The Alabama Chanin Gore Skirt is one of our more popular DIY items because it is a simple design that is the perfect canvas for a wide variety of colors, stencils, and embroidery techniques. Shown here in reverse appliqué in our Magdalena design, the skirt sits low on the waist and flares to the hem—creating a beautiful, flowing silhouette.
Using our Custom DIY options, you can choose every aspect of a reverse appliqué garment to fit your style and personality. For instance, you can go for a subtle, yet beautiful tone-on-tone approach, as we have shown here. Or, you may choose a high contrast option for your backing and top layers. The Gore Skirt featured here is just one example of how you might create your own garment.
Last week, we hosted our inaugural “Friends of the Café” Dinner, featuring chef Chris Hastings of Hot and Hot Fish Club. Chris and his team came to The Factory for an evening of superb food, lively conversation, and support for the Alabama Gulf Seafood organization.
As part of our ongoing Heirloom series that focuses on the precious things we treasure – even though they might not be considered valuable by the rest of the world – we continue to tell stories of items that have been passed down through families, from one generation to the next.
Today, we hear from Sara Martin, one of our Journal contributors. She shares a story of her great-grandmother’s butcher knife and how a potential family scandal became a source of family pride.
My great-grandmother, Roxie Mae Hurst, doted on my sister and I when we were born. She passed away when I was quite young, so I don’t have many memories of her. But, my family tells stories of her frequently – of her bold actions, her stoic nature, and her toughness.
She was (somewhat scandalously during that time) married twice. In 1907, at the age of 20, she married the Circuit Court Clerk of Lauderdale County, Alabama. His family was financially well off and his brothers were both respected county judges.
My great-grandmother was not particularly well liked or respected by her first husband’s family. They were well-educated and held substantial wealth and community respect; she was bright and literate, but not formally educated. This caused a cultural and social disconnect in the family that lasted beyond her husband’s lifetime. He died unexpectedly of a stroke in April of 1912.
Your hair is clay,
mine is water, and as we smile
into the camera,
cotton flowers—all gray—
Drape still behind us.
Now, there is no color—
only black and white—
so, after the flash,
we play. You bring
the bottle Caps (Nu-Grape and Dr. Nutt),
and I pull teacher’s chalk
from my gingham pocket.
The sun sets on your side
of the track
that leads somewhere, like the tear
that will happen
across our paper faces.
we couldn’t float bag-boats
down the creek.
hear the train whistle
warning us home.
Nothing comes between
us but the moon
beneath a stippled bough.
Dear, that moon
is full, and when our little heads
tilt on the axis of tomorrow,
its light will open–like a pearled
locket—and spill out
our starlit lullabies,
our Luna in a canning jar,
so many shared biscuits.
Each month, we feature a favorite Alabama Chanin embroidery technique as part of our Swatch of the Month Club. Additionally, we offer suggestions as to how you might put your completed swatches to use. Past month’s project offerings have included the DIY Clutch, DIY Book Covers, and DIY Swatch Pillows. This month – with 6 completed swatches to utilize – we offer instructions on how to construct a Tied Wrap. Our wrap uses our completed swatches from January through June; each reworked using a White/Natural colorway.
6 completed Swatch of the Month panels (or 6 – 10” x 16” cotton jersey fabric swatches of your choice)
1 – 20” x 48” rectangle of cotton jersey fabric, for optional backing layer
2 cotton jersey ropes 18” long (see page 8 of Alabama Studio Sewing + Design)
Basic sewing supplies: scissors, needles, thread, pins, and Alabama Studio Sewing + Design, which includes all necessary instructions for completing swatches and Tied Wrap.
Nothing tastes like summer quite like a fresh, home-grown tomato. In fact, I embark on a tomato sandwich diet each summer. While I’m still patiently waiting for my own garden plants to get ripe enough for picking, I’m enjoying the vegetables from my CSA share each week (and of course, our locally-sourced café ingredients).
Good tomatoes don’t need to be dressed up to be delicious. But, it can be difficult to source really great tomatoes – just another benefit of buying local produce and knowing your farmer. Unfortunately, most tomatoes that you find in chain grocery stores are there because they survived the journey; they were the toughest and able to maintain nice color and shape in transit. Tomatoes bred for shape, color, or endurance don’t always have the best flavor.
Chris Hastings of Hot and Hot Fish Club, whose recipes are featured in our café this month as part of our ongoing chef series, understands that delicious produce offers complex flavors. When you take the time to find quality ingredients, they shine on their own, without too much fuss.
We love these every-day, stylish canvas bags from the Brooklyn, New York and Athens, Georgia-based, sister-owned textile company Hable Construction. Perfect for carrying anything and everything – take your Hable tote bag to the office, gym, airport, or even to the grocery store.
Browse our selection of Hable Construction totes and toiletry bags, alongside our One-of-a-Kind Indigo pieces, here.
Newsletter #17 features our One-of-a-Kind Indigo, a selection of hand-dyed garments. We also have new products like our A. Chanin Racerback Tunic and DIY Pig Apron.
For Father’s Day, we have a selection of gifts for dad, discounted through the week. Our Friends of the Cafe Dinner featuring Chris Hastings this Thursday at The Factory also makes a great Father’s Day present.
For the latest products, events, and stories on our Journal, join our mailing list to receive our monthly newsletter.
Update your mailing subscription to include the newsletter (and Daily Journal) here.
xo Natalie and all of us @ Alabama Chanin
One-of-a-kind Indigo garments
(and Hable Construction bags, too)
Available for a limited time.
We’ve created special, one-of-a-kind dyed and over-dyed garments,
hand dyed here at The Factory in Florence, Alabama.
I have been a fan of the lovely Tift Merritt ever since I first heard her 2002 debut album, Bramble Rose. Since then, I have been lucky enough to meet and work with Tift as part of our MAKESHIFT initiative. One of my heroes, Emmylou Harris, once said that Tift “stood out like a diamond in a coal patch,” and her thoughtful lyrics and melodies prove this to be true time and again.
In 2012, finding herself without a manager or a record deal, the North Carolina native did some soul searching to find out what kind of artist she really wanted to become and came face-to-face with self doubt. I’ve shared before how my own challenges led to moments of real breakthrough and commitment to doing good work – and the admission that no matter how seamless it may seem, the journey is not effortless. Tift told Pop Matters, “Being a good artist is not for the faint of heart…I think you have to ask questions that are scary to ask and you cannot apologize for that and you cannot worry what anyone else thinks about your journey.”