DESIGN: GAEL TOWEY

DESIGN: GAEL TOWEY

I have known many storytellers in my life. Some have a natural and unrehearsed style that feels captivating and immediate; some present new or unfamiliar points of view; others are quite deliberate and thoughtful in approach; all of them are enthralling to me. As a storyteller born into a family of storytellers, I find master storyteller Gael Towey both compelling and inspiring. She has a distinct perspective and is skilled at many things: crafting a storyline, discovering and highlighting the unique qualities of her subjects, eliciting a response from the audience, and designing beautiful visual elements. Her work has informed contemporary visual language in a way we can barely imagine.

I was lucky to be among Gael’s subjects as part of her series of short films about artists called “Portraits in Creativity” www.portraitsincreativity.com (and I especially love her piece on friend and heroine Maira Kalman). Each of her portraits uncover the unique qualities of her subjects and reveal Towey’s fascination with the creative process. For over two years, we have been speaking with Gael about her past, her present, and the creative processes, media, and methods she uses to propel her ideas forward.

Gael was raised in New Jersey and was the oldest of six children. She revealed that, as a child, she was mildly dyslexic and almost flunked the second and third grade because she couldn’t spell; she reversed all her consonants and vowel combinations.  She was drawn to art and studied it enthusiastically through college. “I loved printmaking and accidentally signed up for a class in typography, and I fell in love with it from the first lecture,” Towey says. “I’d never looked at the design of a letter and had not noticed how beautiful they are.” She switched her major to graphic design and graduated from Boston University, College of Fine Arts. Gael said, “I was extraordinarily lucky. I have met so many young people who don’t know what they want to do, but I always knew.  I struggled academically and art was the only thing I was good at… And it’s funny that I wound up working in the publishing business since I had no confidence in my ability to write properly.”

DESIGN: GAEL TOWEYGael worked on the book, In the Russian Stylewith Jacqueline Kennedy Onassis.

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THE FACTORY | THIS WEEK 8.25.2014 – 8.29.2014

THE FACTORY THIS WEEK: 8.25 - 8.29

“Without leaps of imagination or dreaming, we lose the excitement of possibilities. Dreaming, after all is a form of planning.”  – Gloria Steinem

Here is what we have going on this week, Monday, August 25 – Friday, August 29:

STORE
Beginning Friday, shop our annual Labor Day Sale and receive 20% off both in-store and online. Sign up for our mailing list for more details.

While you’re here at The Factory, see “Making Pictures: Three for a Dime”- a collaborative exhibition between Alabama Chanin, artist Maxine Payne, and Phillip March Jones of Institute 193.

Store Hours
Monday – Friday, 9:00am – 5:00pm

TOURS
Stop by any weekday at 2:00pm for a guided tour of our space, including The Factory, the Alabama Chanin production and design studio, and Building 14.

CAFÉ
Join us for lunch at The Factory Café this week and enjoy a new menu every day.

Also, don’t forget to take a look in our new cooler—fully stocked with homemade ready-to-go items like egg salad, pimento cheese, and our roasted tomato soup.

Café Hours
Monday – Friday, 11:00am – 3:00pm
*Lunch service begins at 11:00am, but coffee and snacks are available all day.

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AUGUST PLAYLIST 2014: TIFT MERRITT

TIFT-01

I’ve written many times about my friend and multi-talented musician Tift Merritt. She is a singer/songwriter, guitarist, pianist, and creative spirit. Her podcast The Spark with Tift Merritt is a conversation about integrity and process, and features some of the most creative minds of our age, including Rosanne Cash, Andrew Bird, and Kiki Smith (among others). In addition to managing her solo career, Tift occasionally plays with Andrew Bird and the Hands Of Glory. Although she spends most of her time on the road touring, I occasionally get the chance to catch up with Tift in New York City (her home-base)—as was the case during our Makeshift events.

Her album, Traveling Alone, is a source of constant creative inspiration to me. When we last spoke, Tift graciously agreed to create our playlist for August.  Below, she shares some of her favorite songs.

AC: When did you start playing music?

TM: I started playing music as a little girl with my father.  He taught me to play by ear and I loved listening to him, trying to sing with him, and seeing how happy music made him. I wanted to be a writer for as long as I could remember, so writing songs was a very natural way to bring many things I loved together.

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DIY SWATCH TOTE

DIY-SWATCH-TOTE-(2)

Each month, we invite our fellow stitchers to create a favorite Alabama Chanin pattern, embellishment, or embroidery technique through our Swatch of the Month Club. As a companion to that monthly series, we are also offering DIY projects that you can create with your completed swatches. Past projects include DIY Swatch Pillows, DIY Book Covers, a DIY Clutch, and a DIY Swatch Wrap. This month, we illustrate how to add an embellished pocket to a finished tote bag using August’s Beaded Kristina’s Rose swatch.

SUPPLIES
August’s completed Swatch of the Month (or your favorite swatch of choice)
1 – 1 ¼”-wide strip of fabric, measuring 16” long, cut across the grain, for binding
Alabama Chanin #3 Organic Tote Bag

Basic sewing supplies: needles, embroidery scissors, pins, rotary cutter, ruler, cutting mat

Complete your swatch of choice according to the instructions – or create a swatch using your personal design choices. Alabama Studio Sewing + Design can provide instruction on techniques and embroidery options, if you need additional guidance or inspiration.

