Tag Archives: DIY + Sewing

THE ZERO STENCIL

ZERO STENCIL

“Zero” is both a number and a concept. It is both incredibly complex and perfectly simple. Zero is both a value and a digit—a number and a placeholder. It can be called: nil, oh, naught, nada, and zilch. Complex chemical and physical theories involve and surround the concept of zero. All of this to say that, though the word “zero” may describe something that is very small, the larger idea of zero is very, very big.

Our goal at Alabama Chanin is to become a zero waste company. This means we repurpose and recycle every possible material, letting nothing go to waste. There are times when it is challenging to approach design with the idea of waste in mind; designing patterns and establishing cutting techniques that maximize our materials are not necessarily glamorous or exciting tasks. But, we believe taking those extra steps makes our products—and our company—more beautiful.

ZERO STENCIL

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FABRIC STACK: AUTUMN

FABRIC STACK: AUTUMN

New season = new colors.

For a limited time, we are offering our new (bright) autumn colors bundled together in one yard cuts. This fabric stack includes one yard lengths, each, of Dusk, Gold, Persimmon, Autumn, Wine, and Teal.

Our medium-weight 100% organic cotton jersey is 56” wide, made in the USA from domestically grown organic cotton, and comes to you pre-shrunk and ready-to-use.

$156

Enjoy free shipping on orders over $300.

SWATCH OF THE MONTH: OCTOBER 2014

SWATCH OF THE MONTH: OCTOBER 2014

The October Swatch of the Month highlights one of our most popular embroidery treatments—Alabama Fur. The technique, first presented in Alabama Studio Sewing + Design, combines our Spiral stencil with backstitch-worked embroidery floss, and incorporating exposed knots and tails. Simple, yet time consuming, the end result is a hypnotic continuation of curves that is both a beauty to behold and touch (the texture is irresistible).

To create the swatch, begin by stenciling the design to the top layer of fabric using your transfer method of choice. (The Spirals stencil is available for download from our Resources page.)

Align your top and backing layers of fabric, with right sides up and pin together. Using four strands of embroidery floss (or two strands doubled) thread your needle. When you knot off, use a double knot and make sure to leave a 1” tail of floss (note that this tail is longer than we use when working with Button Craft thread, for effect).

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POLKA DOT STENCIL – LARGE, MEDIUM, + SMALL

POLKA DOTS – LARGE, MEDIUM, + SMALL

As a designer, I am constantly in search of inspiration for new patterns. Often, I find ideas in nature. Other times, I’m drawn to simple geometric shapes – such as circles or dots – and how they interact with one another. Polka dots, with their equal size and relative spacing, create a classic pattern on a garment. In fact, polka dots have quite an interesting history throughout fashion.

The spotted design gained popularity in the mid to late-19th century, as the polka dance came into fashion. Martha Stewart describes the origins of the term in her book, Encyclopedia of Sewing and Fabric Crafts:

“To capitalize on the popularity of the polka in the late nineteenth century, one enterprising American textile manufacturer coined the term “polka dot” to describe the dots on one of his fabrics. The name stuck, and today the term refers to round, evenly spaced dots of identical size.”

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HOW TO CATCH A FROG

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Perhaps the most common advice given to any writer: write what you know. Fabric designer, crafter, illustrator, writer, friend, and heroine Heather Ross manages to do just that in her newest publication, How to Catch a Frog: And Other Stories of Family, Love, Dysfunction, Survival, and DIY. In the book, Heather shares wisdom, heartfelt stories, lessons from her eccentric childhood spent in rural Vermont, gorgeous humor, and her deep joy for life.

Published by Stuart Tabori Chang, one of the descriptions of the book reads:

“When, as a twenty-something, Heather complained to her mother about a long list of things she had missed out on and that had compromised her chance of ever leading a ’normal’ life (immunizations, a healthy respect for authority), her mother waved a hand and replied, ’Well, you should thank me, because you have a lot of good stories instead.’”

The stories that Heather weaves, particularly the tales of a childhood surrounded by nature, remind me in-parts of my own daughter, Maggie, who spent much of her summer this year in Seale, Alabama, with her dad, Butch…swimming in a cattle watering trough, exploring the woods, riding ponies, creating art, catching frogs, lizards, turtles, and snakes, and—much to my dismay—having a pretty close encounter with a crocodile.

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Heather’s anecdotes of her youthful adventures elicit emotional responses without relying on conventions or tropes. I laughed, I cried, and I found true appreciation for her life lessons.

