On a recent outing scavenging local thrift and antique stores, I stumbled upon a set of children’s encyclopedias, titled Childcraft: The How and Why Library. Although an incomplete collection, the books were in good shape and decently priced so I happily acquired the lot. (I am a known collector—hoarder, lover, gatherer—of books.)
While modern encyclopedias have existed for around three centuries, the first set aimed at children (aptly titled the Children’s Encyclopaedia) appeared in the early 1900s. The Childcraft books were first published in the 1930s, with updated versions produced throughout subsequent decades. The editions I found were copyrighted 1976, and I was particularly intrigued by the volume titled Make and Do, which is full of simple, kid-friendly crafts, including sewing projects aimed to make learning (and doing) fun.
Here at Alabama Chanin, we continue to be drawn to the distinct and historical Dust-to-Digital catalog. Dust-to-Digital is a unique recording company that serves to combine rare recordings with historical images and descriptive texts, resulting in cultural artifacts. We have previously written about several of their collections that resonate so well with our brand. We believe in preserving traditions, and Dust-to-Digital truly speaks to that with their historically rich albums.
I Belong to this Band: 85 Years of Sacred Harp Recordings is a moving glimpse into the history of Sacred Harp singing and its deep Southern ties. Compiled by Matt Hinton and Lance Ledbetter, this CD features 30 recordings as varied as the earliest recordings of the genre from the 1920s, 30s and 40s. It also includes a pleasant mix of home recordings made by small groups of singers in the 1950s as well as contemporary recordings of all-day singings.
Join us this Monday at The Factory for the second lecture in our conversation series: On Design. Last month, Natalie spoke on the Bauhaus and the creative process. This month the conversation continues with a lecture about Charles and Ray Eames, husband and wife designers, and mid-century design. We’ve been finding inspiration from the timeless furniture, interior, and design details featured in Mid-Century Modern, by friend Bradley Quinn.
On Design is part of our ongoing Makeshift conversation about design, art, business, community, and much more. As one of our educational initiatives, the lecture series falls under the umbrella of The School of Making, a new arm of the Alabama Chanin Family of Businesses. We continue working to give The School of Making an active voice in our local community, our state, and the making community, at large. We hope you will join the conversation. Open-to-the-public with limited seating, the cost includes admission, participation, and a cup of The Factory blend coffee, a cold drink, or tea. Registration required.
On Design: The Eames + Mid-Century Design
Makeshift multimedia presentation by Natalie Chanin
November 10, 2014 10:30am – 11:30am
The Factory @ Alabama Chanin
462 Lane Drive, Florence, Alabama
Open-to-the-Public with Limited Seating
Registration Required $7.00
Look for more information on this and other upcoming Makeshift events on our Journal and/or join our mailing list.
I’ve never met Roderick Kiracofe, but, I’ve known about his quilt collection for a long time. I believe that I heard his name shortly after I returned to Alabama over a decade ago. In those early days, I was working with quilters to create the garments that would make up my first collections. My neighbors supported my interest in quilts and quilting, happy that I was embracing a skill so highly valued in the community. Back then, it wasn’t uncommon for me to open my door in the morning and find a bag of quilts left by an anonymous soul. They were often “garbage quilts”, as they are called around here—quilts that had seen better days. Many were shedding handpicked cotton through feed-sack fabric, worn so thin that the strings left couldn’t contain the internal batting. They were quilts that had been used to cover animals or as seat padding for an old car. But someone knew that I would see their value and appreciate their history.
Join us this Thursday evening, November 6th, from 5:30 to 7:30 pm in Austin, Texas, for a reception celebrating our Alabama Chanin pop-up shop inside the Billy Reid store at 1122 West 6th Street. The Austin store features our Heath + Alabama Chanin collaboration, Alabama Chanin Essentials, alongside our hand-dyed Indigo, books, and more.
For more information, contact: austin (at) billyreid.com, sales (at) alabamachanin.com, or call, +1.512.354.1884.
See you there,
Flags or Fences
Shreveport, Louisiana; Lexington, Kentucky; Atlanta, Georgia; Nashville, Tennessee; Austin, Texas; Jackson, Mississippi; Birmingham, Alabama; Corbin, Kentucky; Knoxville, Tennessee; Oxford, Mississippi; or The Shoals, Alabama.
