John Bielenberg and his work with PieLab aren’t new to Alabama Chanin, or our blog. We were curious what John has been up to, so we caught up with him between his travels to learn more about Project M, PieLab, and recent goings on in Greensboro, Alabama.
We also got our hands on a delicious recipe from the pop-up café, PieLab, for our Wednesday Recipes.
Their Tart Apple Pie with White Cheddar Crust has a beautiful lattice top that looks like the pies I ate growing up. Combining the tartness of the apples with the savory of the white cheddar makes for a fabulous slice of pie. If only it weren’t a three hour drive down to Greensboro to get a slice. Recipe then Q&A with John to follow:
For the past few weeks, my mind has been on the subject of ‘craft’ even more than usual as I continue to work on MAKESHIFT: SHIFTING THOUGHTS ON DESIGN, FASHION, COMMUNITY, CRAFT & DIY- a series of events, discussions, and workshops held during ICFF New York Design Week.
How appropriate it is to have received this beautifully hand-printed postcard from our friends at Rural Studio.
For more information visit www.ruralstudio.org.
We hope to see you @ The Factory this Friday and Saturday for our Open House + Mother’s Day Market.
The Open House includes a sample sale with the perfect selection of garments and gifts, Two-Hour Workshops with our Studio Team, and lots of laughter and stories.
Friday, May 4, 2012
Noon – 5 pm
Saturday, May 5, 2012
10 am – 4 pm
462 Lane Drive
Florence, AL 35630
We have a few spots left for our Two-Hour Workshops. Make it a day with Mom, or anyone you love by registering for a session on our Workshops page.
Light beverages will be served.
We had such an amazing west coast journey.
The words above, found in the bathroom at PNCA + OCAC, say it all.
I especially love the short paragraph at the bottom:
“Helvetica, one of the world’s most ubiquitous typefaces was released in the same year as the publication of this essay. It was chosen to juxtapose the modern and the pastoral.”
I think that E.B. White would agree.
Thank you to William Rueck for allowing me to share his work.
And thank you to everyone who came out to see us in California and Oregon. It was unforgettable.
Last month, we introduced Jessamyn, a new contributor to this blog. Sharing the story of the Triangle Shirtwaist Factory fires cast a sad light on the history of labor laws in the U.S; however, she showed us how to find better joys in fashion, ecology, and ethics. She has since written about the meaning of D.I.Y.
This week, in a conversation between Jessamyn and Rosanne Cash—another dear friend and colleague—Rosanne shares sentimental stories on the garments that occupy her life and closet.
Please welcome back Jessamyn – and Rosanne - part of the growing heart and soul of Alabama Chanin.
Rosanne and Jessamyn will also be participating in MAKESHIFT: SHIFTING THOUGHTS ON DESIGN, FASHION, COMMUNITY, CRAFT & DIY. Visit here to learn more about MAKESHIFT and its participants.
As we continue to explore the design elements that make up Alabama Studio Sewing + Design, we look at the simple, but incredibly beautiful Spiral pattern. This pattern is reminiscent of both our Circle Applique and Kristina’s Rose treatments, but this particular design stands out largely due to its use for an entirely new application- Alabama Fur. It is often said that you have to see and touch our garments to fully appreciate them, and the countless knots and tails that follow this classic curve usually illicit the most response.
For me, the warmer, sunny days of spring mean patio lounging and a cold, crisp beverage. It’s during this season that beer spikes in popularity in my house, becoming my libation of choice. But cracking a cold one doesn’t necessarily mean simply turning up the bottle or emptying its contents into a cold mug. On the contrary, beer cocktails are excellent thirst quenching alternatives to other mixed drinks. They offer a refreshing effervescence and lower alcohol content, perfect for springtime afternoon sipping. Below you will find our take on some classic beer cocktails and styles. Beer purists may wish to read no further.
Spending the past couple of days in the San Francisco Bay Area, I’ve seen firsthand the “making” spirit that defines the unique culture and character of life here. Alabama Chanin feels very connected to–and inspired by the creativity, craftsmanship, quality, and local manufacturing in this community.
Watch Monocle’s video which highlights some of the craftsmen and advocates that are pushing the maker movement ahead: SFMade, New Resource Bank, and HEATH Ceramics.
From Make, Do, Change:
“ …that creativity is very strongly back to appreciating good craftsmanship and quality in physical objects, and the idea that making products and working with your hands is something to be respected…”
-Robin Petravic, of HEATH Ceramics.
Yesterday, a well awaited package was delivered to the Factory: organic, or “black” cottonseed, as I’ve learned it is called. In our effort to grow organic cotton, we’ve taken a step-by-step approach. We started with the seed, and now we move on to the land. We are learning as we go, and taking every experience to heart.
The search for seed began and taught us some of the important facts of organic cotton and cottonseed. Organizations like Textile Exchange and Texas Organic Cotton Marketing Cooperative lent their support and gave us direction in our search for non-GMO, non-treated cottonseed. In our conversation with Lynda Grose at Sustainable Cotton Project, Lynda shared her thoughts on organic, sustainable textiles, and the importance of knowing and working with your local farmers.
Thanks to everyone who came out for our Visiting Artist Series with Faythe Levine. It proved to be a fantastic evening of crafting, conversation, and Old-Fashioneds.
In addition to the interactive crafting that ensued, Faythe held a seminar where she lectured on ‘Craftivism’, her work and travels (examples include urban camping in Detroit and a boathouse community on the Mississippi River), and how to build your business. The audience consisted of spinners, musicians, teachers, artists, gardeners, knitters, quilters, and makers of all kinds. The open conversation allowed everyone in the group to share their successes, ideas, struggles, and journeys both inside and outside of the creative “industry.”