September’s Desktop of the Month illustrates the strength of contrasting color choices in a fabric design. Red and blue elements, when placed beside a light, neutral tone, bring a strong focus to the image or pattern – in this case, long-time favorite, Angie’s Fall. Additionally, placing some of the knots on the outside of the design adds a textural element that draws the eye to the embroidered stencil shapes.
This hi-resolution photograph, for use as your computer desktop background, is now available to download from our Resources page.
The photograph above highlights one of the many options available when creating a Custom DIY Kit. There are hundreds of options to choose from, including fabric, colors, thread, stencil, embroidery or treatment, and garment or item. View our Alabama Chanin Custom DIY Guide for ideas to create your own project. Click here to design your own Custom DIY Kit.
OUR DESIGN CHOICES
Fabric – 100% organic medium-weight cotton jersey
Backing layer – Midnight
Top layer – Natural
Stencil – Angie’s Fall
Treatment – Backstitch reverse appliqué
Textile paint – Light Grey
Thread – Red #128
Knots – both outside and inside; outside knots strategically placed for design emphasis
Keeping a Record of It (Harmful Music), 1986, Lonnie Holley, Salvaged phonograph top, phonograph record, animal skull 13 3/4 x 15 3/4 x 9 inches, Courtesy of the Souls Grown Deep Foundation. Photo: Steve Pitkin
Lonnie Holley, at the age of 63, is finally getting his proverbial moment in the sun. The artist’s second album, Keeping A Record of It, was released today by Atlanta’s Dust-to-Digital label, and he is currently touring the US with Deerhunter and Bill Callahan. Earlier this year Holley performed at the Whitney Museum of American Art during the Blues for Smoke exhibition, and a solo-exhibition of his visual work is scheduled to open at the James Fuentes Gallery on September 15 in New York. Holley’s life has not, however, always been this glamorous.
Lonnie Bradley Holley was born on February 10, 1950 in Birmingham, Alabama. From the age of 5, Holley worked various jobs, picking up trash at a drive-in movie theatre, washing dishes, and cooking. He lived in a whiskey house, on the state-fair grounds, and in several foster homes. His early life was chaotic and Holley was never afforded the pleasure of a real childhood.
Holley performing at the Whitney Museum of American Art, New York, NY. Photo: Matt Arnett
It’s hard to believe that summer is almost over. Where did the time go?
Wishing you and all of yours a happy (and healthy) Labor Day weekend!
P.S.: Follow us on Instagram, Facebook, Twitter, and Pinterest.
If any of you are like me, when preparing food, you end up with at least a modest amount of flour, eggs, or whatever you’ve cooked for dinner all over your clothes. (Close family members also know that I am notorious for dropping food, plates, and glasses.) Anyone will acknowledge that this is not a good look when you have visitors over for coffee or dinner. I always keep several aprons on hand for myself or for visitors or little ones who want to help in the kitchen.
We also go through an incredible number of towels in our kitchen. Perhaps I’m messier than I’d like to admit (maybe I can blame that on Maggie). It seems that I always have plenty of dishes that need drying or hands that need wiping. These Tea Towels work perfectly as a napkin or a makeshift bib for messy foods, too. They can be sewn up so quickly that I keep the necessary supplies on hand in case I need a hostess gift.
Kevin Gillespie grew up in Locust Grove, Georgia, outside Atlanta, with nine cousins within five years of age living five hundred feet from each other. While his parents worked, his paternal grandmother watched the kids, cooking three meals a day so the family could always sit and eat together. At age ten, Kevin became interested in cooking and decided his grandmother shouldn’t be the only one feeding the family. The family supported him one hundred percent, even when he turned down a scholarship to the Massachusetts Institute of Technology to attend culinary school at the Art Institute of Atlanta.
Fire in My Belly is a collection of Kevin’s memories and stories on how he came to love food with classic recipes tweaked and made simple for the home cook. Almost every tale focuses on family and the person who introduced him to a new food or way of cooking. There’s an emphasis on fresh, local ingredients, just the way his grandmother always cooked. Nothing is too fancy and every component is easy to find, no matter what part of the country you live in.
Newsletter #8 announces our annual Labor Day sale. Beginning this Thursday, August 29 at midnight CST, take 20% off all your online purchases. Join our mailing list to receive the sale code and stay up-to-date on all our news and events.
