We are deeply honored.
xoNatalie and all of us @ Alabama Chanin
Our continued practice of responsible and sustainable design and production will grow even more now, thanks to the CFDA/Lexus Eco-Fashion Challenge. I am honored to be this year’s recipient of the grand prize of $75,000.
With the award, Alabama Chanin will support our company growth, which includes our machine-made garments under the label A. Chanin, creating jobs, promoting Made in the USA production, and, yes, a new Alabama Chanin collection.
xoNatalie and all of us @ Alabama Chanin
For nearly 25 years, Mike Goodlett has lived and worked in a house near Wilmore, Kentucky, that originally belonged his grandparents. Over the years, he has embellished the house’s interior and even its structure with artwork of his own creation in a sort of visual call and response. Paper flowers bloom from cracks in the ceiling. Doorframes and windows are adorned with carvings. Delicate ballpoint pen-webs emanate from the electric outlets. Accessible only by an overgrown and narrow road, the house and studio are mostly hidden from view.
Phillip March Jones is an artist, photographer, and author of the photo essay book, Points of Departure. He runs the non-profit gallery, venue, and publishing house, Institute193 in Lexington, Kentucky, and curates shows in the U.S. and Europe for various artists, including Lina Tharsing’s recent exhibit of new paintings at Poem 88 in Atlanta, Georgia. He’s also a regular contributor to the Alabama Chanin Journal.
Phillip joined the global MAKESHIFT conversation about the intersection of fashion, food, music, design, craft, and DIY by crafting the above MAKESHIFT tote for the Image Quilt. The tote is hand-drawn in acrylic ink (and is one of our favorites).
We use stencils in many of our designs. Most often employed as a pattern to follow when adding elaborate embroidery, beading, and appliqué, we also love the simplicity of a stenciled pattern on a basic silhouette.
This DIY Stencil T-shirt focuses on the simple beauty that emerges when you combine just the right pattern, stencil, and colors. The techniques used are easy for both the beginning and the advanced sewer to master. This design is our classic T-shirt Top. Here we used the sleeveless version, but you could use any sleeve length, depending on your personal style and taste.
I’ve known Heather Ross for almost five years now. We first met in New York, at a show celebrating our collection based on the work of famed Alabama photographer Charles Moore. Heather arrived with my editor, Melanie, and I was bowled over by her beauty AND her spirit. When Alabama Studio Style launched back in 2010, the book went on a wonderful (digital) Blog Tour with a stop by Heather’s blog. The interview that ensued is one of my favorites to date.
Heather Ross is almost universally beloved in the sewing and craft communities. Her designs are whimsical and totally unlike any other options on the bookshelf. She excels when designing and illustrating for textiles and paper, with lines of fabric and stationery; she has also illustrated children’s books and has even worked on a line of surfboards for young girls. She has published a range of books, from the highly popular Weekend Sewing to a children’s book called Crafty Chloe.
Shoals resident, friend, and artist Marisa Keris and her college friend Constance Sepulveda are making beautiful hand-stitched bags and accessories from canvas and Italian leather under the label Scout by Two. Inspired by vintage goods, American style and tradition, the artists combine wood-burned details with simple geometry and natural elements to create original designs with classic styling.
We are excited that Scout by Two is a nominee in the Martha Stewart American Made competition this year. We love the work Marisa and Constance are doing (and proud to see it coming together in our community). Vote for Scout by Two through September 22nd. You can vote every day, up to six times a day. Click here to vote for Scout by Two.
(And look for a future Alabama Chanin + Scout by Two collaboration).
Image courtesy of Scout by Two.
Fellow designer and neighbor, William “Billy” Reid (“Nobody calls me William,” he says), and his business partners, Katy and K.P. McNeill, have been friends to Alabama Chanin for over a decade. We’ve watched each other grow our businesses and our community. We’ve worked together on countless projects and events over the years, including our favorite and most accomplished to date – growing Alabama cotton last summer.
Billy worked in the design industry for many years, launching his label, Billy Reid, in 2004. In February 2010, Billy was deemed GQ’s “Best New Menswear Designer in America.” In November of that same year, he won the CFDA/Vogue Fashion Fund prize, the first designer to ever receive both prizes in one year. In 2012, Billy received the CFDA’s “Menswear Designer of the Year” award. It is unprecedented for two designers in the same small Alabama town to both be prominent members of the Council of Fashion Designers of America, and we love that it’s Billy with whom we get to share this privilege.
Billy Reid has grown from their initial flagship store here in Florence, Alabama, and showroom in Manhattan, to ten storefronts across the southeast and Texas. His approach to classic American style with a touch of Southern charm extends beyond the clothing. Each Billy Reid space reflects this cultured style, from velvet upholstered antique chairs to the artwork and animal trophies on the walls, to the Persian rugs covering dark hardwood floors. It’s as if you are stepping into Billy’s home.
It is this Southern flair with a classic, modern aesthetic, excellent tailoring, and timeless design that sets Billy Reid apart from other designers. A bon vivant, Billy’s love of good music, good food, and conversation has made him an integral part in supporting and promoting local talent here in The Shoals, from bands to chefs to artists and photographers. Where MAKESHIFT represents shifting ideas on what it means to make and collaborate, Billy represents the core of the movement, intersecting fashion, food, design, craft, and music.
We are honored to have Billy participate in this year’s MAKESHIFT events. His tote for the Image Quilt represents the elements of design, manufacturing, fashion, and craft, each of which are present in his collections, from designing and manufacturing items that can be made responsibly, to using dead stock and non-traditional materials (like nutria fur), to sustaining traditional crafts like leatherworking, both in the United States and in Italy. He demonstrates that a successful business can grow out of an authentic voice and a desire for quality.
You can see Billy Reid’s crafted tote (above) on our MAKESHIFT Conversations Image Quilt.
Yohji Yamamoto has been a hero of mine since I graduated from design school. I once saw him walking down the streets of Milan, Italy, not long after I started working in the New York garment district, and felt that I had made the big time. “Walking on the same street as Yohji Yamamoto?” I thought. It was a momentary highlight in my career that I remember like it was yesterday.
He is known as an avant garde Japanese designer and famous for his intricate designs and impeccable tailoring. He often experiments with different draping methods and varied fabric textures. Yamamoto is also known to integrate wabi sabi, an ever-changing state of beauty, simplicity, and asymmetry, combined with an appreciation for natural elements, into his design aesthetic.
The fashion website Showstudio launched Design Download – “a series demystifying the fashion process by offering prestigious designer garment patterns for download” – with a Yamamoto pattern for a jacket in classic Yamamoto style. He remained mysterious about the process, revealing very little, and challenging the maker to pay close attention to detail, shape, and technique. There is no “how-to,” like you would find with a traditional pattern. Design Download calls this piece a “mystery garment,” telling the reader that the “photographs of the piece hold the visual key to stitching together your own.”
Past & Present is a collection of essays on decorative art history and DIY projects by Design Sponge columnist, Amy Azzarito. Grace Bonney, founder of the very popular Design Sponge website, first met Amy while working on a video project at the New York Public Library. The two became instant friends, as Grace was impressed with Amy’s knowledge and passion for design and the history behind it. Thus the column, Past & Present, was born. In this book, Amy highlights some of her favorite styles in the history of decorative arts and pairs her essays with advice from various designers on creating DIY projects that reflect the eras she writes about.
We chose to create one of the projects, using our 100% organic cotton jersey, to make a Shaker-style hanging lamp.