Phillip March Jones is an artist, photographer, and author of the photo essay book, Points of Departure. He runs the non-profit gallery, venue, and publishing house, Institute193 in Lexington, Kentucky, and curates shows in the U.S. and Europe for various artists, including Lina Tharsing’s recent exhibit of new paintings at Poem 88 in Atlanta, Georgia. He’s also a regular contributor to the Alabama Chanin Journal.
Phillip joined the global MAKESHIFT conversation about the intersection of fashion, food, music, design, craft, and DIY by crafting the above MAKESHIFT tote for the Image Quilt. The tote is hand-drawn in acrylic ink (and is one of our favorites).
At Alabama Chanin, we believe in living and creating a sustainable life – beginning conversations like MAKESHIFT, contributing in every way we can to the Slow Design movement, growing and reusing existing cotton, whenever possible. In our continuing efforts to become a better company and commit to ecological sustainability, Alabama Chanin now ships UPS packages using carbon neutral shipping.
Carbon neutral means that a person or a company reduces carbon dioxide emissions to counter balance emissions made elsewhere. In the case of our shipping method, UPS calculates the carbon impact each transported Alabama Chanin package has on the environment. Then, on behalf of Alabama Chanin, UPS purchases a carbon offset for an emission reduction project somewhere else in the world, like the Garcia River Forestry in California.
When your next order ships from our studio, know that you are supporting carbon neutral efforts, offsetting your carbon footprint, and helping us to build a sustainable environment for work and life.
We use stencils in many of our designs. Most often employed as a pattern to follow when adding elaborate embroidery, beading, and appliqué, we also love the simplicity of a stenciled pattern on a basic silhouette.
This DIY Stencil T-shirt focuses on the simple beauty that emerges when you combine just the right pattern, stencil, and colors. The techniques used are easy for both the beginning and the advanced sewer to master. This design is our classic T-shirt Top. Here we used the sleeveless version, but you could use any sleeve length, depending on your personal style and taste.
Newsletter #9 announces our upcoming Studio Style DIY Handmade Holiday and the addition of Daily Journal updates to our mailing list.
Read about our recent DIY projects on the Journal, shop our long sleeve Basics for the cooler months, and view our upcoming Events.
Join our mailing list to receive our Monthly Newsletter, or update your mailing subscription to include the newsletter (and our new Daily Journal) here.
xoNatalie and all of us @ Alabama Chanin
Ben Sollee recording in the Mosquito Hut. Prospect, Kentucky. 2013. Photo:PMJ
Ben Sollee spent a few days this past summer trying to capture the songs and sounds that influence his life and music. The makeshift recording studio, a small house nestled in a hollow near Prospect, Kentucky, provided the backdrop for the project, a covers record, including songs by Arthur Russell, Otis Redding, Paul Simon, Harry Belafonte, The Zombies, Howard Finster, Bill Monroe, Fiona Apple, Tom Waits, and Gillian Welch. Screened porches, hallways, decks, and living rooms lend their own particular character to the recordings, and the hollow’s voice can be heard throughout: bugs chirp, birds whistle, water flows, and the wind blows. More collaborators than background, the house and hollow provide the listener with a rich audial scenery and shape Sollee’s voice and cello as he seeks to capture his own versions of the songs that have shaped his development as a musician and songwriter.
The Mosquito Hut. Prospect, Kentucky. 2013. Photo: PMJ
October’s Desktop of the Month highlights the detail of a herringbone embroidery stitch along the rib binding of our Basic Tank Dress, featured on page 69 of Alabama Studio Style. The herringbone stitch is an impressive stitch because of the variation created by the small slanted stitches and it has appeared often in our collections. As with all embroidery stitches, the herringbone stitch takes time and patience to perfect (especially when working within the 5/8” space of a rib binding, along the curved edge of a neckline or armhole).
A parallel whipstitch, seen in the photo on our open-felled seams, is another alternative to the herringbone when attaching the binding. You will find other decorative stitches which can be used for bindings and open-felled seams on page 71 of Alabama Studio Style and look to Elegant Stitches by Judith Baker Montano for a wealth of alternatives for both simple and more elaborate embroidery stitches.
This hi-resolution photograph, for use as your computer desktop background, is now available to download from our Resources page.
The photograph above highlights one of the many options available when creating a Custom DIY Kit. There are hundreds of options to choose from, including fabric, colors, thread, stencil, embroidery or treatment, and garment or item. View our Alabama Chanin Custom DIY Guide for ideas to create your own project. Click here to design your own Custom DIY Kit.
OUR DESIGN CHOICES
Garment – Tank Dress from Alabama Studio Style
Fabric weight – 100% organic medium-weight cotton jersey
Fabric color – Faded Leaves
Thread – Slate #26
Rib binding (or stretch) stitch – Herringbone
Seams – Open-felled on right side
Our finished Alabama Chanin garments, made from 100% organic cotton jersey, are beautiful when worn as unembellished Basics; however, through the years, most of our designs have highlighted the incredible number of stencil patterns in our growing library. These stencils are the cornerstone of both our design process and our business model.
From page 10 of Alabama Studio Sewing + Design:
We use stencils as tools to transfer decorative patterns onto projects like dresses, skirts, and pillows. The stenciled patterns are then used by our artisans as guides for positioning embroidery and beading. Because the stencils so effectively guide the design, our artisans don’t need to work in our studio. Rather, they can work independently as individual business owners when and where they want, scheduling their work time as they like.
Abbie’s Flower All-over Stencil
We frequently talk about the heirloom aspect of our hand-made clothing, the timeless design and lasting quality that allows for an Alabama Chanin garment to be worn for years and, in some cases, passed along to a younger family member. While we know this to be true, we don’t often have the opportunity to witness a specific garment change and evolve over time. Perhaps a perfect example: my daughter, Maggie has been wearing the above dress for five years (and counting).
The dress was made for her, cut from an oliver + s pattern, when she was a curly headed, cherub faced two year old. Made with our organic cotton jersey in Butter and Natural, the dress has been through about a million washes and worn on too many occasions to count. It’s been stained, ripped, appliquéd (to cover the rips), and dyed blue (to cover the stains). No longer a dress but a summer top, she will not give it up.
The Bolero is a popular item for those of us in Alabama, as spring and fall temperatures (and in some years, mid-winter) can swing from 50 degrees to 80 degrees in the course of one day. It is an easy piece to toss into your bag on the way out the door and an effortless way to accessorize your look in any weather.
We shared the pattern for this garment in Alabama Studio Sewing + Design, with four variations of how it might be constructed: sleeveless, with cap sleeves, short sleeves, and long, fluted sleeves. It can be completed quickly, regardless of your chosen style, and requires only 1 yard of fabric or so. Imagine our surprise, and disappointment, when some readers reported that their Boleros weren’t coming together as expected, that the pattern was a little bit off. Errata déjà vu.