It also highlights a new product to our Studio Style DIY store; our Stenciled Fat Eighths are now available in the Anna’s Garden and Paisley designs. We welcome you to visit our Press page to see our features in publications. Stop by our studio for Open Studio Fridays, where we invite you to shop our collection of hand-sewn garments and gifts (take 20% off all in-studio purchases, including special orders) and visit our new machine-manufacturing facility.
Join our mailing list to receive our monthly newsletter, or update your subscription to include the newsletter here.
xoNatalie and all of us @ Alabama Chanin
The Boatneck Top is one of our most popular Basics, with a modest, feminine look that accentuates the neck and collarbone. Hand-stitched using a single layer of our 100% organic medium-weight cotton jersey, (shown here in Black) the top slips on over the head and has narrow shoulder straps. Slightly fitted with darts, a subtle drape through the neckline adds a flirty detail.
Top measures 23” from the shoulder to the bottom edge, with a Cretan stitch finish along the rib. Pair it with any of our Wrap Skirts or your favorite pair of jeans.
Wash gently + Hang to dry. Free shipping. Made in the USA.
Regular price $130
On Sale Today Only for $105
Place your order here.
A “Fat Eighth” is a term well known to many quilters and practiced crafters. For those of you who have never seen or used them, Fat Eighths are bundles of 1/8 yard cuts of fabric often used by quilters to make patchwork patterns. This technique allows makers to create a varied, often colorful quilt that features an array of techniques, shapes, and patterns.
We began offering basic Fat Eighths and Stenciled Fat Eighths in our DIY Store when we learned just how many uses our Studio Book readers were finding for scraps and small pieces of fabric. These fabric squares have uses that stretch far beyond quilting. Readers have related using them as appliqué pieces, shared stories of using the squares to patch holes in well-loved garments, and even reported using scraps as gift wrap. We designed a Quilt of the Month that featured Stenciled Fat Eighths, which was simple, colorful, quite beautiful, and a quick project for both beginning and advanced stitchers.
We have added new options to our selection of Stenciled Fat Eighths: Paisley and Anna’s Garden stenciled squares. In combination with our popular Facets pattern, these options should allow you greater artistic freedom when designing your projects. All Fat Eighths are 9” x 20” and are cut from our 100% organic medium weight cotton jersey. Your stencil selection will be sprayed on each fabric square using our Cream colored textile paint. The bundle contains 25 squares and you can choose from Color Card 1 or 2, or purchase both.
Visit our website for more information on our Stenciled Fat Eighths here.
The Alabama Corset is one of our signature pieces and, over the years, has proven to be the perfect canvas for a wide variety of colorways and techniques. Shown here in Anna’s Garden reverse appliqué, the garment is created by joining two layers of fabric. The top layer is stenciled, then the maker stitches around each of the individual stenciled shapes with thread to create the pattern and join the two layers. After sewing, the inside top layer of each stitched shape is cut away to reveal the backing fabric underneath.
Using our Custom DIY options, you can choose every aspect of a reverse appliqué garment to fit your style and personality. For instance, you can go for a subtle, yet beautiful tone-on-tone approach, as we have shown here. Or, you may choose a high contrast option for your backing and top layers. The Corset shown above is just one example of how you might create your own garment. The technique can be applied to any garment or project and is equally beautiful with bold colors or other neutral tones. View the Custom DIY Guide for more information on your options.
OUR DESIGN CHOICES
Fabric weight – Alabama Chanin 100% organic medium-weight cotton jersey
Backing fabric color – Sand
Top layer color – Sand
Stencil – Anna’s Garden
Embroidery Technique – reverse appliqué (instructions available in Alabama Studio Sewing + Design)
Button Craft thread – Cream #256
Textile paint color – White
Rib embroidery – Cretan stitch
Past & Present is a collection of essays on decorative art history and DIY projects by Design Sponge columnist, Amy Azzarito. Grace Bonney, founder of the very popular Design Sponge website, first met Amy while working on a video project at the New York Public Library. The two became instant friends, as Grace was impressed with Amy’s knowledge and passion for design and the history behind it. Thus the column, Past & Present, was born. In this book, Amy highlights some of her favorite styles in the history of decorative arts and pairs her essays with advice from various designers on creating DIY projects that reflect the eras she writes about.
We chose to create one of the projects, using our 100% organic cotton jersey, to make a Shaker-style hanging lamp.