In a couple of weeks, I’ll be heading up to Chattanooga, Tennessee for an Alabama Chanin One-Day Workshop, a trunk show, and an exhibit of BBQ’ed Dresses. Yes, we put a few of our handmade garments into the smoker.
Last fall, for the Southern Foodways Alliance 15th Annual Symposium, we BBQ’ed a few Alabama Chanin dresses, with the help of Nick Pihakis from Jim ‘N Nick’s Bar-B-Q in Birmingham, Alabama. John T. Edge was the impetus for the project, asking us to design some BBQ inspired garments that eventually hung proudly alongside Landon Nordeman’s stunning photographs of pit masters and their tools. It is going to be great to see the BBQ inspired collection hang again later this month at Warehouse Row in Chattanooga as part of Crafted by Southern Hands.
A couple months ago, we launched a line of cocktail napkins made with our 100% organic cotton jersey and printed with the Alabama Chanin logo. We also shared a new favorite cocktail: our version of a Maiden’s Blush. Friend Brooks Reitz of the Jack Rudy Cocktail Co. sent us some of his small batch grenadine, which set off a quiet frenzy of cocktail experiments and creations around the studio. We work hard, and we like our rewards.
Our latest grenadine-inspired libation is the Alabama Sour (with a Sunrise flare). It’s a twist on the classic New York Sour Bon Appetít shared in April 2013. The classic recipe calls for an ounce of red wine floated atop the whiskey sour. We opted for Brooks’ sweet, yet tart, pomegranate-based grenadine instead of wine. Grenadine is denser than whiskey, causing it to settle on the bottom of the glass, hence the vibrant red, sunrise effect. Over ice, it’s a perfect early-summer evening quaff. We love it.
Earlier this year, we featured artist, friend, and collaborator, Anna Maria Horner. As that week came to a close, we were inspired by Anna Maria’s elaborate needlepoint projects and decided we would experiment with more involved embroidery techniques ourselves. For our first project, the Embroidered Flowers T-shirt, we mixed traditional embroidery stitch work with retro patterns using modern silhouettes. We adapted a vintage McCall’s pattern for the floral embroidery design and used the Alabama Chanin T-shirt pattern as the base. The result was relatively simple to complete.
For this project, our Garden Geometry Skirt, inspired by Anna Maria’s pattern of the same name (and available in Anna Maria’s Needleworks Notebook), we adapted our Swing Skirt, creating intricate embroidery designs on a larger scale. In her book, Anna Maria writes, “this is by far the most straightforward approach I have made toward the traditional way of creating a crewel design.” As she also mentions, the pattern lends itself to enlargement and experimentation. The result is a colorful expression of our experimentation. Make your own Garden Geometry Skirt using fabric and thread colors that suit your personal style. There are stitch and pattern diagrams available in Anna Maria’s Needleworks Notebook that can help direct your design.
June’s Desktop of the Month celebrates the idea of collaboration. Alabama Chanin @ Heath Ceramics have worked together to create some beautiful pieces that we have loved and put to good use. But, this pattern, The Camellia, highlights the intersection of design and craftsmanship perfectly; the white glaze shows off the intricate hand-etched floral pattern and the pattern, itself, compliments the curves and shapes of the place settings. You can purchase the available pieces from Heath Ceramics or our online store. Or, download this desktop image to brighten your workspace.
This hi-resolution photograph, for use as your computer desktop background, is now available to download from our Resource Downloads.
The music industry as we once knew it has been forced to evolve rapidly in recent years, as technology has grown faster than established business models. Major record labels struggle to maintain control of the radio waves, music sales, artist development, and our ears; meanwhile, established artists like Radiohead and Beck have embraced the Internet, a one-time enemy to record sales, by offering their work at pay-what-you-want prices, or occasionally for free. Other artists, like Jack White with Third Man Records, have taken control of the entire creative process by starting their own indie record labels, effectively surpassing the gatekeepers of yesterday.
Ben Tanner of Alabama Shakes and The Bear, John Paul White of the Civil Wars (DIY band of 2012), and financial advisor, Shoals native, and friend Will Trapp, are bringing some of that anti-Old Guard attitude to our community with their indie label, Single Lock Records. The Shoals has a rich music history, thanks to Rick Hall, Muscle Shoals Sound, and many others who helped establish the recording industry here during the 1960’s and 70’s. Hall’s FAME Studios, with its talented roster of studio musicians, attracted diverse recording artists, including Aretha Franklin, Wilson Pickett, Cher, Paul Simon, and even the Osmonds. Some of these artists created their best work here. Later, Muscle Shoals Sound opened, recording the Rolling Stones, Traffic, and Bob Dylan, among many others. These days, the music flows OUT of the Shoals, not INTO it.
