We often speak about our home, our state, and our community that provides an incredible amount of inspiration for our work. We are not alone: friend and occasional collaborator, Billy Reid, also headquarters in the same community. It has been mentioned (and is remarkable) that Alabama has the third largest membership in the Council of Fashion Designers of America (CFDA), numbering at two; we rank just behind New York and California. And just as there is a rich history of textile production in our community, there is a somewhat unknown or unrecognized group of designers that have emerged from our home state.
Based on feedback that we have received from some of our DIY customers, we are now offering supplementary instructions in each of our DIY Kits. Each kit will be shipped with an insert that includes basic instructions, including how to “love your thread,” directions on completing basic stitches, simple construction tips, and how to add rib binding to your item. We hope that this will help make completing your DIY project easy and stress-free. As always, complete instructions for projects can be found in the Alabama Studio Book series.
We have recently been highlighting natural dyes and Alabama Chanin’s new dye house, run by our head seamstress, Diane. This project highlights the beautiful new shades of indigo that are emerging from our dye vats, shown here on one of our most popular silhouettes – the Camisole Tank. The tank can be adapted to fit almost any body type and its simple design is well suited for most stencils and embroidery techniques.
The tank is form fitting and features feminine back and necklines. It measures approximately 25” from the shoulder.
The July Swatch of the Month demonstrates one of our popular beaded embroidery techniques, the Satin Stars design. This technique is highlighted in Alabama Studio Sewing + Design, where you can view an in-depth fabric map of the embroidery. Use the Satin Stars design to add embellishment using either an allover or placement technique, as it works well in both small and large quantities.
An enlargeable version of this stencil can be found on page 128 of Alabama Studio Sewing + Design or you can download a version from our Resources page. Transfer the stencil to your fabric using the stenciling method of choice.
Begin working the smaller star shapes first. You will fill the “arms” of each small star using a satin stitch, adding one seed bead or chop bead to each stitch. (See page 84 of Alabama Studio Sewing + Design for more information on the satin stitch.) Next, you will work a beaded backstitch – adding one bugle bead to each stitch – around the inner circle of each small star shape. Fill the center circle of the small stars with full chop or seed beading.
We’ve written before about the importance of color – from a cultural standpoint and a design perspective. At Alabama Chanin, we tend to embrace more muted tones for our design color palette. Muted colors have a reduced intensity, so any saturated color stands out in comparison. We are drawn toward natural tones and some of our fabrics are colored with natural dyes to create rich, pure shades of color.
When it comes to individual style, our feelings about color can be personal; a color can make you feel happy or sad, energetic or depressed. Colors can transmit mood, thought, and feeling. When discussing the best way to exhibit the color options for our DIY projects, Olivia – a member of our design team – suggested that we approach the display as an art project. The result of her work, this wrapped canvas, is beautiful, simple, and focuses the viewer’s attention directly on color. Anything else you take from this, like your thoughts on color, is personal.
The Alabama Chanin Gore Skirt is one of our more popular DIY items because it is a simple design that is the perfect canvas for a wide variety of colors, stencils, and embroidery techniques. Shown here in reverse appliqué in our Magdalena design, the skirt sits low on the waist and flares to the hem—creating a beautiful, flowing silhouette.
Using our Custom DIY options, you can choose every aspect of a reverse appliqué garment to fit your style and personality. For instance, you can go for a subtle, yet beautiful tone-on-tone approach, as we have shown here. Or, you may choose a high contrast option for your backing and top layers. The Gore Skirt featured here is just one example of how you might create your own garment.
Each month, we feature a favorite Alabama Chanin embroidery technique as part of our Swatch of the Month Club. Additionally, we offer suggestions as to how you might put your completed swatches to use. Past month’s project offerings have included the DIY Clutch, DIY Book Covers, and DIY Swatch Pillows. This month – with 6 completed swatches to utilize – we offer instructions on how to construct a Tied Wrap. Our wrap uses our completed swatches from January through June; each reworked using a White/Natural colorway.
6 completed Swatch of the Month panels (or 6 – 10” x 16” cotton jersey fabric swatches of your choice)
1 – 20” x 48” rectangle of cotton jersey fabric, for optional backing layer
2 cotton jersey ropes 18” long (see page 8 of Alabama Studio Sewing + Design)
Basic sewing supplies: scissors, needles, thread, pins, and Alabama Studio Sewing + Design, which includes all necessary instructions for completing swatches and Tied Wrap.
We love these every-day, stylish canvas bags from the Brooklyn, New York and Athens, Georgia-based, sister-owned textile company Hable Construction. Perfect for carrying anything and everything – take your Hable tote bag to the office, gym, airport, or even to the grocery store.
Browse our selection of Hable Construction totes and toiletry bags, alongside our One-of-a-Kind Indigo pieces, here.
Two weeks ago, our team left New York feeling excited and energized—and with the conversation at The Standard the night before fresh on our minds. This was the third annual Makeshift, held in New York each spring during Design Week. Over the years the conversation has shifted—but our goal of learning how certain themes cross industries (and how they learn from each other and work together) stays the same.
Makeshift began as a conversation about the intersection of the disciplines of design, craft, art, fashion, and DIY—and, on a bigger level, using this intersection as an agent of change in the world. Since then, we’ve explored making as individuals, and how making as a group can open conversations, build communities, and help us co-design a future that is filled with love and promise—for planet, community, and one another.
MAKESHIFT began three years ago as a conversation about the intersection of the disciplines of design, craft, art, fashion, and DIY—and, on a bigger level, using this intersection as an agent of change in the world. Since then, we’ve explored making as individuals, and how making as a group can open conversations and build communities.
For MAKESHIFT 2014, we have once again partnered with Standard Talks in New York to host the conversation, and will cover a range of topics, including raw materials, craft, fashion, global communities, food, and the act of making. 2014 James Beard award-winning chef Ashley Christensen will also participate in the discussion, helping answer the question: What can design learn from food?