In 2009 and 2010, an exhibition was held at Pratt Institute to help explain the relationship between fashion and sustainability.
For this exhibit (called Ethics + Aesthetics = Sustainable Fashion), curators Francesca Granata and Sarah Scaturro (now Conservator at The Costume Institute at the Metropolitan Museum of Art) displayed garments from our Alabama Chanin Songbirds collection, and also from artists and designers like Susan Cianciolo, Andrea Zittel, Suno, and Bodkin.
Andrea Zittel’s smockshop pattern was included in the “Rethink” portion of the exhibition and provided as a printed pattern at the back of the catalog. From page 36 of the catalog:
A simple double wrap-around garment, the smock as designed by the artist Andrea Zittel, is a versatile and utilitarian garment. For the Smockshop project, it is reworked by a number of artists who reinterpret the original pattern based on their individual skill sets and tastes. In line with Zittel’s motto, “Liberation through Limitations,” the smocks are intended to be worn exclusively for six months, but in an understanding of the idealistic nature of such a practice, the artist is at least hoping “to inspire a more frugal approach to design.” The examples in the exhibition are by the artist Tiprin Follett, who wore her smocks continuously and documented her performance in an interview with Zittel as well as through snapshots.
A Short Note on Wood from Brave Old World: A Practical Guide to Husbandry, or the Fine Art of Looking After Yourself:
Do you have enough dry wood to last through the winter? Should you order some now so that you will have a good dry pile in twelve months’ time? September is the month to make sure that this is sorted out.
There are certain places you must see for yourself to have better understanding of a culture and people.
Through his Kodachrome images, photographer William Christenberry is somehow able to take you to places you’ve never been and give you insight on people you’ve never encountered. He tells beautiful (sometimes forlorn) tales spanning five decades in the rural South. Shot with 35mm Kodachrome slide film, the photographs feature white-clad churches, brick facades, overgrown landscapes, and rusted signage; they focus on rural locations, rather than individuals, but still manage to depict the humanness of the locales.
With the introduction of the Firefox Book Series on Monday, we began our two week discussion of modern homesteading.
Modern homesteading sounds like an oxymoron; I prefer to think of it as a simple lifestyle adapted to contemporary times. Technology has made leaps and bounds since the 1970s when the Firefox series was written. We do and make things differently now, but often times seek the very same outcome. We have traded in the act (art) of “making” in order to, well, “make” our lives easier. On Monday, we shared an article on Facebook that further discusses (criticizes?) the modern DIY movement.
Apple Butter, like most food, is a good example of this shift from making a product in the traditional way to producing in a more convenient manner. Apple Butter was a staple in my home growing up and my daughter has a new-found love of the spread.
I live in a small house. By big city standards (and the Small House Movement), my 1800 square feet might be considered huge. But, by the standards of my community our home is relatively small. Regardless of the size, my home is perfect for me and my daughter, Maggie, the occasional evening babysitting for my new granddaughter, and a rotating cast of overnight guests.
However, earlier this year, where it once seemed the perfect size, my little house began to seem small. It felt that we were bursting at the seams; my life felt disorganized and it seemed I could never keep up with the constant tasks of washing clothes, feeding our (75 pound and growing) poodle, and the endless dishes to be washed. So, I started cleaning house. This process is still going on today and is executed with the ”William Morris Test”: “Have nothing in your house that you do not know to be useful, or believe to be beautiful.”
In 1972, I gave my father a first edition of The Foxfire Book as a Christmas present. It came from the local bookstore on Court Street in downtown Florence, where now the Billy Reid store serves as a fashion anchor for our little town. It was common in those days for us kids to be dropped off “downtown” and picked up hours later after we had eaten Trowbridge’s ice cream and spent our hard saved allowances on all sorts of treasures.
I remember that holiday season clearly. Perhaps it was the first year I was allowed to shop by on my own? I would have just turned 11 – laughing, whispering, and scheming with my best friend Wendy. Standing in the old Anderson’s Bookland that afternoon, The Foxfire Book leapt out at me and seemed the perfect gift for my father who loved country life, all things Native American, and working with wood.
A helpful resource for your sewing box or design studio. The book categorizes many types of needles: bodkins, embroidery, quilting, sharps, and more.
Every summer in our part of the world is hot, so hot that you barely want to move. And this summer seems particularly, endlessly hot. By the end of August, we will all be looking forward to the coolness that comes with fall. Until then, Maggie and I are cooling off with afternoon dips in the pool, ice cream treats from our local shops, and recipes from People’s Pops: 55 Recipes for Ice Pops, Shave Ice, and Boozy Pops from Brooklyn’s Coolest Pop Shop - which can be compared to eating lightly sweetened, frozen fruit on a stick.
My friend Nathalie Jordi and her partners at People’s Pops started making their incredibly popular ice pops in Brooklyn, New York, during the summer of 2008. From their website, “We transform local, sustainably grown fruits and herbs into creative, delicious hand-made ice pops and shaved ice…” Check out their blog here.
Luckily for us, their book, the self titled People’s Pops, was released at the beginning of this summer season. Fitting their commitment to local, sustainable community, the recipes are organized by season, which makes it easy to select ingredients from the farmer’s market or right from the garden.
The book is a delight to the senses, filled with simple recipes using common popsicle ingredients like strawberries or cherries, and not-so-common ingredients like cucumber and violet, or honeydew and ginger. Jennifer May’s beautify photographs capture the popsicles’ textures and colors, and some of the many people who enjoy them. Reading through, it is hard to decide on which recipe to make first.
“Sustainability is the forerunner of greater diversity and choice, not less.”
- Paul Hawken
In the book Fashion & Sustainability: Design for Change, our friends Kate Fletcher and Lynda Grose tackle the issue of sustainability in the fashion world. Within its pages you will discover practices that have the potential to transform the fashion system for the better. From framework to production to design practices, Kate and Lynda break down the topics that matter when it comes to the design process of the fashion industry.
Their work challenges designers and manufacturers to consider their practices and the impact they have on the environment. Reduce, re-use, and recycle are words we hear often, but this book offers real ways to integrate those words into daily practices. Not only that, it shares how to do so with little cost or interruption to the manufacturing or creative processes; you might even say it enhances these processes by challenging creators to explore new methods and materials.
From Eye Magazine:
H: So, what are you thinking right now (aside from ‘what an idiotic question’)? Is there anything at this moment, or this day, that makes you want to go out and make art?
K: I was out walking the dear dog (who is a sweet meal ticket – two books about him, one New Yorker cover and a back page) and I saw 500 things that made me want to make art. I ran into a father taking two kids to school. The girls were wearing green skirts and orange rain boots and one of them had a ponytail and was carrying a pink book and was pigeon-toed. Then I saw a man wearing a bowler hat with a feather and he was wearing an eye mask like Zorro made out of a twenty-dollar bill and I thought, ‘There is a God. Thank you, whoever is showing me this.’