Long-time friend and artist Jack Sanders is also an architect, filmmaker, and baseball enthusiast. He is the founder of Design Build Adventure, a full-service “design, build, and adventure company” that focuses on collaboration.
I first met Jack when he was a student of Samuel “Sambo” Mockbee of the Rural Studio. I sent him a box of t-shirts (which he never returned) in the hopes that I could convince Rural Studio to come up to Florence and build us a production facility. (It turns out that work outside of the Black Belt wasn’t possible.) But Jack (then known as “Jay”) and I remained friends. Years later, he co-produced a feature-length documentary on Sambo, called Citizen Architect: Samuel Mockbee and the Spirit of the Rural Studio which won many accolades.
As you may remember, our MAKESHIFT initiative asks the questions: How do we define and transform the intersection of fashion, food, design, craft + DIY through innovation and collaboration for the better good? How can varied disciplines work together as one?
Alabama Chanin recently partnered with our friend Gina Locklear of Little River Sock Mill (and Zkano) to create a line of Made in the USA, organic cotton socks as part of our new collection.
We’ve written before about the textile and manufacturing history of the Shoals, and our current strides towards revitalizing manufacturing within our community (and beyond). Florence was once known as the T-shirt Capital of The World, and another northern Alabama town—Fort Payne (home to Little River Sock Mill)—held the title of Sock Capital of The World. We are proud to launch this line of Alabama-manufactured organic cotton socks, alongside the machine-manufactured line A. Chanin.
Recently, Building 14, our new Design + Manufacturing Services division, produced the Grist in collaboration with our friends at Billy Reid. This raglan style men’s t-shirt is made with our 100% organic cotton and features an antique button snap pocket.
Read more about our team, the manufacturing collaboration, and Building 14 on the Billy Reid Journal.
Purchase the Grist from Billy Reid here.
Photos courtesy of Bradley Dean.
With the launch of our new collection, we have also launched a lookbook online, with the aim to share our design inspirations and (hopefully) inspire your own look and style.
View our look book to see how A. Chanin seamlessly integrates with our new Alabama Chanin collection, discover interpretations of Three for a Dime and Disfarmer-style looks, and get a close-up look at fabric details and garment designs.
Lance and Evelyn Massengill
In 2008, Maxine Payne, an Arkansas-based artist, self-published a book of photographs titled Making Pictures: Three For A Dime. She catalogued the work of the Massengill family who worked from 1937 to 1941 as itinerant photographers in rural Arkansas documenting farmers, young couples, babies, and anyone else who had a few minutes and an extra dime to spend. The Massengills’ photos provided candid snapshots of the rural South just before the Second World War. Through her efforts, Maxine Payne has given new life to these old photographs by coordinating exhibitions and projects, including a forthcoming book by the Atlanta-based publisher Dust-to-Digital and a collaboration with Alabama Chanin on our new collection. We asked Maxine to describe her connection to the Massengill family and her involvement with Three For A Dime:
Sun Young Park, a freelance illustrator living in New York, is an integral part of the Alabama Chanin team. If you own Alabama Studio Sewing + Design or have ever browsed our Studio Style DIY Custom DIY Guide, then you’ve seen the beautiful sketches of our garments, illustrated by Sun. I met Sun several years ago by accident through a mutual friend, which resulted in an impromptu breakfast at The Breslin, April Bloomfield’s restaurant at the ACE Hotel in New York City. I was immediately taken by her enthusiasm and had been looking for a new illustrator for my books. Our chance meeting was good fortune.
Sun creates illustrations for a variety of projects, including April Bloomfield’s new book, A Girl and Her Pig: Recipes and Stories, and Gertie’s Book for Better Sewing. We love Sun’s illustrations, doodles, and drawings and recently were able to chat with her about her beginnings in illustration, inspirations, artistic process, and desire to create.
Phillip March Jones is an artist, photographer, and author of the photo essay book, Points of Departure. He runs the non-profit gallery, venue, and publishing house, Institute193 in Lexington, Kentucky, and curates shows in the U.S. and Europe for various artists, including Lina Tharsing’s recent exhibit of new paintings at Poem 88 in Atlanta, Georgia. He’s also a regular contributor to the Alabama Chanin Journal.
Phillip joined the global MAKESHIFT conversation about the intersection of fashion, food, music, design, craft, and DIY by crafting the above MAKESHIFT tote for the Image Quilt. The tote is hand-drawn in acrylic ink (and is one of our favorites).
Shoals resident, friend, and artist Marisa Keris and her college friend Constance Sepulveda are making beautiful hand-stitched bags and accessories from canvas and Italian leather under the label Scout by Two. Inspired by vintage goods, American style and tradition, the artists combine wood-burned details with simple geometry and natural elements to create original designs with classic styling.
We are excited that Scout by Two is a nominee in the Martha Stewart American Made competition this year. We love the work Marisa and Constance are doing (and proud to see it coming together in our community). Vote for Scout by Two through September 22nd. You can vote every day, up to six times a day. Click here to vote for Scout by Two.
(And look for a future Alabama Chanin + Scout by Two collaboration).
Image courtesy of Scout by Two.
A physical place can be filled with such meaning. Just think of your hometown; do you have recollections of your favorite spot? Or maybe you couldn’t wait to get away and that feeling is still palpable. Returning to places that I have lived before, I have a sense memory of how to get around and I associate feelings and memories with specific locations. In a city as large as Manhattan, the sheer number of these feelings and remembrances must be infinite, many times the number of inhabitants.
As we head to Manhattan this week with our newest collection, this conversation feels especially interesting. Our own personal map of the city, marked with new clients and boutiques, will guide us as we write another chapter into the Alabama Chanin story.
In 2007, Becky Cooper became interested in locations and maps after studying Italo Calvino’s Invisible Cities and she was inspired by an internship with non-profit organization CultureNOW, where she worked to map Manhattan’s public art spaces. She told the New York Times, “I’m really bad at geography. But I think it helped me to see maps more as a biography.”
Last October, we held a One-Day Workshop in Atlanta, Georgia. DIY Kits for the workshop had been cut, packaged, and shipped days before the event, but they never arrived in Atlanta, lost in transit. This was a workshop crisis. However, this particular workshop turned out to be one of our best to date. In a beautiful expression of communal crafting, twelve people collaborated to create two Alabama Chanin Swing Skirts from the only kits I happened to carry with me. While we were initially disappointed over the lost box, we soon learned of the people in the Northeast who lost lives and homes as Hurricane Sandy beat down on the New Jersey and New York shores. We didn’t know how lucky we were.