The October Swatch of the Month highlights one of our most popular embroidery treatments—Alabama Fur. The technique, first presented in Alabama Studio Sewing + Design, combines our Spiral stencil with backstitch-worked embroidery floss, and incorporating exposed knots and tails. Simple, yet time consuming, the end result is a hypnotic continuation of curves that is both a beauty to behold and touch (the texture is irresistible).
To create the swatch, begin by stenciling the design to the top layer of fabric using your transfer method of choice. (The Spirals stencil is available for download from our Resources page.)
Align your top and backing layers of fabric, with right sides up and pin together. Using four strands of embroidery floss (or two strands doubled) thread your needle. When you knot off, use a double knot and make sure to leave a 1” tail of floss (note that this tail is longer than we use when working with Button Craft thread, for effect).
The Swatch of the Month for September continues August’s emphasis on texture as it relates to an overall design perspective. Couching has a sculptural quality and it places significant focus on the stencil or design motif it highlights. This stencil, Anna’s Garden, works well with the couching technique, as it has lots of curved shapes and forms.
Traditional couching is a very old embroidery technique in which yarn is laid across a surface fabric and sewn into place (usually with a satin stitch). While we have used cotton yarn in some of our couching designs, we most often substitute our cotton jersey, cut into strips and pulled to make a smaller version of our cotton jersey pulls. These are more substantial and look beautiful on coats, dresses, pillows – and many other pieces.
Couching is simple in concept, but more difficult in execution. It is difficult, if not impossible, to pin the yarn or rope to the base fabric before stitching it down, so you must use your fingers to turn and shape it into place.
August’s Swatch of the Month combines the beading and ruffle elements we explored in May, June, and July. The stencil, Kristina’s Rose, uses curved lines to create a somewhat abstract floral design. Those curves, when accentuated with beads and appliquéd fabric strips, create a texturally rich fabric treatment. We used three different techniques to create this swatch: folded stripe appliqué, beaded chain stitch appliqué, and beaded rosebud stitch.
Begin by cutting ½” strips of fabric in two colors. The number of strips needed will depend upon the surface area your stencil will cover and the number of shapes you choose to appliqué.
Transfer the design to your fabric using your stenciling method of choice. An enlargeable version of this stencil with accompanying instructions and fabric map are shown on pages 126-127 of Alabama Studio Sewing + Design. You can also download a copy of the Kristina’s Rose stencil from our Resources page.
Select one rose shape to embellish using folded stripe appliqué. To do this, hold together two of your ½” strips (using the two different colors), then randomly fold them back and forth along the line of the stenciled rose shape, while sewing them into place with a beaded straight stitch. Refer to page 108 of Alabama Studio Sewing + Design for detailed instructions and photographs.
The July Swatch of the Month demonstrates one of our popular beaded embroidery techniques, the Satin Stars design. This technique is highlighted in Alabama Studio Sewing + Design, where you can view an in-depth fabric map of the embroidery. Use the Satin Stars design to add embellishment using either an allover or placement technique, as it works well in both small and large quantities.
An enlargeable version of this stencil can be found on page 128 of Alabama Studio Sewing + Design or you can download a version from our Resources page. Transfer the stencil to your fabric using the stenciling method of choice.
Begin working the smaller star shapes first. You will fill the “arms” of each small star using a satin stitch, adding one seed bead or chop bead to each stitch. (See page 84 of Alabama Studio Sewing + Design for more information on the satin stitch.) Next, you will work a beaded backstitch – adding one bugle bead to each stitch – around the inner circle of each small star shape. Fill the center circle of the small stars with full chop or seed beading.
The Swatch of the Month for June combines a number of embroidery techniques into a single design. This stencil, appropriately titled June’s Spring, combines both basic techniques, like backstitch embroidery and appliqué, with more elaborate treatments, like beading and Feather stitch embroidery. The combination of these elements on one swatch results in a lush, rich looking textile.
Detailed instructions for completing the June’s Spring fabric treatment and a fabric map illustration can be found on pages 118-119 of Alabama Studio Sewing + Design. This particular swatch allows you quite a bit of creative freedom, since you decide what elements to embellish and to what degree they will be decorated. We recommend that you make a plan (like the fabric map shown in the book) ahead of time for how you will decorate each element. But, you might think it is more fun to improvise and make decisions as you create. Either approach will undoubtedly result in a beautiful completed swatch.
