Tag Archives: Cotton

PICK 5: A RECIPE FOR CHANGE

PICK 5: A RECIPE FOR CHANGE

I’ve written before about the importance of organic cotton and the residual chemical damage traditional cotton leaves behind in our land and our bodies. As many of you know, we planted and raised our own organic cotton here in Alabama last summer, and every Alabama Chanin product is made with 100% organic cotton. We are a sustainable design company, making as much use of everything we have so that we throw away very, very little. Cotton scraps become pulls for tying hair or curtains, smaller pieces are reworked into something larger. In honor of Earth Day this coming Monday, we’ve taken the EPA Pick 5 challenge to go a little deeper and consider some ways cotton can be reworked into our daily routines.

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NOP AND GOTS

NOP AND GOTS

As readers of our journal, many of you have read about our attempts to grow organic cotton here in Alabama. While researching the process and details of what it means to grow organic cotton, we discovered, to our surprise, that only a small amount of the world’s organic cotton is grown in the United States. We are part of an effort to change that, as are other companies, like Zkano. We must ask the questions – What makes cotton organic? Who makes the rules? And who regulates the whole system?

A food or agricultural product can be labeled as organic, meaning that it was inspected and met the USDA’s established regulations for organic products. Organic products cannot be grown using chemical fertilizers or any type of genetic engineering, among other criteria.  The National Organic Program (NOP) oversees all organic crops, including raw cotton fibers. While food crops and products must meet very rigid requirements to be labeled as organic, the same does not hold true for fibers or the products made with those fibers. While the NOP makes rules and manages the process of certifying cotton fiber as organic, it doesn’t make any rules about what happens to the fiber after it has been harvested.

NOP AND GOTS

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COTTON UPDATE

COTTON UPDATE -  PHOTO BY RINNE ALLEN

It’s been a busy past few months for Alabama Chanin. Shortly after our cotton picking party and field day came our biggest Black Friday sale, then the holidays, our Garage Sale, Craftsy launch, travels to Los Angeles, the Texas Playboys visit to Florence, and much more in between. All the while, we’ve been making headway with our Alabama cotton project.

Almost a year after we planted our cotton seed in the ground, we would like to share another update about our special crop. We are certain many of you – especially those who helped in the field – will be interested in its progress.

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YOU CAN’T FAKE FASHION (PART 2)

YOU CAN'T FAKE FASHION

In 2005, I was inducted into The Council of Fashion Designers of America.  Long before that time (and during my days as a stylist in Europe), I didn’t really know what the CFDA was (or did). However, the organization was founded in 1962 by Eleanor Lambert as a not-for-profit trade organization to support American womenswear, menswear, jewelry, and accessory designers. Today, the CFDA consists of over 400 members across the nation (we have 2 from Alabama). Their mission statement has grown to reflect a desire to “advance artistic and professional standards within the fashion industry, establish and maintain a code of ethics and practices of mutual benefit in professional, public, trade relations, promote and improve understanding and appreciation of the fashion arts through leadership in quality and taste, and to support the overall growth of American fashion as a global industry.”

Some of the programs growing out of this agency include the CFDA/Vogue Fashion Fund for which Alabama Chanin was a finalist in 2009 and which Billy Reid (the other CFDA member in the state of Alabama) won in 2010. Other programs include CFDA Fashion Awards, Made in Midtown, and the great {Fashion Incubator} program, among many others.

YOU CAN'T FAKE FASHION

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MAIDEN’S BLUSH (AND COCKTAIL NAPKINS)

MAIDEN'S BLUSH (AND COCKTAIL NAPKINS)

We’re not quite in the cocktail business (yet), though we seem to be sneaking behind the bar more and more lately. Our collaboration with Jack Rudy Cocktail Co. brought about the Jack Rudy Bar Towel, which we featured early last month along with the Jack Rudy Small Batch Tonic, both available for purchase on our website.

Last week, our friend Brooks Reitz of Jack Rudy Cocktail Co. sent us a beautiful, hand-written thank you note, along with a bottle of their newest creation – Small Batch Grenadine. Handcrafted in Napa Valley, the grenadine arrived just in time for our latest addition: the Alabama Chanin Cocktail Napkin.