I was (luckily) invited to read an early copy of the book and contributed this review on the book’s back cover:

I’ve long counted myself among Heather’s admirers; I am now a full-fledged devotee, grateful to her for inviting us all into her world.

Purchase a copy of Heather’s book from our online store, and read more about her other noteworthy publication Heather Ross PRINTS here.

How to Catch a Frog: And Other Stories of Family, Love, Dysfunction, Survival, and DIY by Heather Ross is a Melanie Falick Book published by Stewart, Tabori & Chang, an imprint of Abrams (our own publisher).

xoNatalie

NEW DIY COLLECTION

NEW DIY COLLECTION

Beginning today, we launch our new DIY Sewing Kit collection. These DIY collections are designed and sold in the same manner as our ready-to-wear collection—created through seasonal inspirations and focusing on garments and patterns that we love. Some pieces are designed in conjunction with our current Alabama Chanin collection; others are top customer picks and our own long-standing favorites.

Going forward, all of our DIY Sewing Kits will be introduced seasonally. Some old favorites will be transitioned out, while new designs will appear. Every new DIY Kit can be personalized to fit your desired embellishment or embroidery choices—so your kit of choice can be worked in any of our techniques. Of course, if we are not currently offering a DIY kit that you want, you may create your own custom DIY Kit design by mixing and matching any of our body styles, stencils, embroidery techniques, and color choices. For more information on how to design your own, view our guide here.

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ANNA MARIA HORNER KNITS

ANNA MARIA HORNER KNITS

Our longtime friend and collaborator Anna Maria Horner has created a new line of knit jersey fabric – Anna Maria Knits. On my recent visit to Nashville for Anna Maria’s newest venture, Craft South, we hosted a joint workshop that focused on combining machine and hand techniques with both Alabama Chanin and Anna Maria Horner knits.  Before Craft South, we got a sneak peek and explored what might come of applying our techniques to the colorful designs.

Her 100% cotton interlock fabric is available in 5 prints with 3 different colorways each, for a total of 15 different pieces. When planning these new textiles, Anna Maria opted for a knit she felt would work well with a sewing machine, in addition to hand stitching. Those who love texture and pattern can experiment with combining our Alabama Chanin stencil designs and techniques with these patterned knits.

ANNA MARIA HORNER KNITS
Alabama Chanin Cotton Jersey in Peacock with Sealing Wax Knit as Reverse Applique backing using our new Large Polka Dot stencil

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SWATCH OF THE MONTH: SEPTEMBER 2014

SWATCH OF THE MONTH: SEPTEMBER 2014

The Swatch of the Month for September continues August’s emphasis on texture as it relates to an overall design perspective. Couching has a sculptural quality and it places significant focus on the stencil or design motif it highlights. This stencil, Anna’s Garden, works well with the couching technique, as it has lots of curved shapes and forms.

Traditional couching is a very old embroidery technique in which yarn is laid across a surface fabric and sewn into place (usually with a satin stitch). While we have used cotton yarn in some of our couching designs, we most often substitute our cotton jersey, cut into strips and pulled to make a smaller version of our cotton jersey pulls. These are more substantial and look beautiful on coats, dresses, pillows – and many other pieces.

Couching is simple in concept, but more difficult in execution. It is difficult, if not impossible, to pin the yarn or rope to the base fabric before stitching it down, so you must use your fingers to turn and shape it into place.

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THE SECRET GARDEN

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One of the great joys of my job is the fact that we sometimes get to review books for other authors. Sometimes we order the books from a catalog of new titles and sometimes, the books just arrive like magic in the mail. This was the case last year, when we received a book called Secret Garden: An Inky Treasure Hunt and Coloring Book by Johanna Basford. The coloring book—intended for children and adults—was published by Lawrence King and immediately found its way to my pile of books I love. On the inside cover is a quote that reads, “Tumble down the rabbit hole & find yourself in my inky wonderland…” And that is exactly how I felt after browsing just a few pages. Although we have played with permanent markers for years in writing on quilts and garments, looking at page after page of beautiful detailed illustrations, I was overwhelmed by inspiration.

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Through some experimentation, we found out that black and white photocopies will transfer onto white and/or natural colored fabric with a hot iron.  This made it possible for us to transfer the pattern one-to-one from this or any coloring book, stencil, or black and white design. There are arrays of fabric coloring tools available at local craft stores and more arrive on the market each year. We found that the pastel dye sticks and fabric markers (designed for children) work very well.

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