Our classic Short Skirt is great for just about every occasion, including Mother’s Day. Whether you arrange an outing to church, a restaurant, or just a walk in the park, you can make Mom happy by making her something she’ll love.
Currently featured as part of our Mother’s Day Gift Guide, the DIY Check Skirt is the only DIY Kit pattern we currently feature using our Short Fitted Skirt pattern from Alabama Studio Sewing + Design.
This version of the skirt is made using the reverse appliqué technique and is embellished with beaded eyelet details. Instructions for the Short Skirt can be found on pages 60 – 61 of Alabama Studio Sewing + Design. When ordering, please specify your desired top layer and thread color.
Mother’s Day will be upon us soon, and we hope that you are all planning a way to make it a special day. Our freelance editor, Sara, says that her father always got worked up over finding her mother just the right gift. Inevitably, this stress would result in a frantic, last minute decision that wasn’t necessarily the right choice. She says that they still laugh about the year he bought her mother a calculator. (And he still insists that she said she wanted one…) Other years, her father did a much better job; Sara remembers once planting a dogwood tree just outside her mother’s kitchen window.
We appreciate that mothers come in all forms, shapes, and sizes, so this DIY Check Tied Wrap featuring our 2014 Stencil of the Year is a perfect fit for your mother, or grandmother, daughter, or friend. In the morning sunlight, it almost looks like dogwood flowers blooming.
We are offering this DIY Kit as part of our Mother’s Day Gift Guide. Make something for mom – or give her something she will enjoy making for herself.
Our newest men’s DIY Kit features the Check, our 2014 Stencil of the Year. The shirt is shown here worked in reverse appliqué, but there are various ways to work this stencil, including negative reverse appliqué and outside reverse appliqué, along with a variety of other techniques found in the Alabama Chanin Studio Book series.
The body of the shirt is our popular men’s classic T-shirt which has long been a unisex favorite. However, this top can be easily adapted to a women’s T-shirt – pattern and instructions for which are found in Alabama Studio Sewing + Design.
Vogue designer patterns, which are available to all at reasonable prices, are excellent examples of resources contributing to and encouraging the DIY opportunities in modern fashion. The existence and availability of such resources help us to continue our ongoing conversation on Design, Craft, and Fashion and how they intersect.
As part of our ongoing series adapting open-source designer patterns using Alabama Chanin techniques, we selected a dress from DKNY—Donna Karan New York—the mainline label for the Donna Karan brand. I’ve written before about the connection I have with Donna Karan as a designer and we’ve previously featured another of her Vogue patterns as part of this DIY series.
This modern shift dress pattern is flattering on all body types, simple enough for beginners, and can be easily accessorized and embellished. We made both a Basic version, as well as an embellished version, featuring the Check pattern, our Stencil of the Year.
“If you can’t fly then run, if you can’t run then walk, if you can’t walk then crawl, but whatever you do you have to keep moving forward.” –Martin Luther King, Jr.
In continuing our celebration this week of Martin Luther King, Jr. and his philosophy and teachings, we sought to create something sustainable that could share this hopeful message that stemmed from the American Civil Rights Movement.
I have always found this quote inspiring, and have applied its message in my own life time and time again: reminding myself each day that it is just about showing up and doing what you can do—today. It seems appropriate, in this new year of new beginnings, to create a reminder (and testament) to this continued commitment to moving forward. Step by step.
Make this corset by following the instructions from page 144 of Alabama Stitch Book. (The pattern is included on the pattern sheet at the back of the book.) We made our version with medium-weight organic cotton jersey fabric, but it could easily be made using recycled t-shirts, as well. This technique can also be used to embellish other patterns or existing garments with scooped necklines.
We are in the season of giving – giving thanks, giving gifts – but also of making. Perhaps you’re baking a pie, sewing a stocking, or creating a one-of-a-kind garment or handmade item full of personal touches and plenty of love. No matter what you choose to make, handmade items are certainly the best kind of gift to give and to receive.
Designed with the holidays in mind, this DIY Kit for our classic T-Shirt Top, featuring a negative reverse appliqué Paisley pattern, can be completed quickly, but has lots of detail. The pattern for this Capped Sleeve T-shirt Top is included in Alabama Studio Sewing + Design and detailed instructions for construction can be found on pages 48-49.
Use our Studio Style DIY supplies to make your own or get the pre-cut and stenciled kit here.
