn – and Rosanne - part of the growing heart and soul of Alabama Chanin.
Rosanne and Jessamyn will also be participating in MAKESHIFT: SHIFTING THOUGHTS ON DESIGN, FASHION, COMMUNITY, CRAFT & DIY. Visit here to learn more about MAKESHIFT and its participants.
Yesterday, a well awaited package was delivered to the Factory: organic, or “black” cottonseed, as I’ve learned it is called. In our effort to grow organic cotton, we’ve taken a step-by-step approach. We started with the seed, and now we move on to the land. We are learning as we go, and taking every experience to heart.
The search for seed began and taught us some of the important facts of organic cotton and cottonseed. Organizations like Textile Exchange and Texas Organic Cotton Marketing Cooperative lent their support and gave us direction in our search for non-GMO, non-treated cottonseed. In our conversation with Lynda Grose at Sustainable Cotton Project, Lynda shared her thoughts on organic, sustainable textiles, and the importance of knowing and working with your local farmers.
Thanks to Ari Weinzweig at Zingerman’s, I have been working on a “Vision of Greatness” for Alabama Chanin over the last few months (well, closer to a year to be more exact). However, over the last few weeks, I feel that I made real progress and worked out a growth chart and mission statement that is a good fit for both me and for our staff (more on that soon). Part of our Alabama Chanin growth mission includes committing ourselves to education on all levels and to finding even more ways to give back to our community.
Last month, we found a company – just around the corner from our own factory – who is doing just that.
Last week, as we started to learn about organic cottonseed, we discovered that there are significant challenges associated with seed supply. Our conversation began with industry leaders, as we had our fair share of questions. This week we continue our discussion on the process of growing organic cotton in an interview with Lynda Grose.
Lynda has been involved with sustainable fashion and textiles since 1995 when she co-founded ESPRIT’s ecollection, which was the first ecologically responsible clothing line developed by a major corporation. Lynda currently serves as assistant professor in CCA’s Fashion Design Program and works with the Sustainable Cotton Project in California, and many more businesses and non-profits.
Lynda Grose, an inspired activist and friend for years – a part of the heart and soul of Alabama Chanin. Continue reading