No matter where Phillip March Jones finds himself, he takes photographs of the extraordinary ordinary, the peculiar still life: unusual signs, unfinished fence projects, garden rails, giant farm animals, and confusing natural anomalies.
The photos here—part of his Pictures Take You Places series—were captured last month in and around The Shoals.
Check out his recently released book: Pictures Take You Places
To celebrate the opening of our pop-up shop in Austin, Texas, we’ve updated our Essentials with new classics and long-time favorites. In collaboration with Billy Reid,the opening reception is this Thursday, November 6, 2014, from 5:30 – 7:30. The store opens with regular hours Friday, November 7, 2014, and is a permanent fixture at Billy Reid’s Austin location through January 31, 2015.
Visit us here: Billy Reid, 1122 West 6th Street in Austin, Texas, or contact austin (at) billyreid.com for more information.
STORE HOURS: MONDAY–FRIDAY 10–7, SATURDAY 10–7, SUNDAY 12–6
And visit our Essentials page to shop our all-time favorite pieces and accessories online.
P.S.: Shop our new favorite shoes at Billy Reid online.
The Swatch of the Month for November highlights one of my all time favorite designs, Climbing Daisy. The technique uses ribbon embroidery, which beautifully adds dimension and detail to projects and garments. The concept is simple: we use cotton ribbon rather than thread or embroidery floss to stitch the design. This technique can be applied to almost any of our stencil designs and combined with any of our stitching practices.
To create the swatch, begin by stenciling the design to the top layer of fabric using your transfer method of choice. (The Climbing Daisy stencil is available for download from our Resources page.)
Stitch the larger petal shapes using 100% cotton tape and a large-eyed embroidery needle. (Note: over the years, we’ve found that upholstery needles with a large eye also work quite well with this technique.)
After the larger petals are stitched, create French knots (see page 75 of Alabama Studio Sewing + Design) with the cotton tape at the center of the petal shapes, as well as along the stems.
Next, stem-stitch (see page 85 of Alabama Studio Sewing + Design) long, curving stems using the embroidery floss. Repeat this process until you have stitched each of your stenciled shapes.
As I’ve mentioned before, writing a book is no easy feat. It involves months (often years) of planning, drafting, edits, new designs, reviews, rewrites, photo shoots, patternmaking…basically, equal parts labor and love. So, I honestly surprised myself when I agreed to write another one. While still a work in progress, the end is in sight, and I’m proud to officially announce Alabama Chanin’s upcoming book, Alabama Studio Sewing Patterns. This is the fourth (yes, fourth) book I’ve worked on with my editor (and friend), Melanie Falick, of STC Craft and Abrams.
Around the studio, we’ve been referring to this project as the ‘addendum’, as it acts as a supplement to our Studio Book Series—Alabama Stitch Book, Alabama Studio Style, and Alabama Studio Sewing + Design.
Without fail, the arrival of autumn marks the season of all things pumpkin. From pumpkin bread, to pumpkin scented candles, to my daughter Maggie’s annual visit to The Pumpkin Patch, the pumpkin is an essential part of the seasonal change. Just ask any coffee shop employee who hears the cry for Pumpkin Spice Latte dozens (or hundreds) of times each day. In celebration of Halloween and in the spirit of the autumn season, we thought we would re-share our tribute to all things pumpkin. We have also added links to pumpkin carving tutorials and seasonal recipes.
Pumpkins are a form of squash, native to North America. Over 1.5 billion pounds of pumpkins are produced in America each year. This fruit (and, because it develops from a flower, it is technically a fruit and not a vegetable) is the most common symbol of the fall season and Halloween. Pumpkins are present in our literary and popular culture, making appearances in The Legend of Sleepy Hollow, Peter, Peter Pumpkin Eater, and Cinderella.
The act of carving pumpkins dates back thousands of years to the Celtic festival of Samuin, or Samhain. This festival marked the end of the Celtic year and the beginning of harvest and it was used as a time to honor the dead. Some believed that this was the night when the separation between the worlds of the living and the dead was the thinnest, making it easier to communicate with those on the “other side.” Celts who sought to ward off evil spirits would often light great bonfires to dissuade unfriendly visitors. As Christianity spread, the fires became more contained and were placed inside large gourds or turnips. Families would carve the fruits and vegetables, placing them in their windows and hoping to deter the otherworldly from entering their homes.