Over the last weeks (and months), we have been introducing our new patterns, stencils, fabric designs, plus patterns from our newest book, Alabama Studio Sewing + Design. Hands-down, our Paisley has been a favorite new design and I was excited to see that EcoSalon even did a feature on this iconic pattern last week. As we just finished a round of world-wide fashion weeks, we witnessed the classic paisley in some new interpretations.
I feel so honored and happy to introduce Jessamyn Hatcher as a new contributor to this blog (soon we will add a face to the name). Jessamyn has been a source of inspiration for me as I continue to learn how to frame the work that is so easy for me to DO, but so difficult for me to EXPLAIN in words. My conversations with Jessamyn have taken place across several states, drinks, emails, and phone calls. I am so excited to expand upon those in-depth conversations here with you—beginning today. Please show a big, hearty, and embracing welcome to Jessamyn—our newest contributor and a part of the growing heart and soul of Alabama Chanin. Continue reading
Next Thursday, as part of Nashville Fashion Week, I will participate an educational panel discussing production issues in fashion. The panels and events for the day have been thoughtfully curated by Nashville Fashion Week and Imogene + Willie.
Visit Imogene + Willie’s blog to learn more about the origin of the educational panels.
Nashville Fashion Week Industry Panels Presented by Imogene + Willie
Frist Center for the Visual Arts
Thursday, March 22, 2012 @ 10:00 am
PRODUCING THE GOODS
The production process and what it takes to source, sew and manufacture fashion in the United States. An emphasis will be placed on the importance of and challenges to keeping production in this country.
WHAT MAKES A BRAND?
The focus, hard work, and thought required to define, build and market a fashion brand. Special emphasis will be placed on the importance of social media and issues concerning propriety.
SOUTHERN FASHION NOW
An exploration of trends, characteristics, and the national and international affect of modern Southern design and designers.
Kristina’s Rose is one of our newest fabric designs and stencil patterns, seen in Alabama Studio Sewing + Design. The undulating circular pattern is reminiscent of the Circle Spiral Applique from page 156 of Alabama Studio Style, but translated using more elegant techniques.
Highlighted in Chapter 8 of Alabama Studio Sewing + Design.: Fabric + Fabric Maps, the Kristina’s Rose fabric (page 126) uses the folded stripe appliqué technique from page 108 of Chapter 7 in combination with the stripe with beaded chain stitch on page 105, and the beaded rosebud stitch from page 79 of Chapter 5 – all worked in loose, undulating circles.
As a child, I ate molasses these ways: drizzled over my biscuits at my grandmother’s table, in Shoofly Pie, barbeque sauce, and baked in fresh gingerbread. As an adult, I’m beginning to notice plenty of restaurants adding this sugar cane syrup to their dishes in glazes and sauces, salad dressings, and many delicious cocktails. I have eaten molasses-rubbed pork tenderloin, a tuna sashimi with pomegranate molasses, and at Blackberry Farm, I had a to-die-for cocktail sweetened with molasses.
Molasses is making a comeback. Like beer, there are modern versions that might be considered “craft” molasses. Today’s molasses is more than a sweet syrup – it’s also a presence in the re-emergence of handmade, small, traditional, and local goods. Continue reading
Our Visiting Artist Series with Faythe Levine – co-author and director of Handmade Nation, is quickly approaching- and we still have a few open spots for the Friday seminar. Register here + find out more information about Faythe on our Workshop Resources page.
Open to all.
Thursday, April 12, 2012 from 7pm-9pm
Anyone Can Craft: An interactive exhibition and open conversation with Faythe Levine. Admission is free.
Friday, April 13, 2012 from 10 am-Noon
Levine will be conducting a seminar, limited to 25 guests. Cost $60.
Join all of us @ Alabama Chanin
462 Lane Drive
Contact us for more information: +1.256.760.1090 or email email@example.com
As we posted last Tuesday, I highly recommend that you start a library to document your design work. As you create your samples, make them the same size so that your (master) pieces can be easily stored. And even if you don’t want to keep the samples for posterity, you can work towards making a Sampler Throw like the one shown above. As we develop our many fabrics, it often happens that a particular sample, as beautiful as it may be, just doesn’t fit neatly into one of our Fabric Swatch Books or collections. That was the case with the swatches that became the basis for this Sampler Throw. You may even find that you want to make the Sampler Throw not as a way of developing different fabric swatches, but just because it’s a beautiful and easy project. Either way, I urge you to explore our stencils, colors, techniques, and stitches to sustain rewarding design experiences.
Shakerag Workshops have been taking place on the campus of St. Andrew’s-Sewanee School for some eight years now. Among the rolling hills of the Cumberland Plateau, Shakerag operates as a community where artists + those eager to learn a craft come together in a creative learning environment. Similar to our sewing workshops, the instructors work closely with students in a full-immersion studio course. This summer, I am eager to travel here with our studio Directress, Diane, to teach sewing, to learn, and explore the Sewanee Hollow.
We will be teaching Open Design: Sewing and Construction during the week of June 17-23, 2012, as part of the second session. This is how I intend to spend my days at Shakerag: coffee + breakfast, sewing, delicious lunch, more sewing, and a relaxing yoga session or a hike on the St. Andrew’s-Sewanee Perimeter Trail. To end the day, a locally-sourced dinner- featuring adapted recipes from A New Turn in the South- followed by enrichment + faculty artist’s lectures. And of course, Hugh Acheson’s lecture, Wednesday evening, June 20, 2012, is a welcome interruption in the schedule. Continue reading
Organic cotton is the heart of Alabama Chanin. It binds all aspects of the company: sustainability, fashion, DIY, and craft. All of our garments- couture or DIY- are made with these naturally grown fibers. We have examined the influence cotton has had on our community. We have thought about its global impact. We have voiced our concerns.
I have spent countless hours contemplating major business decisions because I feel it is vital to my own ethical truths and the philosophy of our company to buy and sell only organic cotton. But, we have our own supply chain issues that affect commitment to organic cotton (more to come on this very soon). Continue reading
Whether you plan to purchase a DIY KIT or make a garment from the Alabama Studio Book Series, we suggest that you keep a set of our medium-weight organic cotton color cards on hand. The cards show you what our fabric colors look like in person so that you can choose the exact shades that are right for your projects. They also make it easier to choose corresponding thread, notions, and bead colors.
I keep a set of color cards for inspiration and to mix and match my materials before starting a design project. With 50 colors of organic cotton jersey and special jacquard fabrics to choose from even the most seasoned designer can benefit from a visual aide.