As I mentioned earlier in the week, I live in a house where hearts can be the overriding theme for weeks on end. I find them tucked under plates, randomly lying on the floor, taped to my bedroom door, and, yes, the most beautiful little heart-shaped lips that kiss my face all-over. You haven’t truly lived a Valentine’s Day until you live it with a six-year-old-girl. Forget Hallmark (the modern day creator of Valentine’s Day), the sweetness in-and-around our home makes this hallowed institution look like a 1980’s punk gathering in a dead-end alley.
So, when in Rome… You need a dress to celebrate this favorite of all six-year-old holidays in its crowning glory – hence, A Dress of Hearts.
I get lost in the thousands and thousands of captivating images and creations shared daily on Pinterest. One thing leads to another and before I know it I’m fifteen tabs deep in my web browser…
While pinning to our boards recently, I came across a beautiful food blog – one of many that belongs on our ‘The Kitchen + Other Pleasures’ board.
On said food blog, there is a recipe for Pink Deviled Eggs, vibrant and saturated with a deep pink-purple hue. Perhaps this pin fits better with Reds (Carmine, Rose, and Pink)?
So to continue our theme of all-things-Valentine, we made these Pink Deviled Eggs for our studio lunch (along with some extra homemade fundraiser soup made by Zach for Maggie’s school).
I share a traditional recipe for Deviled Eggs in Alabama Studio Style. While you might not pass this recipe down to your daughters, it was fun to make, look at, and eat.
February’s Desktop of the Month is all about pink (and shades around it). To celebrate the spirit of love, we’ve talked about what the heart symbolizes and what we might want it to mean for 2013: joy, beauty, acceptance, and more. Here, the backstitched reverse appliqué hearts in gray and pink are simply a way to celebrate those sentiments.
Download the Desktop of the Month here.
P.S. Come back Thursday to see our Camisole Dress made in the Hearts pattern.
In his classic tome on two-dimensional design, Wucius Wong indicates that it takes at least three elements for something to be considered repeating. Repeating elements is one of the first theories you learn as a textile designer. I spent an entire semester discussing the theory of words and their meanings in design language. We were all in agreement: for repetition, two isn’t enough. What about over three hundred?
Wucius Wong’s theory is the first thing that comes to mind when I look at these pictures from an exhibition by the artist Francis Alys, showcased at the National Portrait Gallery in London. In room after room, over 300 portraits of Saint Fabiola are displayed: the same woman in the same pose, the same traditional rendition. Repetition – the same image seen over and over again.
The artist has collected these paintings from flea markets and garage sales in his adopted home of Mexico City. Most are painted by amateur artists. All portray the same woman, again, and again, and again. What Alys points out is that, though the images are similar – they all portray this woman, Saint Fabiola, in the same traditional veil, seated in the same pose and with the same background color – each individual image is unique. Each bears the mark of the artist. One may paint her nose with a slant; another may paint her with makeup or a solemn expression. The artists have copied a widely known image, but interpreted through their own eyes. We see repetition, but without absolutely identical images.
The larger art here is in the repetition of the “pattern,” or image. But, Francis Alys is showing us that even copies bear the mark of the creator. Seeing the same image repeated hundreds of times makes for an impressive impact. Viewed as a whole they represent merely a single pattern; viewed more closely, they demonstrate that, even when re-creating someone else’s work of art, the artist’s uniqueness shines through.
*Photos borrowed from California Literary Review.
Follow instructions for the Woven Farm Chairs (or Friendship Chairs) on page 95 of Alabama Studio Style to make your own chair with our Hearts stencil.
Read about our Makeshift 2012 Chair Workshop at Partners & Spade and start a conversation in your own community.
This post published last Wednesday in the midst of technical difficulties that lasted more than a week. We are deeply proud of this collaboration, adore all things Jack Rudy, and want to be sure that everyone gets a chance to meet Brooks up-close (or at least closer). Here we re-publish the story, giving the Pink Gin it’s due. Besides, it’s a good week for everything we (heart):
Since we’re celebrating Valentine’s Day, it’s only natural to throw a cocktail in the mix. And so, in keeping with the season’s color palette, I’m drinking a Pink Gin and Tonic made with Jack Rudy Handmade Tonic.
Alabama Chanin loves Jack Rudy and we have used it in several cocktails, from a rosemary-infused Vodka & Jack Rudy to our Handmade Cocktail made with Tito’s Handmade Vodka. We collaborated with Brooks Reitz, one of the creators of Jack Rudy, to design a hand-stitched 100% organic cotton French Terry bar towel especially for Jack Rudy enthusiasts. Our Jack Rudy-inspired bar towels are available on our website, and you can also choose to bundle them with a bottle of Jack Rudy Handmade Tonic (bring your own gin).
We are pleased to introduce our first-ever Alabama Chanin newsletter. Each month (or so), you can expect updates about our newest designs, events, workshops, design projects, products, and other ideas and people we care deeply about.
You can update your subscription to include the newsletter (and our other offerings) by clicking here.
Let us know what you want and when you want it.
Once there was nothing but paper and pen. Not so long ago (a little over a decade), before the email, the text, the tweet, or the Facebook post, there was simply paper and pen.
Think about how special it feels when you get an actual hand-written note in the mail. When you were a child and wrote that super-secret note to your pen pal, covering the envelope in stickers – think of the pure excitement when a response finally arrived. When I was young and corresponded with friends, summer camp bunk-mates, or cousins, I remember watching as they grew and their handwriting changed: a visual representation that we were getting older. As we moved through junior high and high school, the passing of the note in class became high art. As we got older, silly little love notes were left under car windshield wipers, tucked into coat pockets, left on pillows. Some were sappy, some embarrassing, some beautiful – all with one intent: to express affection.
But, at some point we stopped.
It’s no secret that we (heart) Heath Ceramics. And we are fortunate enough to have one HEATH collaboration under our belt (with a new design coming in May).
Our collaboration plates and dishes are a daily treasure in my home. My daughter sighs, “I want to eat on the star plate this morning.” “Star plate for a star student,” I reply.
HEATH was founded in 1948 by Edith Heath. “She was a talented ceramicist with a great respect for craft and material, and a strong point of view on the product that her company would make — simple, good things for good people.” Over 65 years later, the company is still dedicated to that same simple, functional (and beautiful) line of products.
My friends Cathy and Robin took over in 2003 and will soon be celebrating a decade at the helm of this company with an amazing history.
Dinnerware and tile are staple products under the Heath Ceramics name, but visit their website or store front and you will find an array of merchandise and collaborations in textiles, home accessories, glassware, and more.
Take 15% off the things you love from Alabama Chanin through February 7, 2013*
Enter code LOVESAVE at checkout
(P.S.: Don’t forget to order in time for Valentine’s Day.)
For Valentine gift suggestions and delivery options: call +1.256.760.1090.