The Swatch of the Month for May demonstrates our beaded ruffle stripe technique. This is a variation of our random ruffle technique, featured in Alabama Studio Sewing + Design. You can add several rows of ruffles for a more elaborate textural design or use just one if you want to highlight the technique itself.
Detailed instructions on how to apply ruffles can be found on pages 107-108 in Alabama Studio Sewing + Design. To add ruffles to your swatch, you will need to use tailor’s chalk to draw a line (or several lines) on the right side of your top layer fabric. This will be your guide for where to add your ruffles.
To make a ruffle stripe, cut a 1”-wide strip of cotton jersey, sew with a basting stitch down the middle of the strip, then pull on the ends of the basting thread to ruffle, or gather, the strip. Attach the ruffled stripes to your double-layer fabric swatch by first basting them down (along your chalked line) with an all-purpose thread and then securing them with a stretch stitch or another decorative stitch down the center of the ruffle. We used a zigzag chain stitch on our version of the swatch.
For our swatch, we have opted to add chop beads to the stitches securing the ruffle to the base fabric. The beading adds a bit of sparkle, dimension, and detail.
The hi-resolution photograph above of our swatch with the random ruffle, for use as your computer desktop background, is available for download from our Resources page.
The Swatch of the Month for April allows you the opportunity to experiment with a basic, traditional appliqué technique in our Anna’s Garden stencil design. Appliqué is a way of “applying” one fabric on top of another. We use appliqué for many reasons – to add color, texture, dimension, and more elaborate design work to a piece. You can use any number of stitches to appliqué your top design to the bottom fabric. Here, we demonstrate the most common way that we add an appliquéd element to a base fabric: a simple parallel whipstitch.
Detailed instructions on appliqué techniques can be found in Alabama Studio Sewing + Design. Match up each appliqué shape with its correct position as you cut it to avoid creating a complicated puzzle for yourself. Take care to position your appliqué pieces precisely by pinning each cut shape of the stenciled design into place. Then, stitch each appliqué shape to your fabric using a parallel whipstitch, which will attach your appliqué pieces securely.
The hi-resolution photograph of our appliqué swatch, for use as your computer desktop background, is available for download from our Resources page.
Each month, as part of our Swatch of the Month Club, we are demonstrating some of our most popular techniques so that you might try your hand at creating new designs and embroideries. If you join the Swatch of the Month Club, you will receive a ready-to-sew package each month with the supplies needed to make that month’s unique piece. Just provide your own needles, pins, and scissors (or purchase an Essential Sewing Kit from our online store). Techniques and instruction can be found in Alabama Studio Sewing + Design.
The hi-resolution photograph above of March’s featured technique, for use as your computer desktop background, is available from our Resources page.
January’s Swatch of the Month incorporates Alabama Chanin’s basic reverse appliqué technique with our Paisley stencil. Explore our techniques and build your skills with a membership to our Swatch of the Month Club and follow along here on the Journal.
The photograph above shows one of many options you can create when making your own swatch. (This hi-resolution photograph, for use as your computer desktop background, is now available for download from our Resources page.)
Experiment with your swatch. You can work it in reverse appliqué like we did, or use another treatment: negative reverse, backstitched reverse, quilted, or embellish with beaded stitches. Reverse appliqué can be done by beginners and experienced sewers alike and is worked on two layers of fabric: The top layer is stenciled and then stitched to the backing layer; next, part of the top layer is cut away to reveal the backing fabric underneath.
Each kit comes stenciled and ready-to-sew with all of the notions needed to complete the swatch—just provide your own needles, pins, and scissors (or purchase an essential sewing kit). Colorway options include Navy/Black (our design choice), White/Natural, Neutrals, Reds, and Blues. Techniques and instruction can be found in Alabama Studio Sewing + Design.
December’s Desktop of the Month highlights an elaborate modification of a traditional embroidery technique, negative reverse appliqué.
Negative reverse appliqué looks much like traditional appliqué, but is worked slightly differently. Here, we stencil the top layer of fabric, then place it on top of the backing fabric. We then use a straight stitch to attach the top layer of fabric to the bottom layer, and cut away the top layer of fabric, leaving a 1/4” sliver of top-layer fabric beyond the stitching line.