Before Alabama Chanin existed in its current form, before the Journal, the Studio Books, the DIY Kits, even the website, we were a very small company. When I began working to create these garments, I was doing the majority of the making myself. That meant buying t-shirts from thrift stores around the community (or anywhere I could find them), washing them, dyeing them, cutting them up, painting them, and sewing them back together again—all of this from my home/makeshift production office. It was thrilling and exhilarating and exhausting and I learned so much about designing (and running a business) by trial and error. Eventually, staff was hired and our production office moved out of my home and into The Factory; however, those early efforts were a daily experiment.
The first men’s t-shirts were a bit different from those we make today. We had no real patterns for the men’s shirts and each shirt was designed, cut, and sewn based entirely on the style of the t-shirt itself. We were in the beginning stages of developing different seams, stretchable stitches, and elaborate embroideries, so the garments were experiments in non-traditional translations of classic sewing techniques and pared down versions of some of the Alabama Chanin garments you might see today.
The “Pig Shirt” in the photo above is one of my very early garments. It is made from a recycled tee, which was hand dyed (in the bathtub) and the pocket removed. The fabric for the reverse appliqué was taken from a different recycled (printed) t-shirt and everything was sewn together with a straight stitch. The aesthetic was meant to be a tribute to traditional stitch work and the colors and the style served to highlight the stitches themselves. This project is a tribute to our roots, a reflection upon where Alabama Chanin grew from and how those early years helped form the company we are today.
When you select a recycled t-shirt for this, or any, project pay close attention to the quality of the cotton. Look for shirts that are soft and smooth to the touch and don’t ball or “pill” easily. Thicker shirts are less prone to tearing or wearing out quickly. Always make sure that you wash any recycled t-shirt before using it. This ensures a clean surface, but also reduces any chance of shrinking. If you are working with red t-shirts, wash them two or three times to prevent the color from bleeding and avoid mixing red with light colors.
We use stencils in many of our designs. Most often employed as a pattern to follow when adding elaborate embroidery, beading, and appliqué, we also love the simplicity of a stenciled pattern on a basic silhouette.
This DIY Stencil T-shirt focuses on the simple beauty that emerges when you combine just the right pattern, stencil, and colors. The techniques used are easy for both the beginning and the advanced sewer to master. This design is our classic T-shirt Top. Here we used the sleeveless version, but you could use any sleeve length, depending on your personal style and taste.
October’s Desktop of the Month highlights the detail of a herringbone embroidery stitch along the rib binding of our Basic Tank Dress, featured on page 69 of Alabama Studio Style. The herringbone stitch is an impressive stitch because of the variation created by the small slanted stitches and it has appeared often in our collections. As with all embroidery stitches, the herringbone stitch takes time and patience to perfect (especially when working within the 5/8” space of a rib binding, along the curved edge of a neckline or armhole).
A parallel whipstitch, seen in the photo on our open-felled seams, is another alternative to the herringbone when attaching the binding. You will find other decorative stitches which can be used for bindings and open-felled seams on page 71 of Alabama Studio Style and look to Elegant Stitches by Judith Baker Montano for a wealth of alternatives for both simple and more elaborate embroidery stitches.
This hi-resolution photograph, for use as your computer desktop background, is now available to download from our Resources page.
The photograph above highlights one of the many options available when creating a Custom DIY Kit. There are hundreds of options to choose from, including fabric, colors, thread, stencil, embroidery or treatment, and garment or item. View our Alabama Chanin Custom DIY Guide for ideas to create your own project. Click here to design your own Custom DIY Kit.
OUR DESIGN CHOICES
Garment – Tank Dress from Alabama Studio Style
Fabric weight – 100% organic medium-weight cotton jersey
Fabric color – Faded Leaves
Thread – Slate #26
Rib binding (or stretch) stitch – Herringbone
Seams – Open-felled on right side
We frequently talk about the heirloom aspect of our hand-made clothing, the timeless design and lasting quality that allows for an Alabama Chanin garment to be worn for years and, in some cases, passed along to a younger family member. While we know this to be true, we don’t often have the opportunity to witness a specific garment change and evolve over time. Perhaps a perfect example: my daughter, Maggie has been wearing the above dress for five years (and counting).
The dress was made for her, cut from an oliver + s pattern, when she was a curly headed, cherub faced two year old. Made with our organic cotton jersey in Butter and Natural, the dress has been through about a million washes and worn on too many occasions to count. It’s been stained, ripped, appliquéd (to cover the rips), and dyed blue (to cover the stains). No longer a dress but a summer top, she will not give it up.