MAIDEN'S BLUSH (AND COCKTAIL NAPKINS)

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DIY T-SHIRTS + MODIFICATIONS

DIY T-SHIRT MODIFICATIONS - BODY SHAPES A

Fit is by far one of the hardest subjects to address within the realm of manufacturing. There are just so many different body types that it would be near impossible for one manufacturer to address EVERY type in one product—and often times in one line. The most basic body shapes range from round to pear, petite to lean, and every shape in between. When you start to do the math and include XXS – XXL, you come up with a number of patterns that reaches to the Nth power. When you begin to add categories such as Juniors and Misses, it becomes staggering.

Entire classes in design schools and universities around the world spend semesters working on streamlining and finding solutions for fit issues.  Body scanners can now take perfect measurements of your body and supposedly create a jean that is perfect for your shape.  I find that hard to believe but based on the shape I have carried with me my entire life, I don’t really care for pants that much anyway.

DIY T-SHIRT MODIFICATIONS - BODY SHAPES B

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LIGHTWEIGHT COLOR CARD

LIGHTWEIGHT COLOR CARD

Now, you can keep all 25 of our 100% organic lightweight cotton jersey colors at your fingertips with our Lightweight Organic Cotton Color Card.

Whether you’re selecting colors for a new Alabama Chanin garment or making plans for your next DIY Kit, add our newest color card to your collection for easy reference when making design choices.

For a complete set of Alabama Chanin Color Cards, try our Color Card Sampler – ideal for mixing-and-matching fabric, thread, beads, and other sewing notions.

Learn more about our lightweight cotton jersey here.

 

2012: THE YEAR IN REVIEW

It’s the time of year when most of us start to look back at the past year to take stock and plan for the next. As a company, Alabama Chanin is no different. With a lot of help from our friends, we’ve brought the year to a (BIG) close with our first online Garage Sale.

This online event seems indicative of what an amazing year (decade) it has been. We were, quite honestly, bowled over by the outreach of support, excitement, and, well, love for what we do at Alabama Chanin.  (We will be doing it again soon. Check our events page for updates and/or join our mailing list to stay in touch.)

Looking back on the whole year, it’s staggering to see just how many projects we’ve tackled, people we’ve met, and journeys we’ve taken – all infused with the same love that we experienced during our Garage Sale. Honestly, I can hardly believe that so many things happened all in one twelve-month span. It’s been 12 (REALLY) good ones.

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GIVING THANKS

Those of you who are frequent visitors to our blog may have read about the incredible Tom Hendrix and his beautiful tribute to his great-grandmother, The Wichahpi Commemorative Wall (known around here as simply, The Wall). Tom not only built an incredible monument for his great-grandmother, but he also took the time to tell her story in his book, If the Legends Fade. All proceeds from his book benefit his great-grandmother’s people, the Yuchi Nation.

All of us here at Alabama Chanin spent some days in the last months in a cotton field, picking our organic cotton. The work is difficult, repetitive, and, at the same time beautiful in that it brings out a meditative state. Though I was hot and tired in the field, I felt a stillness much like what I’ve experienced at The Wall.  While cotton is much lighter than stone, I think I understand Tom’s mission in a way I never did before. Slowing down and being conscious of your actions can be a way to honor the past. So often we are swept up in modern convenience that it is almost impossible to appreciate the struggles our ancestors endured.

Tom, his vision, and his actions constantly inspire me. I hope that, like each stone that he places on The Wall, our work is part of something larger. I hope that our efforts create beautiful and sustainable things, while honoring those that came before us.

Many years ago, a Yuchi woman inspired Mr. Hendrix to begin this wall, saying, “One step at a time, one stone at a time. Lay a stone for every step she made…We shall pass this earth. Only the stones will remain.”

Like our ancestors, we, too, shall pass this earth. What will we leave behind?

May we each spend some time today pondering what we are thankful for and what we want to leave behind.

Giving thanks for all of you…
From all of us @ Alabama Chanin