Our latest Alabama Chanin Collection features two original pieces – The Swing Coat and Layered Dolman Coat – and several classic patterns like the Alabama A-line dress and Long Skirt developed in new colorways and patterns.
Last summer we collaborated with friend and talent Anna Maria Horner on the Little Flowers stencil, which you’ll find on our Little Flowers Swing Coat and Little Flowers Dolman Coat. The Swing Coat, essentially a shorter version of our Long Coat, is fitted through the bodice with a gentle flare at the waist. Made in 100% organic lightweight cotton jersey, the Swing Coat measures 32” from the shoulder and shows off the simple beauty of backstitch reverse appliqué.
We’re not quite in the cocktail business (yet), though we seem to be sneaking behind the bar more and more lately. Our collaboration with Jack Rudy Cocktail Co. brought about the Jack Rudy Bar Towel, which we featured early last month along with the Jack Rudy Small Batch Tonic, both available for purchase on our website.
Last week, our friend Brooks Reitz of Jack Rudy Cocktail Co. sent us a beautiful, hand-written thank you note, along with a bottle of their newest creation – Small Batch Grenadine. Handcrafted in Napa Valley, the grenadine arrived just in time for our latest addition: the Alabama Chanin Cocktail Napkin.
There are a growing number of programs tailored to adults in the workforce who want to advance their careers or earn a degree. These days, it’s not unheard of for someone to earn their bachelor’s or master’s degree online. There are also entirely new platforms emerging, called MOOCs, or massive open online courses. The expectation is that these new platforms for learning are going to change online learning, opening up opportunities to those who thought they’d never have the chance to further their education. While many of these courses offer no credits, the demand for them isn’t waning. People are looking for outlets to learn – simply for the sake of personal growth.
The trend is expanding into fields outside of higher education. Google search or visit YouTube and you will find an incredible number of courses in all imaginable subjects. Some courses are free; others require a fee or subscription. Still, the possibility of learning something – a skill, a subject, a language – all in your living room has a certain appeal to those of us who can’t imagine the thought of sitting in a classroom again. These classes can be taken on your time, fit between loads of laundry or after the kids have gone to bed. This time, it’s perfectly acceptable to go to class in your pajamas.
This post published last Wednesday in the midst of technical difficulties that lasted more than a week. We are deeply proud of this collaboration, adore all things Jack Rudy, and want to be sure that everyone gets a chance to meet Brooks up-close (or at least closer). Here we re-publish the story, giving the Pink Gin it’s due. Besides, it’s a good week for everything we (heart):
Alabama Chanin loves Jack Rudy and we have used it in several cocktails, from a rosemary-infused Vodka & Jack Rudy to our Handmade Cocktail made with Tito’s Handmade Vodka. We collaborated with Brooks Reitz, one of the creators of Jack Rudy, to design a hand-stitched 100% organic cotton French Terry bar towel especially for Jack Rudy enthusiasts. Our Jack Rudy-inspired bar towels are available on our website, and you can also choose to bundle them with a bottle of Jack Rudy Handmade Tonic (bring your own gin).
Our collaboration plates and dishes are a daily treasure in my home. My daughter sighs, “I want to eat on the star plate this morning.” “Star plate for a star student,” I reply.
HEATH was founded in 1948 by Edith Heath. “She was a talented ceramicist with a great respect for craft and material, and a strong point of view on the product that her company would make — simple, good things for good people.” Over 65 years later, the company is still dedicated to that same simple, functional (and beautiful) line of products.
My friends Cathy and Robin took over in 2003 and will soon be celebrating a decade at the helm of this company with an amazing history.
Dinnerware and tile are staple products under the Heath Ceramics name, but visit their website or store front and you will find an array of merchandise and collaborations in textiles, home accessories, glassware, and more.
“Craft” might seem like it’s for the amateurs, and “fashion” for the auteurs. Yet we live in an age where creativity and innovation are increasingly found in collaborations between makers and users, crafters and designers, designers and manufacturers, and in the loosening of the boundaries between them. Open sourcing and the emergence of DIY everything (from apps to dresses to education) are THE design stories of the 21st century.
If the philosophers and economists are right, such stories reflect renewed possibilities for building communities, for growing businesses, and for practicing everyday forms of enchantment, ethics, and sustainability. It is time to expand our way of thinking about the relationship between craft and fashion, between the self-made and the ready-to-wear, between fashion as intellectual property and fashion as an open source. What can we learn from the fields of music, product design, and education? Does a backward glance help us see how fashion was at the forefront of these innovations from the start? What is a Vogue pattern if not an open source? What are les petits mains other than artists?
SHIFTING THOUGHTS ON DESIGN, FASHION, COMMUNITY, CRAFT & DIY
Over the four days of New York Design Week (May 19-22, 2012), Alabama Chanin–in collaboration with its fashion and design partners–is organizing a series of talks, workshops, and gatherings with leaders in the fashion, design, and craft/DIY communities. The events bring together a dynamic combination of industry leaders to explore the ways in which the fashion, art, and design worlds are inextricably linked to the world of craft/DIY and how each of these worlds elevates the others. We look to create an intersection–a meeting point–to explore, discuss, and celebrate the role of local production, handmade, and craft/DIY in fashion and design as a way to empower individuals, businesses, and communities.
It’s the time of year when most of us start to look back at the past year to take stock and plan for the next. As a company, Alabama Chanin is no different. With a lot of help from our friends, we’ve brought the year to a (BIG) close with our first online Garage Sale.
This online event seems indicative of what an amazing year (decade) it has been. We were, quite honestly, bowled over by the outreach of support, excitement, and, well, love for what we do at Alabama Chanin. (We will be doing it again soon. Check our events page for updates and/or join our mailing list to stay in touch.)
Looking back on the whole year, it’s staggering to see just how many projects we’ve tackled, people we’ve met, and journeys we’ve taken – all infused with the same love that we experienced during our Garage Sale. Honestly, I can hardly believe that so many things happened all in one twelve-month span. It’s been 12 (REALLY) good ones.
We can’t thank everyone enough for coming out to the field on Saturday to help pick (and celebrate) our organic cotton. The skies were blue; the fields were alive with eager hands; we were standing in high cotton.
Thank you to Katherine at Eggton for this beautiful film about our day.