Every day of the week, we use textile paint to transfer stencil designs to our 100% organic cotton jersey. While the colors that can be produced by mixing paints are limitless, we primarily work with the following base colors: opaque black, transparent sand, opaque blue, pearl silver, opaque red, opaque white, opaque yellow, opaque sky blue, pearl red, and forest green. By mixing these colors, we create all of the hues and shades that help define our patterns, stencils, and collections. Our artisans use our painted stencils as a guide for embellishing our designs with appliqué, reverse appliqué, and beading techniques. We have also discovered that a basic garment featuring a subtle stencil adds texture and delicate details to our designs. Many of our Studio Style DIY customers and workshop participants have asked for these unique combinations of textile paint; below, we share recipes for some of our most popular colors. You can find everything you need to create your own stencil and spray kit in our online store. Continue reading
About four years ago (to my dismay), Diane Hall, our head seamstress and studio directress, turned in her five-year notice. However, as her retirement grows closer, it has become evident to all of us at the studio that we will continue to see her around The Factory after her “official” retirement.
Diane has developed a passion for natural dyeing—in addition to sewing, pattern making, etc. She first encountered natural dyeing with indigo during our workshop at Shakerag in 2012. Her experience there with the renowned dyer Michel Garcia left a lasting impression. Last summer, while our entire company was writing a 10 year vision, Diane wrote that she envisioned a natural dye house here at The Factory and volunteered herself as the head dye master after her retirement.
After that simple act of writing our vision, the dye house miraculously began to take shape.
Friend, inspiration, and collaborator Anna Maria Horner has been featured on our Journal several times. She is a multi-talented woman fluent in more than one creative medium, from her imaginative books and fabric design to fine art. Natalie and Anna Maria’s friendship has only continued to grow as they connect over everything from food and family, to sewing and gardening.
Since we last featured Anna Maria on our Journal, she has added child number seven to her large and happy home. She, her husband Jeff, and their children (aged 1 to 22) live on two acres of land in Nashville, Tennessee. Anna Maria’s ability to balance her life as a mother and entrepreneur is truly remarkable.
Having collaborated with Anna Maria on garment design (and creation the textile patterns Little Flowers and Little Folks), we are excited to work with her once again during an upcoming weekend workshop in Nashville: “Fashion by Hand” with Anna Maria Horner and Natalie Chanin.
We’ve written before about the importance of color – from a cultural standpoint and a design perspective. At Alabama Chanin, we tend to embrace more muted tones for our design color palette. Muted colors have a reduced intensity, so any saturated color stands out in comparison. We are drawn toward natural tones and some of our fabrics are colored with natural dyes to create rich, pure shades of color.
When it comes to individual style, our feelings about color can be personal; a color can make you feel happy or sad, energetic or depressed. Colors can transmit mood, thought, and feeling. When discussing the best way to exhibit the color options for our DIY projects, Olivia – a member of our design team – suggested that we approach the display as an art project. The result of her work, this wrapped canvas, is beautiful, simple, and focuses the viewer’s attention directly on color. Anything else you take from this, like your thoughts on color, is personal.
After launching our Swatch of the Month Club in January, we received several requests for a more accessible way to sample a variety of our techniques before investing in a club membership. Our commitment to listening to your feedback and, in turn, giving better service, led us to create the Starter Sewing Kit.
Our Starter Sewing Kit includes three 10” x 16” pieces of organic cotton jersey: one un-stenciled piece for your bottom layer in Black, and two additional 10” x 16” pieces in Slate and Twilight. The Slate fabric is painted on the wrong side—for use as appliqué. Use the stenciled Twilight piece for your top layer, suitable for reverse appliqué.
Each month, as part of our Swatch of the Month Club, we are demonstrating some of our most popular techniques so that you might try your hand at creating new designs and embroideries. If you join the Swatch of the Month Club, you will receive a ready-to-sew package each month with the supplies needed to make that month’s unique piece. Just provide your own needles, pins, and scissors (or purchase an Essential Sewing Kit from our online store). Techniques and instruction can be found in Alabama Studio Sewing + Design.
