Sustainable. Natural. Organic. These are all words that are integral to the Alabama Chanin identity. Our core values compel us to take a holistic approach to our design methods, looking at every aspect, quality, material or person that may play a part in our production process. This way of thinking led us toward using natural dyes on our fabrics. One of the companies that carefully colors our fabrics is Artisan Natural Dyeworks based in Nashville, Tennessee.
Alabama Chanin was originally introduced to the women behind the company by a mutual acquaintance. At the time, the dye company was being run by sisters Alesandra and Sarah. The sisters, both transplants to Nashville, decided to start a business together, but wanted to make sure that it reflected their values, drew from their strengths and interests, and celebrated their deep love for the earth. Though neither sister had any experience with natural dyes (or apparel, or production), they ambitiously decided that establishing a natural dye house would perfectly integrate all of their requirements.
The Olivia Dress is the newest addition to our Indigo + Carmine collection. Designed by (and named for) our Studio Assistant, Olivia, this pull-on dress is hand-stitched and made from our indigo-dyed, organic cotton jersey. Clean lines accentuate the waist and bust line. The right amount of swing in the A-line skirt allows for easy, beautiful movement.
In response to Tuesday’s post on our collaboration with Anna Maria Horner, the designer herself replied with an overly generous, almost embarrassing, thank you.
In return, I am moved with gratitude.
In January, we began a conversation about the intersection of Fashion, Craft, and DIY. That dialogue started with our friends at Vena Cava and progressed to our Makeshift events, and continues with adapting patterns from designers like Anna Sui and Donna Karan (one of my personal favorites that I wear often). This week we extend the conversation with a collaboration and pattern from textile designer Anna Maria Horner.
Below are instructions for Alabama Chanin’s basic version of Anna Maria’s dress pattern in Light Golden and Goldenrod, the newest colors in our hand-dyed, cotton jersey fabric collection. These fabric colors, like our Indigo and Coral, are hand-dyed in Nashville, Tennessee, using the osage orange wood and myrobalan fruit in varying amounts to create variation in shades.
Last week, during a photo shoot at my house for our new Indigo + Carmine pieces, my son Zach took time from his busy day of new fatherhood and running his growing catering company to make us lunch: a simple, delicious pizza piled with tomatoes.
This summer has been hard on my garden. Many of my herbs have simply withered away, and my tomatoes have been scorched in the harsh sun. Between the drought and my absence in travels, I’m surprised (and thankful) I’ve managed to gather a few heirloom tomatoes.
It is so easy to sing the praises of Anna Maria Horner. Our frequent readers know that she has appeared on our blog before and is a friend and inspiration to Alabama Chanin. I adore her personality, a perfect mixture of sweet, sincere charm and biting wit. Her joy for life is irresistible and her prolific work is astounding.
Anna Maria is a designer of beautiful, bright fabrics, along with a host of other accessories, sewing books, and patterns. Her designs feature numerous, delicate flowers, creative shapes, and intertwining lines. In her collections, color is not a foreign concept and patterns are for mix + match. Over the years, she has partnered with more than two dozen manufacturers to design home-wares, gift items, textiles + much more. She is even the new face of Janome, a leader in sewing technology.
A combination of hand and manmade dyes are used for our fabric selection (over 45 colors and growing) at Alabama Chanin. Today we share some information on the natural dye processes, which we use for four of our fabrics: our current Coral and Indigo, Light Golden, and Goldenrod.
Our organic cotton jersey is dyed at two locations in the southeast region: Tumbling Colors in Raleigh, North Carolina, and the Artisan Natural Dyeworks in Nashville, Tennessee. In the Bronx, New York, we dye Indigo with Father Andrew at Goods of Conscience.
Artisan Natural Dyeworks naturally dyes our cotton jersey fabric from the following plants: common madder root to produce Coral, the indigo plant to produce Indigo, and osage orange wood and myrobalan fruit for our Light Golden and Goldenrod fabrics. (More on Artisan Natural Dyeworks this Friday.)
At the close of September, we will be hosting a one-day retreat at the beautiful Hermitage Hotel in Nashville, Tennessee. Join us Saturday, September 29, 2012, for a day full of crafting, laughter, story-telling, and relaxation as we create DIY projects in Alabama Chanin style.
The Hermitage Hotel opened its doors in September 1910 as Nashville’s first million-dollar hotel. Named after Andrew Jackson’s Hermitage estate, the grounds are rich with history and the building is filled with Southern heritage. The hotel, with rooms once advertised as “fireproof, noise-proof, and dustproof, $2.00 and up,” is now one of the top retreats in the state of Tennessee, has been awarded the AAA Five Diamond Award eight years in a row and the Forbes Travel Guide Five Star Award five years in a row.
Our newest pieces from Alabama Chanin arrive today in the form of Indigo and Carmine—mixed to complement classic pieces from our Denim collection. From the Alabama Chanin Sarong to the Fitted Cotton Blazer, these garments are designed for everyday wear. The 100% organic cotton pieces featured in Indigo and Carmine can take you from the office to a night out-without a wardrobe change.
When working on a new collection, part of the design process involves creating fabric swatches in various colorways and patterns, and using an assortment of embellishment techniques. These “samples” help us quickly and sustainably choose the perfect finish for our garments.
I’ve written before about our Sample Block library and swatches as part of a sustainable design practice. Unfortunately, not all created swatches make their way into the final collection and library. Subtle changes might happen in the design process or a color dropped from the line altogether. However, these swatches are all beautiful in their own right. A stunning way to display them (rather than having them collect on my desk) is to incorporate these swatches into a Sampler Block Shawl, modeled after the Sample Block Quilt.
The 10” x 16” dimension is based on the size of the binders we use to store our fabric blocks. You can use any dimension of fabric block you’d prefer by cutting organic cotton jersey to your desired size.