The Bolero is a popular item for those of us in Alabama, as spring and fall temperatures (and in some years, mid-winter) can swing from 50 degrees to 80 degrees in the course of one day. It is an easy piece to toss into your bag on the way out the door and an effortless way to accessorize your look in any weather.
We shared the pattern for this garment in Alabama Studio Sewing + Design, with four variations of how it might be constructed: sleeveless, with cap sleeves, short sleeves, and long, fluted sleeves. It can be completed quickly, regardless of your chosen style, and requires only 1 yard of fabric or so. Imagine our surprise, and disappointment, when some readers reported that their Boleros weren’t coming together as expected, that the pattern was a little bit off. Errata déjà vu.
I’ve known Heather Ross for almost five years now. We first met in New York, at a show celebrating our collection based on the work of famed Alabama photographer Charles Moore. Heather arrived with my editor, Melanie, and I was bowled over by her beauty AND her spirit. When Alabama Studio Style launched back in 2010, the book went on a wonderful (digital) Blog Tour with a stop by Heather’s blog. The interview that ensued is one of my favorites to date.
Heather Ross is almost universally beloved in the sewing and craft communities. Her designs are whimsical and totally unlike any other options on the bookshelf. She excels when designing and illustrating for textiles and paper, with lines of fabric and stationery; she has also illustrated children’s books and has even worked on a line of surfboards for young girls. She has published a range of books, from the highly popular Weekend Sewing to a children’s book called Crafty Chloe.
We often receive thank you gifts and hand-made cards here at the studio. This enticing stack of books recently arrived from New York, a gift from MAKESHIFT Chair Workshop attendee, Megan Nicolay. Megan works for Workman Publishing, which has put some of our new and old favorite design and cook books on the shelves. Thank you, Megan for this beautiful new library.
Couching is one of the more sculptural techniques that we use to embellish garments at Alabama Chanin. The effect adds a unique texture and visual appeal.
Traditional couching is a very old technique where yarn (or another material) is laid across fabric and sewn into place, creating shapes and patterns. Our process of couching involves stitching cotton jersey ropes to an stenciled base fabric.
This year we’ve traveled to Los Angeles, Berkeley, Ann Arbor, Charleston, Chattanooga, San Francisco, and Woodstock for our One-Day Workshops. Our last One-Day of the year is this Saturday at The Factory in Florence. It’s not too late to register and spend the day with Natalie and the Alabama Chanin team. Registration closes at noon tomorrow.
Saturday, September, 21 2013
9:00 am – 4:00 pm
462 Lane Drive
Florence, AL 35630
Cost includes materials, instruction from the Alabama Chanin team, and locally sourced lunch.
For more information, contact Alabama Chanin: workshops (at) alabamachanin.com or call Olivia at +1.256.760.1090, M-F 8:00 am – 5:00 pm CST.
P.S.: If you can’t make it for our One-Day, we have a few openings left for our Studio Weekend and Studio Week in November – both at The Factory in Florence.
*Photo thanks to Rinne Allen
The Eagle T-Shirt is the second in a new series of Men’s DIY projects, designed in a style that is flattering to both men and women. The Eagle stencil has been in the Alabama Chanin library for several years now. We shared instructions on how to create the stencil and apply it to a basic recycled t-shirt in 2008. (Read more about that here). Since those early years, we’ve designed and created patterns for Alabama Chanin original t-shirts, which you can see on Natalie’s son, Zach, above.
The long sleeve t-shirt is made with our 100% organic cotton jersey and constructed with floating outside seams that add a nuanced detail, emphasizing the hand-stitched quality, though you can make your own design decisions.
It has been over three years since the Deepwater Horizon oil spill devastated the Gulf Coast and, in turn, the livelihoods of many. The Alabama seafood industry was practically devastated, but is rebounding with determination and the support of restaurateurs and loyal customers.
Alabama has 50+ miles of coastline bordering the Gulf of Mexico. Add that to our tidal coastline of bays, creeks, bayous, and rivers that touch the tidewater and the coastline grows to 600+ miles. Because of the salty gulf water, Alabama seafood means fish, shrimp, crab, and oysters. The Alabama Gulf Seafood organization has done a great job connecting Alabama fisherman and oysterman with our state’s chefs and seafood consumers. The beautiful images here are of postcards Alabama Gulf Seafood published (and consequently inspired this post).
Cemetery Shadow, 2012
Contributor Phillip March Jones, introduces us to artist and photographer Lina Tharsing, who currently has an exhibition of her paintings on display at Poem 88 in Atlanta through October 19, 2013.
A few years ago, Walgreens launched a clever promotion for a reusable film camera in a world full of digital devices. The cheap plastic cameras, which retailed for about ten dollars, advertised “free film for life” in big letters. The catch was that you had to have the film processed at Walgreens, but it seemed like an opportunity to Lina Tharsing, a young painter and photographer from Lexington, Kentucky.
Lina Tharsing is best known as a painter but has been making photographs since she was a child. According to Tharsing, “I remember my first roll of film exactly. I was only eleven, and in an effort to amuse a bored child, my mother handed me a camera and told me to go out into the yard and take some pictures. At that moment, my view of the world changed, the lens revealed something my eyes hadn’t seen before. It was the ability to capture a fleeting moment and freeze it forever, to frame a scene.” Tharsing carries a camera with her everywhere she goes in a relentless pursuit of light and a self-described “singular moment where reality and fiction intersect.” She seeks out the brightly lit tree in the middle of a forest or the deep shadow that forms a portal into some other dimension. The resulting images of figures, interiors, suburban scenes, and natural landscapes challenge our perception of truth, offering a composed tension of multiple realities that would otherwise be forever lost.
Portal Light, 2012
Any style connoisseur or budding fashionista has to admit, that even for those who try to keep track of fashion terms and trends, the jargon; vernacular; names of colors; shape; and designers, can be difficult for many to remember. That is where Alex Newman and Zakee Shariff’s Fashion A-Z: An Illustrated Dictionary comes in handy.
We have the miniature version (the book is about as tall as my hand), but the content mirrors the regular volume; this one is simply easier to travel with. The book literally breaks down terms alphabetically and is incredibly detailed. It also includes cultural significance and historical facts for listed items.
Shoals resident, friend, and artist Marisa Keris and her college friend Constance Sepulveda are making beautiful hand-stitched bags and accessories from canvas and Italian leather under the label Scout by Two. Inspired by vintage goods, American style and tradition, the artists combine wood-burned details with simple geometry and natural elements to create original designs with classic styling.
We are excited that Scout by Two is a nominee in the Martha Stewart American Made competition this year. We love the work Marisa and Constance are doing (and proud to see it coming together in our community). Vote for Scout by Two through September 22nd. You can vote every day, up to six times a day. Click here to vote for Scout by Two.
(And look for a future Alabama Chanin + Scout by Two collaboration).
Image courtesy of Scout by Two.