On Sunday, as part of MAKESHIFT 2013, we co-hosted a Chair Workshop, modeled after the MAKESHIFT 2012 workshop, Crafting Design, sponsored by Partners and Spade. This year we teamed up with Build It Green!NYC (BIG!NYC) and Krrb and invited an array of makers to join us for an afternoon of collaboration, innovation, and chair re-design. While our event at The Standard focused on conversation (though there was plenty of making going on as well), the chair event has evolved into a make-centered occasion where a community of designers work both independently and together through skill sharing and mutual encouragement.
The event was held at BIG!NYC’s restore facility in Brooklyn – a warehouse filled with doors, fireplace mantels, sinks, mirrors, tiles and a number of other goods, much of it vintage and antique, acquired through donations and offered at low prices for those looking to save money (and the landfill) in home renovations. Or in the case of friend Kerry Diamond (of Cherry Bombe Magazine) and her chef/partner Robert Newton, the interior of their third and most recent restaurant, Nightingale 9, was designed with salvage bought from BIG!NYC.
“Craft” might seem like it’s for the amateurs, and “fashion” for the auteurs. Yet we live in an age where creativity and innovation are increasingly found in collaborations between makers and users, crafters and designers, designers and manufacturers, and in the loosening of the boundaries between them. – MAKESHIFT 2012
The MAKESHIFT conversation began last year to discover where and how various creative industries can work together as one. The discussion continued last Thursday evening at The Standard, addressing the intersection of industries on the artisan level, where the interchanges occur, and how we can transform those intersections through innovation and collaboration for the greater good.
During New York Design Week, Heath Ceramics is celebrating their 10th anniversary at The Future Perfect, one of our favorite design stores. Friends Cathy Bailey, Robin Petravic, and Adam Silverman chose to celebrate with The Future Perfect for their like-minded dedication to good design, community, and collaboration. The display features ten Heath Ceramics designs, including an Alabama Chanin collaboration, a limited edition New York bowl (also for sale at The Future Perfect), and a wall of post cards representing 10 moments in 10 years that you can take with you.
We are super proud for our Heath collaboration to be represented in the exhibition. Drop by The Future Perfect from 10am to 7pm daily; 11am to 7pm Sunday, at 55 Great Jones Street (between Bowery & Lafayette) through Monday, May 20th.
More on MAKESHIFT 2013 coming soon…
In 1982, Ari Weinzweig and Paul Saginaw opened Zingerman’s Delicatessen in Ann Arbor, Michigan. The deli quickly became Ann Arbor’s premiere specialty foods store. As the business grew to include mail order customers across the country, Paul and Ari were presented with an opportunity to open stores nationwide and follow a traditional franchise business model. What they did instead is a great representation of the philosophies that Alabama Chanin tries to embody. Community, sustainability, and education are at the heart of the Zingerman’s Community of Businesses, which is made up of eight different, semi-autonomous businesses that operate as one organization. Zingerman’s has remained firmly in Ann Arbor, building successful commerce from within the community, by the community, for the community. This year the organization will have annual sales of about $46,000,000 and employs nearly 600 people.
The Zingerman’s Community of Businesses (aka, the ZCoB) includes a bakery, a coffee roaster, a creamery that makes both fresh cheese and gelato, a candy manufactory, and a James Beard award-winning restaurant. ZingTrain, Zingerman’s business training service, offers seminars that share the organization’s approach to leadership, service, open book management, visioning, etc. They offer baking classes at BAKE, their nationally recognized baking school for the home baker. Zingerman’s also runs a publishing house, which publishes several books by Ari, focused on guiding the small business owner. You can find the titles Building a Great Business and Being a Better Leader in our online store. In the spirit of Alabama Chanin, the books were beautifully designed and illustrated by the Zingerman’s team, printed in Ann Arbor on recycled paper and are not available through mass market distribution.
We sat down with Ari Weinzweig to find out more about this unusual and innovative prototype for a new kind of business model.
Two weekends ago, we participated in the inaugural Southern Makers event in Montgomery, Alabama. The one-day affair, curated and created over the last year by Goodwyn, Mills and Cawood, Matter, and E.A.T. South, celebrated Alabama-based makers and designers who focus on producing and transforming modern sustainable products derived from local traditions in architecture, food, fashion, and design. The afternoon included workshops, panel discussions, a maker bazaar, chef tasting booths, live bands, and a wealth of conversations that grew over coffee, delicious food, and locally brewed beer.
The Union Station Train Shed on the Alabama River offered the perfect venue for the 90+ artisans, artists, chefs, musicians, designers, and makers who convened for the day. The set, designed by Bell + Bragg and Southern Accents Architectural Antiques, had a distinctly Southern aesthetic, and was organized by region: Points North; Points Central; Points South. We shared a section of the train shed with friends Butch Anthony, Billy Reid, and artist Audwin McGee. Live bands, including Florence natives, The Pollies, occupied the stage that anchored the north end of the depot, set before the backdrop of windows, a wall of doors, and a constantly occupied swing that hung from the enormous roof.