I recently read a NYTimes article about the comeback of curvy body shapes among the Y- generation. It seems that an increasing number of women in their 20s and 30s are finding the “calendar girl” silhouette appealing. Along with a curvaceous silhouette, the look includes Betty Page style bangs, swing skirts, and bright red lips.
The classic 50s and 60s pin-ups were before my time. By the time the 70’s arrived, the style of the day had evolved. Pin-ups looked different – beach blondes, tiny waistlines and overly-styled looks were on trend. These were the images that surrounded me when I first began to think about my own definition of beauty and develop my own sense of style. I was an awkward teenager. Growing up with limited resources in our small community, my sense of beauty and style was dictated by Seventeen Magazine. And I don’t remember anyone in my little world that looked like me. I remember my mother—who was a teacher at my school—telling me that none of the little kids looked like me. I had black hair, black eyes, a “foreign” look. In fact, years later a friend of the family looked at my cousin and said “Pam, you have just grown up to be the most beautiful young woman.” Then, as her eyes descended upon me, she exclaimed, “And, Natalie, you are so, so, so EXOTIC.” For a shy and somewhat delicate girl, that felt like the kiss of ugly.
This month’s desktop features our organic cotton jersey fabric with Wet-Paint Stenciling from page 48 of Alabama Studio Style. Using an Angie’s Fall stencil, this distressed, painted version of our Faded Leaves fabric was actually an accident. Often times, the best and most exciting things in life come from accidental meetings, accidental spills, and accidental conversations. This fabric is the same.
This hi-resolution photograph is for use as your computer desktop background and is now available to download from our Resource Downloads.
More and more volunteers continue to visit the field. Bolls are opening by the day. In addition to weeding, we’ve begun harvesting the cotton. In the studio, we are preparing for the quickly approaching Picking Party (and field work day). Look for details soon.
I took a trip out last weekend with my daughter Maggie, my friends the Champagnes and their four kids. In just a couple of hours of laughing, talking, and picking we had a pile that amounted to almost 70 pounds and the funny thing was… it was FUN. As I wrote in an earlier post, it is fun for those of us who know we can leave in a few hours, sit down for breaks as we feel like it, and laugh with our kids while working. There have been times in this county when “cotton work” was very different and we wanted our children to know and understand that. So, the few hours were filled with looking for bugs, talk of seeds and pods, and the life of farming. The kids were amazed to see how much cotton comes from each little boll. Our eight year old friend Joe kept saying, “Look how much was on this one!” and holding up his harvest proudly.
In 2009 and 2010, an exhibition was held at Pratt Institute to help explain the relationship between fashion and sustainability.
For this exhibit (called Ethics + Aesthetics = Sustainable Fashion), curators Francesca Granata and Sarah Scaturro (now Conservator at The Costume Institute at the Metropolitan Museum of Art) displayed garments from our Alabama Chanin Songbirds collection, and also from artists and designers like Susan Cianciolo, Andrea Zittel, Suno, and Bodkin.
Andrea Zittel’s smockshop pattern was included in the “Rethink” portion of the exhibition and provided as a printed pattern at the back of the catalog. From page 36 of the catalog:
A simple double wrap-around garment, the smock as designed by the artist Andrea Zittel, is a versatile and utilitarian garment. For the Smockshop project, it is reworked by a number of artists who reinterpret the original pattern based on their individual skill sets and tastes. In line with Zittel’s motto, “Liberation through Limitations,” the smocks are intended to be worn exclusively for six months, but in an understanding of the idealistic nature of such a practice, the artist is at least hoping “to inspire a more frugal approach to design.” The examples in the exhibition are by the artist Tiprin Follett, who wore her smocks continuously and documented her performance in an interview with Zittel as well as through snapshots.
A Short Note on Wood from Brave Old World: A Practical Guide to Husbandry, or the Fine Art of Looking After Yourself:
Do you have enough dry wood to last through the winter? Should you order some now so that you will have a good dry pile in twelve months’ time? September is the month to make sure that this is sorted out.
As the days grow shorter and the nights become chillier, I find myself craving an evening around the fire. In my family, I am a renowned fire builder. My patience for building fires was nurtured as a child as we built fires at our family camping spot to roast hot dogs and grill hamburgers; at summer camp, a fire pit meant a night of songs and making “best friends forever.” These days, I love building a fire because I know that it means a night of grilling vegetables, toasting friends, great stories – warmth inside and out. I have spent hours with a friend in our community talking about techniques, fireplace designs, and wood.
To safely** make a fire, I recommend gathering the following:
A SAFE PLACE TO START YOUR BURN. Make sure that you are a safe distance from structures, trees and bushes.
A SOURCE OF WATER. Whether a hose, a bucket, or any other vessel, make sure that you have water to put out the fire or to use in case of emergency.
This summer Kristine Vejar, founder of A Verb for Keeping Warm (one of the first stores to sell our fabrics and supplies in a retail setting), began a project that encourages each of us to make 25% of our wardrobe. Simply stated, this means 1 out of every 4 garments in your closet should be handmade- sewn, knitted, crocheted, or constructed in your desired method. I would also include any accessory- hats, necklaces, socks, shoes, and the like.
The project, called the Seam Allowance Project, helps connect those who have the desire to make with a community of sewers, knitters, and other craftspeople within the DIY movement.
A few reasons to pledge to make 25% of your wardrobe:
It’s an ethical choice. You KNOW how your clothes are being made.
It’s an economical choice. You are saving money by making your clothes yourself.
It’s a sustainable choice. You are consuming less because you are buying less.
It’s a creative choice and a beautiful form of self-expression.
There are certain places you must see for yourself to have better understanding of a culture and people.
Through his Kodachrome images, photographer William Christenberry is somehow able to take you to places you’ve never been and give you insight on people you’ve never encountered. He tells beautiful (sometimes forlorn) tales spanning five decades in the rural South. Shot with 35mm Kodachrome slide film, the photographs feature white-clad churches, brick facades, overgrown landscapes, and rusted signage; they focus on rural locations, rather than individuals, but still manage to depict the humanness of the locales.
During the peak of New York Fashion Week, we played host to numerous events, presenting the pieces of our newest collection at meetings and trunk shows all across Manhattan. We had the joy of meeting with customers to showcase our latest pieces and help them design one-of-a-kind garments of their own.
Thanks to the generosity of a few dear friends, new and old, we could not have asked for a better show.
Please take a moment of silence at noon to celebrate #peaceday.
“There can be no sustainable future without a sustainable peace. Sustainable peace must be built on sustainable development.”
Visit here to learn more about the International Day of Peace, and how you can help build a more sustainable future.
Photo Credit: United Nations