Our longtime friend and collaborator Anna Maria Horner has created a new line of knit jersey fabric – Anna Maria Knits. On my recent visit to Nashville for Anna Maria’s newest venture, Craft South, we hosted a joint workshop that focused on combining machine and hand techniques with both Alabama Chanin and Anna Maria Horner knits. Before Craft South, we got a sneak peek and explored what might come of applying our techniques to the colorful designs.
Her 100% cotton interlock fabric is available in 5 prints with 3 different colorways each, for a total of 15 different pieces. When planning these new textiles, Anna Maria opted for a knit she felt would work well with a sewing machine, in addition to hand stitching. Those who love texture and pattern can experiment with combining our Alabama Chanin stencil designs and techniques with these patterned knits.
Alabama Chanin Cotton Jersey in Peacock with Sealing Wax Knit as Reverse Applique backing using our new Large Polka Dot stencil
At Alabama Chanin, we’ve spent years working with textiles to find the perfect medium for our techniques and products: 100% organic cotton jersey. We are drawn to artists who utilize what some might call ordinary materials and tools to create extraordinary work. Dana Barnes has done just that; she has taken familiar techniques like crochet and felting and combined them with a common material, merino wool. But, her results are not ordinary. Rather, they are unexpected and exquisite.
Dana Barnes is a renowned fashion designer, having created collections for lines like Elie Tahari, Adrienne Vittadini, and Tommy Hilfiger. Her exploration into wool and textiles sprang from a practical issue – one that many mothers face: as her young daughters ran and played, they made a little too much noise for the neighbors living beneath the family’s expansive loft. At the time, Dana was experimenting with wool and felting and wondered if she could make a rug that was big enough to cover the family’s living space. What resulted was a massive rug sewn together by hand from large crocheted squares of felted, unspun wool.
Every day of the week, we use textile paint to transfer stencil designs to our 100% organic cotton jersey. While the colors that can be produced by mixing paints are limitless, we primarily work with the following base colors: opaque black, transparent sand, opaque blue, pearl silver, opaque red, opaque white, opaque yellow, opaque sky blue, pearl red, and forest green. By mixing these colors, we create all of the hues and shades that help define our patterns, stencils, and collections.
Our artisans use our painted stencils as a guide for embellishing our designs with appliqué, reverse appliqué, and beading techniques. We have also discovered that a basic garment featuring a subtle stencil adds texture and delicate details to our designs. Many of our Studio Style DIY customers and workshop participants have asked for these unique combinations of textile paint; below, we share recipes for some of our most popular colors. You can find everything you need to create your own stencil and spray kit in our online store.
About four years ago (to my dismay), Diane Hall, our head seamstress and studio directress, turned in her five-year notice. However, as her retirement grows closer, it has become evident to all of us at the studio that we will continue to see her around The Factory after her “official” retirement.
Diane has developed a passion for natural dyeing—in addition to sewing, pattern making, etc. She first encountered natural dyeing with indigo during our workshop at Shakerag in 2012. Her experience there with the renowned dyer Michel Garcia left a lasting impression. Last summer, while our entire company was writing a 10 year vision, Diane wrote that she envisioned a natural dye house here at The Factory and volunteered herself as the head dye master after her retirement.
After that simple act of writing our vision, the dye house miraculously began to take shape.
Friend, inspiration, and collaborator Anna Maria Horner has been featured on our Journal several times. She is a multi-talented woman fluent in more than one creative medium, from her imaginative books and fabric design to fine art. Natalie and Anna Maria’s friendship has only continued to grow as they connect over everything from food and family, to sewing and gardening.
Since we last featured Anna Maria on our Journal, she has added child number seven to her large and happy home. She, her husband Jeff, and their children (aged 1 to 22) live on two acres of land in Nashville, Tennessee. Anna Maria’s ability to balance her life as a mother and entrepreneur is truly remarkable.
Having collaborated with Anna Maria on garment design (and creation the textile patterns Little Flowers and Little Folks), we are excited to work with her once again during an upcoming weekend workshop in Nashville: “Fashion by Hand” with Anna Maria Horner and Natalie Chanin.
We’ve written before about the importance of color – from a cultural standpoint and a design perspective. At Alabama Chanin, we tend to embrace more muted tones for our design color palette. Muted colors have a reduced intensity, so any saturated color stands out in comparison. We are drawn toward natural tones and some of our fabrics are colored with natural dyes to create rich, pure shades of color.
When it comes to individual style, our feelings about color can be personal; a color can make you feel happy or sad, energetic or depressed. Colors can transmit mood, thought, and feeling. When discussing the best way to exhibit the color options for our DIY projects, Olivia – a member of our design team – suggested that we approach the display as an art project. The result of her work, this wrapped canvas, is beautiful, simple, and focuses the viewer’s attention directly on color. Anything else you take from this, like your thoughts on color, is personal.
This year, we’ve taken the best of our new collection and Studio Style DIY and put them together for our 2014 Mother’s Day Gift Guide. We have a little bit of everything for everyone, whether you want to make something special or prefer to give something already handmade. Either way, your gift will be one-of-a-kind.
Our collection features contemporary and flattering styles for moms of all ages, and our guide features a selection of garments, discounted for a limited-time: the Panel Tunic, Magdalena Betsy Blazer, and Daisy Long Skirt. The Alabama Vest is a simple accessory and compliments any woman’s wardrobe.
Other gift items include Dust-to-Digital’s book and CD collection, Never a Pal Like Mother and But Mama Always Put Vodka in her Sangria by Julia Reed. These would be perfect when paired with Rosanne Cash’s newest (amazing) album, The River & The Thread.
For those who enjoy making, our newest DIY Kits feature our Stencil of the Year pattern, the Check. Our DIY Check Tied Wrap features Alabama Eyelet beading and casually covers the shoulders. The DIY Check Skirt is the only DIY Kit pattern we currently feature using our Short Fitted Skirt pattern from Alabama Studio Sewing + Design.
For the mom-to-be, make a DIY Baby Blanket + Onesie from our kit.
After launching our Swatch of the Month Club in January, we received several requests for a more accessible way to sample a variety of our techniques before investing in a club membership. Our commitment to listening to your feedback and, in turn, giving better service, led us to create the Starter Sewing Kit.
Our Starter Sewing Kit includes three 10” x 16” pieces of organic cotton jersey: one un-stenciled piece for your bottom layer in Black, and two additional 10” x 16” pieces in Slate and Twilight. The Slate fabric is painted on the wrong side—for use as appliqué. Use the stenciled Twilight piece for your top layer, suitable for reverse appliqué.
Each month, as part of our Swatch of the Month Club, we are demonstrating some of our most popular techniques so that you might try your hand at creating new designs and embroideries. If you join the Swatch of the Month Club, you will receive a ready-to-sew package each month with the supplies needed to make that month’s unique piece. Just provide your own needles, pins, and scissors (or purchase an Essential Sewing Kit from our online store). Techniques and instruction can be found in Alabama Studio Sewing + Design.
The hi-resolution photograph above of March’s featured technique, for use as your computer desktop background, is available from our Resources page.
I’ve kept a journal, or some type of notebook, on and off since I was fifteen years old. My current journal is full of messages, reminders, sketches, and sweet notes and drawings I’ve collected from Maggie over the past few weeks—which, since Valentine’s Day is fast approaching, includes a lot of heart-shaped and heart-adorned things.
I first started making these covers for well-worn (and well-loved) books. Soon, most of my binders, notebooks, and journals had covers, as well. Each time I retire a journal to my shelves, I slip a new one into my hand-sewn cover.