The July Swatch of the Month demonstrates one of our popular beaded embroidery techniques, the Satin Stars design. This technique is highlighted in Alabama Studio Sewing + Design, where you can view an in-depth fabric map of the embroidery. Use the Satin Stars design to add embellishment using either an allover or placement technique, as it works well in both small and large quantities.
An enlargeable version of this stencil can be found on page 128 of Alabama Studio Sewing + Design or you can download a version from our Resources page. Transfer the stencil to your fabric using the stenciling method of choice.
Begin working the smaller star shapes first. You will fill the “arms” of each small star using a satin stitch, adding one seed bead or chop bead to each stitch. (See page 84 of Alabama Studio Sewing + Design for more information on the satin stitch.) Next, you will work a beaded backstitch – adding one bugle bead to each stitch – around the inner circle of each small star shape. Fill the center circle of the small stars with full chop or seed beading.
We’ve written before about the importance of color – from a cultural standpoint and a design perspective. At Alabama Chanin, we tend to embrace more muted tones for our design color palette. Muted colors have a reduced intensity, so any saturated color stands out in comparison. We are drawn toward natural tones and some of our fabrics are colored with natural dyes to create rich, pure shades of color.
When it comes to individual style, our feelings about color can be personal; a color can make you feel happy or sad, energetic or depressed. Colors can transmit mood, thought, and feeling. When discussing the best way to exhibit the color options for our DIY projects, Olivia – a member of our design team – suggested that we approach the display as an art project. The result of her work, this wrapped canvas, is beautiful, simple, and focuses the viewer’s attention directly on color. Anything else you take from this, like your thoughts on color, is personal.
The Alabama Chanin Gore Skirt is one of our more popular DIY items because it is a simple design that is the perfect canvas for a wide variety of colors, stencils, and embroidery techniques. Shown here in reverse appliqué in our Magdalena design, the skirt sits low on the waist and flares to the hem—creating a beautiful, flowing silhouette.
Using our Custom DIY options, you can choose every aspect of a reverse appliqué garment to fit your style and personality. For instance, you can go for a subtle, yet beautiful tone-on-tone approach, as we have shown here. Or, you may choose a high contrast option for your backing and top layers. The Gore Skirt featured here is just one example of how you might create your own garment.
Each month, we feature a favorite Alabama Chanin embroidery technique as part of our Swatch of the Month Club. Additionally, we offer suggestions as to how you might put your completed swatches to use. Past month’s project offerings have included the DIY Clutch, DIY Book Covers, and DIY Swatch Pillows. This month – with 6 completed swatches to utilize – we offer instructions on how to construct a Tied Wrap. Our wrap uses our completed swatches from January through June; each reworked using a White/Natural colorway.
6 completed Swatch of the Month panels (or 6 – 10” x 16” cotton jersey fabric swatches of your choice)
1 – 20” x 48” rectangle of cotton jersey fabric, for optional backing layer
2 cotton jersey ropes 18” long (see page 8 of Alabama Studio Sewing + Design)
Basic sewing supplies: scissors, needles, thread, pins, and Alabama Studio Sewing + Design, which includes all necessary instructions for completing swatches and Tied Wrap.
We love these every-day, stylish canvas bags from the Brooklyn, New York and Athens, Georgia-based, sister-owned textile company Hable Construction. Perfect for carrying anything and everything – take your Hable tote bag to the office, gym, airport, or even to the grocery store.
Browse our selection of Hable Construction totes and toiletry bags, alongside our One-of-a-Kind Indigo pieces, here.
Two weeks ago, our team left New York feeling excited and energized—and with the conversation at The Standard the night before fresh on our minds. This was the third annual Makeshift, held in New York each spring during Design Week. Over the years the conversation has shifted—but our goal of learning how certain themes cross industries (and how they learn from each other and work together) stays the same.
Makeshift began as a conversation about the intersection of the disciplines of design, craft, art, fashion, and DIY—and, on a bigger level, using this intersection as an agent of change in the world. Since then, we’ve explored making as individuals, and how making as a group can open conversations, build communities, and help us co-design a future that is filled with love and promise—for planet, community, and one another.
MAKESHIFT began three years ago as a conversation about the intersection of the disciplines of design, craft, art, fashion, and DIY—and, on a bigger level, using this intersection as an agent of change in the world. Since then, we’ve explored making as individuals, and how making as a group can open conversations and build communities.
For MAKESHIFT 2014, we have once again partnered with Standard Talks in New York to host the conversation, and will cover a range of topics, including raw materials, craft, fashion, global communities, food, and the act of making. 2014 James Beard award-winning chef Ashley Christensen will also participate in the discussion, helping answer the question: What can design learn from food?
At Alabama Chanin, we have often looked to nature for stencil inspirations. Many of the first stencils I designed when I started embellishing recycled T-shirts were of bugs and animals—what I felt were constant surroundings when I made my return home to Alabama from New York over a decade ago.
Our newest DIY Men’s Kit features the Scorpion stencil, designed by Butch Anthony, on a yoked T-shirt. The yoke cut of the T-shirt helps it stand apart from the standard tee. The design and style fit easily into any man’s wardrobe.
We are in New York City this week for our third year of the MAKESHIFT initiative. MAKESHIFT is, at its core, a conversation about the intersections of fashion, design, craft, and food, and how each discipline can better work together to elevate those principles.Alabama Chanin has set up shop at our friend Lisa Fox’s beautiful East Village store, lf8, for the month of May. lf8 (elevate) is also featuring the work of photographer Mary Ellen Mark, as well as a special performance piece by musician and friend Allison Moorer. Event details are as follows:Store Hours Tuesday – Sunday 12:00pm – 6:00pm Closed Mondayslf8 80 East 7th Street New York, NY 10003The pop-up features works by Mary Ellen Mark, the Alabama Chanin collection, and one-of-a kind, indigo-dyed Alabama Chanin garments and accessories, alongside the lf8 collection. Visit in the afternoons from 2:00pm until 4:00pm through Friday, May 16 to sit with Allison Moorer and sew, talk, sing, and conspire.Continue reading →
The tote bag has almost completely replaced all other sorts of bags in my house. I have different types of bags for different purposes. There are organic canvas totes in a variety of sizes for trips to the grocery store and for holding my laptop and supplies as they are ferried between my home and office, plus smaller bags to keep Maggie’s school supplies and lunch in one place as we travel between home and school. Hers are clearly marked in case they wander off somewhere. I have wicker market baskets to hold large, heavy loads from the farmer’s market and a sizeable leather tote for when I need to carry an arm’s load of items to an event.
The tote bag has been described as the new “purse” by Style.com, Vogue, and the likes. And as the desire for sustainable living increases, the increased usage of the tote bag, particularly in place of plastic shopping bags or other disposable carrier bags, is a more than welcome sight.