DIY-SWATCH-TOTE (5)

Use your iron to press your 1 ¼” binding strip in half, lengthwise, with wrong sides together. Position your swatch horizontally and encase the top edge of the swatch with your binding. Pin or baste the binding strip into place. Whipstitch the raw edge of the binding to your fabric swatch to secure. You may also opt to use a decorative or stretchable stitch, based on your personal design preference.

Lay your tote on a level surface and smooth the fabric to make sure it lies flat and unwrinkled. Center your swatch – with the finished edge on top – in the center of the tote’s face. When positioning the swatch, align the top edge with the opening of the tote. Pin your swatch onto the outside of the tote bag.

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THINK (RE)THINK: THE FACTORY CAFÉ

THINK (RE)THINK: THE FACTORY CAFE

From time-to-time, we write about the business of running a business: about how we make decisions, about how many times decisions just make themselves from lack of decision-making, and about how those decisions sometimes work—and often don’t. The truth of the matter is that running a business (or a life, or a family) is about thinking about something—and then rethinking it again—and then rethinking it again. So it is with our menu at The Factory Café.

In some ways, it’s hard to believe that The Factory—including the store and the café— has only been open since November of 2013. The Factory space feels like such an important part of our studio; in reality, we’ve celebrated our connection to our community over and around our farm tables for less than a year.

In the kitchen, we’ve developed new recipes, presented delicious dishes from award-winning chefs, and celebrated those chefs (and an array of worthy organizations) through our Friends of the Café Dinner Series.

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FRIENDS OF THE CAFÉ, SOUTHERN FOODWAYS, AND ASHLEY CHRISTENSEN

ASHLEY-DINNER-01

Alabama Chanin’s Friends of the Café Piggy Bank Dinner for Southern Foodways Alliance, featuring Ashley Christensen, was a singing success last Thursday. Not only did the ingredients sing on the plate, but our diners have adopted the habit of singing to our featured chefs. This time, Ashley Christensen was serenaded with a round of Happy Birthday after an enthusiastic round of applause for her inventive take on Southern cuisine.

ASHLEY-DINNER-02

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SUSTAINABLE COLLABORATION: HEATH CERAMICS

Alabama Chanin - The Factory Store + Cafe - Photographer Rinne Allen (86)

It’s no secret that we at Alabama Chanin have long been admirers of Heath Ceramics – their work, their approach to responsible manufacturing, and their embrace of beautiful, sustainable design sets them apart from so many companies today. We have also been honored (and excited) to collaborate with them on several projects, including a line of dinnerware, the MAKESHIFT conversations, and most recently, two clocks designed to celebrate the 10 year ownership of the company by friends Cathy Bailey and Robin Petrovic.

Edith Heath originally founded Heath Ceramics in Sausalito, California, in 1948. She was an accomplished ceramist who cared deeply for the craft and believed in the importance of using quality materials. She grew up in rural Iowa during the Great Depression, which made her a natural conservator. In the late 1930s she worked with Bauhaus artist Laszlo Moholy-Nagy, which influenced her design aesthetic. Heath searched constantly to source the right materials and experimented for years to find the best techniques and glazes; she was once quoted as saying that she wanted to use clay that had “character” and “guts”.

Edith’s attempts to adapt her hand-thrown techniques using industrial production methods were met with controversy. She was told that machine-produced items didn’t qualify as “craft,” which prompted her to respond, “The machine doesn’t decide what the shape is going to be; a human being has to decide that… Just because you make it by hand doesn’t make it good, or a work of art.”

Alabama Chanin - The Factory Store + Cafe - Photographer Rinne Allen (63)

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THE FACTORY | THIS WEEK 8.18.2014 – 8.22.2014

THE FACTORY THIS WEEK - FABRIC LIBRARY

“Always keep your eyes open. Keep watching. Because whatever you see can inspire you.” – Grace Coddington

Here is what we have going on this week, Monday, August 18 – Friday, August 22:

STORE
Beginning Tuesday, we will highlight some of our all-time favorite wardrobe essentials. Ranging from basic layering staples to fully embellished statement pieces, these items are easily integrated into any wardrobe—perfect for transitioning to cooler weather.

Store Hours
Monday – Friday, 9:00am – 5:00pm

TOURS
Stop by any weekday at 2:00pm for a guided tour of our space, including The Factory, the Alabama Chanin production and design studio, and Building 14.

CAFÉ
Join us for lunch at The Factory Café this week. Start with one of our new appetizers—like our house made hummus—and continue the experience with one of our signature dishes like our Flatbread of the Day.

Also, don’t forget to take a look in our new cooler—fully stocked with homemade ready-to-go items like egg salad, pimento cheese, and our roasted tomato soup.

Café Hours
Monday – Friday, 11:00am – 3:00pm
*Lunch service begins at 11:00am, but coffee and snacks are available all day.

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THE HEART: JULIEN ARCHER

JULIEN-SKETCHING

I met Julien Archer when he was only sixteen, in his hometown of Richmond, Virginia. I was leading a workshop at the Visual Arts Center there. He was a creative and enterprising sophomore in high school who had already started a screen-printing business (and had designed shirts for the venue where we were holding the event).  A few years later, I was reintroduced to Julien at our first Makeshift event in New York City. He was living there at the time and expressed that he was ready for a change. So, I laughingly replied, “Move to Alabama!”

The two of us kept in touch and, several months later, he attended a Studio Weekend workshop at The Factory with his mother (and sometimes Alabama Chanin Trunk Show hostess). During that weekend, I had dinner with the two of them and offered Julien a three-month apprenticeship here in Alabama. Surprisingly, he accepted and – two years later – he is still here. A prolific member of our design team, he also works as a pattern maker and helps manage operations at Building 14.

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