The hi-resolution photograph above of March’s featured technique, for use as your computer desktop background, is available from our Resources page.
I’ve kept a journal, or some type of notebook, on and off since I was fifteen years old. My current journal is full of messages, reminders, sketches, and sweet notes and drawings I’ve collected from Maggie over the past few weeks—which, since Valentine’s Day is fast approaching, includes a lot of heart-shaped and heart-adorned things.
I first started making these covers for well-worn (and well-loved) books. Soon, most of my binders, notebooks, and journals had covers, as well. Each time I retire a journal to my shelves, I slip a new one into my hand-sewn cover.
With the launch of the new collection and several new fabric colors, we have also updated our selection of cocktail napkins and organic cotton jersey dinner napkins to include fresh, new, seasonal colors.
The neutrals and greens (shown above) are a nice reminder that spring is on the way. Lime—a color exclusive to collection pieces (until now)—is being offered as both a cocktail and organic cotton dinner napkin color and will give your bar or kitchen area a nice pop of color.
Previously, our line of cocktail napkins was limited to five colors: Sand, Baby Blue, Forest, Carmine, and Burgundy. The selection now includes 15 colors: Denim, Storm Blue, Navy, Baby Blue, White, Plum, Ochre, Butter, Nude, Natural, Tea, Emerald, Lime, Burgundy, and Dark Grey.
Over the past six months, we have been developing a selection of new colors to add to our fabric library. Each time we add to our color library, we begin the color development process by browsing through Pantone Solid Chips. In the studio, these books are used for reference as we select new fabric dyes. Once potential color options are chosen, color swatches—in the form of paper, fabric swatches, and/or Pantone chips—are sent to the dye house in Raleigh, North Carolina, so that they can create dyes to match the samples. We have worked with our dye house extensively for custom color development and dyeing since 2008. They perform lab dips—developing a color recipe—and test dyes on our organic cotton jersey; the fabric samples are then sent to us for comparison, inspection, and approval. Sometimes the hue comes out right on the first try; other times there is a back-and-forth process until the perfect shade and hue is achieved.
We are excited to announce the addition of seven new medium-weight organic cotton jersey fabric colors: Dusk, Gold, Persimmon, Autumn, Wine, Teal, and (an updated) Peach. They are vibrantly saturated and fit perfectly alongside our existing shades.
While the first six are additions to our existing color palette, Peach is an improved-upon color. Dye lots can change over time, with variations in the ingredients and methods. Our Peach had begun to resemble Light Pink, and therefore it was due an update to a fresher, brighter look.
These new colors will be replacing Popcorn, Green Tea, Green Organic, Brown Tea, and Brown Organic fabrics, as these naturally grown colored cottons are no longer available. At the same time, Indigo—originally included on Color Card 2—is also grouped with our more robust selection of nine Natural Dye fabrics, and is offered in both Light and Medium-weight.
January’s Swatch of the Month incorporates Alabama Chanin’s basic reverse appliqué technique with our Paisley stencil. Explore our techniques and build your skills with a membership to our Swatch of the Month Club and follow along here on the Journal.
The photograph above shows one of many options you can create when making your own swatch. (This hi-resolution photograph, for use as your computer desktop background, is now available for download from our Resources page.)
Experiment with your swatch. You can work it in reverse appliqué like we did, or use another treatment: negative reverse, backstitched reverse, quilted, or embellish with beaded stitches. Reverse appliqué can be done by beginners and experienced sewers alike and is worked on two layers of fabric: The top layer is stenciled and then stitched to the backing layer; next, part of the top layer is cut away to reveal the backing fabric underneath.
Each kit comes stenciled and ready-to-sew with all of the notions needed to complete the swatch—just provide your own needles, pins, and scissors (or purchase an essential sewing kit). Colorway options include Navy/Black (our design choice), White/Natural, Neutrals, Reds, and Blues. Techniques and instruction can be found in Alabama Studio Sewing + Design.